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The four stories that make up the Mabinogi, along with three additional tales from the same tradition, form this collection and compose the core of the ancient Welsh mythological cycle. Included are only those stories that have remained unadulterated by the influence of the French Arthurian romances, providing a rare, authentic selection of the finest works in medieval Celtic literature. This landmark edition translated by Patrick K. Ford is a literary achievement of the highest order.
The retelling of the epic Welsh myth that is “certainly among the top 5 fantasy series of the twentieth century” (sfsite.com). The Mabinogion is to Welsh mythology what the tales of Zeus, Hera, and Apollo are to Greek myth. these tales constitute a powerful work of the imagination, ranking with Tokien’s Lord of the Rings novels and T.H. White’s The Once and Future King. Evangeline Walton’s compelling rendition of these classic, thrilling stories of magic, betrayal, lost love, and bitter retribution include the encounter between Prince Pwyll and Arawn, the God of Death, which Pwyll survives by agreeing to kill the one man that Death cannot fell, and the tale of bran the blessed and his family’s epic struggle for the throne. The Mabinogion is internationally recognized as the world’s finest arc of Celtic mythology; Walton’s vivid retelling introduces an ancient world of gods and monsters, heroes, kings and quests, making accessible one of the greatest fantasy sagas of all time. “These books are not only the best fantasies of the twentieth century, but also great works of fiction. They are actual retellings of diverse legends of the Mabinogion in novel form . . . dealing with Good and Evil . . . and the nature of love.” —The Saturday Review (UK) “Magnificently conceived . . . persuasive and powerful . . . the product of keenly imaginative and well disciplined mind.” —August Derleth “Evangeline Watson’s Mabinogion books remain the benchmark against which any future retellings of the stories must be measured.” —Diana L. Paxson
Celtic mythology, Arthurian romance, and an intriguing interpretation of British history - these are just some of the themes embraced by the anonymous authors of the eleven tales that make up the Welsh medieval masterpiece known as the Mabinogion. They tell of Gwydion the shape-shifter, who can create a woman out of flowers; of Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar. Dragons, witches, and giantslive alongside kings and heroes, and quests of honour, revenge, and love are set against the backdrop of a country struggling to retain its independence.This new translation, the first for thirty years, recreates the storytelling world of medieval Wales and re-invests the tales with the power of performance.
A retelling of the Four Branches of the Mabinogi for children by Gwyn Thomas.
"Stories from Le Morte D'Arthur and the Mabinogion," authored by Beatrice E. Clay, presents a captivating collection of Arthurian legends and Welsh myths. Drawing from two iconic medieval sources, the book weaves together tales of chivalry, magic, and also heroic quests. Le Morte D'Arthur, written by Sir Thomas Malory, forms the foundation of the Arthurian legends. Clay skillfully selects and retells key episodes from this vast work, recounting the adventures of King Arthur, his knights, and the legendary sword, Excalibur. The narrative delves into the complexities of Arthur's reign, his noble deeds, and the tragic downfall of the Round Table. The Mabinogion, a compilation of Welsh myths and other one legends, which adds another layer of enchantment to the book. Clay brings to life the mystical world of ancient Wales, featuring and captivating stories of gods, heroes, and also otherworldly beings. Readers are immersed in magical encounters, ancient prophecies, and other one dramatic battles, capturing the essence of Welsh folklore. Through her eloquent prose, Beatrice E. Clay breathes new life into these timeless tales, preserving their essence while making them accessible to modern readers.
Collection of 12 medieval Welsh stories considered a masterpiece of European literature. Includes Kilhwch and Olwen, one of the earliest Arthurian tales in Welsh; The Dream of Rhonabwy, The Lady of the Fountain, more.
A little-known lecture by Lévi-Strauss is the inspiration for this work. In this lecture, he intuitively suggested that in medieval Europe there once existed a set of myths, centred on the grail, which are structurally the opposite of the goatsucker myths that he famously analyzed in his mythologiques series. This work uses Lévi-Strauss' inspirational lecture as a launchpad for an exploration of a group of related medieval Welsh myths, two of which have been briefly considered previously by Lévi-Strauss himself. The root of the methodological approach this book employs throughout is the Structuralism of Claude Lévi-Strauss; however, it has been modified to incorporate the suggestions of later neo-Structuralists. This analysis tool is applied to a group of myths, which have become conveniently--if somewhat erroneously--known as the Mabinogion. The name Mabinogion appears as part of a colophon at the end of one of the myth of Pwyll and it was later adopted first by Pugh (1835), and then by Lady Charlotte Guest (1838) as a title for their now famous translations of Welsh mythology. Consequently, the title has stuck to describe the material that is contained within their translations and, while it is a somewhat inaccurate way to describe the myths, it has the virtues of being both a succinct and widely recognised signifier. The term has come to signify eight myths, or perhaps more accurately eight groups of myths, which are all present in the late fourteenth-century manuscript Llyfr Coch Hergest (The Red Book of Hergest), and all but one of which can be found in the slightly earlier Llyfr Gwyn Rhydderch (The White Book of Rhydderch). As such, the Mabinogion is the key collection of medieval Welsh mythology and an important source for early Arthurian material. Although Structuralism and the Mabinogion have attracted a good deal of attention from the academic world, there has been never been a sustained attempt to follow Levi-Strauss' intuitive insights with a methodical Structuralist analysis of this material. In the year of Lévi-Strauss' centenary celebrations, this work is the first sustained attempt to follow his intuitive suggestions about several Mabinogion myths with a detailed Structuralist analysis of the Mabinogion. This work is therefore a unique anthropological presentation and analysis of the Mabinogion, which argues for a radical, new interpretation of these myths in light of the existence of a central system of interlocking symbols that has the Grail at its heart. Through the analysis, the book reveals a logical organizational principle that underlies a body of material that has previously been viewed as disparate and confusing. This underlying structure is demonstrated to be, as Lévi-Strauss suggested it may, the opposite of that which Lévi-Strauss himself uncovered in the Americas. The revelation of this new form of underlying structure leads to a rethinking of some important aspects of Structuralism, including the Canonical formula, at the same time as acting as a tribute to the farsightedness of Lévi-Strauss. This book makes important contributions to the fields of Arthurian studies, anthropology, Celtic studies, cultural studies, medieval studies, mythology and religious studies.