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Imagine a typical living room in a large house. It has a tiger rug on the floor, a statue of a little girl on the window sill, and an armchair. And they talk. The tiger cannot see anything except the base-board because he is lying on the floor, and the chair can only look at the opposite wall. And then the statue comes to life. The conversation that ensues is highly individual.
After returning to Fairyland, September discovers that her stolen shadow has become the Hollow Queen, the new ruler of Fairyland Below, who is stealing the magic and shadows from Fairyland folk and refusing to give them back.
Imagine a typical living room in a large house. It has a tiger rug on the floor, a statue of a little girl on the window sill, and an armchair. And they talk. The tiger cannot see anything except the base-board because he is lying on the floor, and the chair can only look at the opposite wall. And then the statue comes to life. The conversation that ensues is highly individual.
THEY FLEW THROUGH THE AIR WITH GREATEST OF EASE Richard Halliburton can be counted on to lead his readers into strange places, into hilarious difficulties, into new appreciations of history and romance—and never to qualify his outrageous philosophy of reckless living with a single sober moral. The Flying Carpet is his latest, his most modern book—in which he takes us around the world by airplane. Timbuctoo, because it was far away and mysterious, was his first destination. From there, the author and his pilot-companion, Moye Stephens, follow a “royal road to romance” through the sky, dropping down on Fez, Morocco and the French Foreign Legion, The Holy Land, Galilee, Baghdad in mysterious Arabia, Persia, and India; flying over the world’s highest mountain, Mt. Everest, investigating Singapore, speeding to Borneo to visit the white Ranee whose husband rules half a million head hunters, and ending in Manila, making airplane records, enjoying unprecedented thrilling experiences, flying into remote places where airplanes had never been heard of before. These enviable adventures are told gaily and dramatically. Their footloose spirit, as free as the air through which the Flying Carpet sailed, will prove fatal to the contentment of those readers who have not yet achieved the realization of their own travel dreams.
Five British children discover in their new carpet an egg, which hatches into a phoenix that takes them on a series of fantastic adventures around the world.
“A smart, suspenseful, and unpredictable thriller that will keep readers turning pages until every last lie is revealed.”—Karen M. McManus, New York Times bestselling author of One of Us Is Lying For fans of The Darkest Corners and Pretty Little Liars, Amanda Searcy’s debut novel will have readers both disturbed and entranced by one girl’s present-day horrors and another’s haunting past. Flight. All Kayla Asher wants to do is run. Run from the government housing complex she calls home. Run from her unstable mother. Run from a desperate job at No Limits Food. Run to a better, cleaner, safer life. Every day is one day closer to leaving. Fight. All Betsy Hopewell wants to do is survive. Survive the burner phone hidden under her bed. Survive her new rules. Survive a new school with new classmates. Survive being watched. Every minute grants her another moment of life. When fate brings Kayla and Betsy together, only one girl will survive.
In this magical fairy tale, the Witch is alone AGAIN on her birthday, so she bakes a Cake Girl to sing, dance, and do all the housework for her. The Witch tells Cake Girl she is going to EAT her, but clever Cake Girl turns the tables on her captor and shows her instead how it is possible and EVEN fun to be a nice person. The finale is a cornucopia of magic tricks and laughter, and is the best birthday either of them have ever had.
INSTANT NEW YORK TIMES BESTSELLER! In I’m Telling the Truth, but I’m Lying Bassey Ikpi explores her life—as a Nigerian-American immigrant, a black woman, a slam poet, a mother, a daughter, an artist—through the lens of her mental health and diagnosis of bipolar II and anxiety. Her remarkable memoir in essays implodes our preconceptions of the mind and normalcy as Bassey bares her own truths and lies for us all to behold with radical honesty and brutal intimacy. A The Root Favorite Books of the Year • A Good Housekeeping Best 60 Books of the Year • A YNaija 10 Notable Books of the Year • A GOOP 10 New Favorite Books • A Cup of Jo 5 Big Books of Fall • A Bitch Magazine Most Anticipated Books of 2019 • A Bustle 21 New Memoirs That Will Inspire, Motivate, and Captivate You • A Publishers Weekly Spring Preview Selection • An Electric Lit 48 Books by Women and Nonbinary Authors of Color to Read in 2019 • A Bookish Best Nonfiction of Summer Selection "We will not think or talk about mental health or normalcy the same after reading this momentous art object moonlighting as a colossal collection of essays.” —Kiese Laymon, author of Heavy From her early childhood in Nigeria through her adolescence in Oklahoma, Bassey Ikpi lived with a tumult of emotions, cycling between extreme euphoria and deep depression—sometimes within the course of a single day. By the time she was in her early twenties, Bassey was a spoken word artist and traveling with HBO's Def Poetry Jam, channeling her life into art. But beneath the façade of the confident performer, Bassey's mental health was in a precipitous decline, culminating in a breakdown that resulted in hospitalization and a diagnosis of Bipolar II. In I'm Telling the Truth, But I'm Lying, Bassey Ikpi breaks open our understanding of mental health by giving us intimate access to her own. Exploring shame, confusion, medication, and family in the process, Bassey looks at how mental health impacts every aspect of our lives—how we appear to others, and more importantly to ourselves—and challenges our preconception about what it means to be "normal." Viscerally raw and honest, the result is an exploration of the stories we tell ourselves to make sense of who we are—and the ways, as honest as we try to be, each of these stories can also be a lie.
Halibut Jackson is so shy that he makes special outfits to blend in wherever he goes, but the clothes he wears to a party at the palace only make him stand out.