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A group of Confederate plotters convene in 1864 New York, determined to burn the city. Reporter Pete Tonneman of the New York Evening Post, joins forces with a pretty barmaid to save the Union.
A devilishly fascinating tour of the Faustian bargain through the ages, from brimstone to blues and beyond ... From ancient times to the modern world, the idea of the Faustian bargain—the exchange of one's soul in return for untold riches and power—has exerted a magnetic pull upon our collective imaginations. Scholar Ed Simon takes us on a historical tour of the Faustian bargain, from the Bible to blues, and illustrates how the impulse fto sacrifice our principles in exchange for power is present in all kinds of social ills, from colonialism to nuclear warfare, from social media to climate change to AI, and beyond. In doing so, Simon conveys just how much the Faustian bargain shows us about power and evil ... and ourselves.
From Scout Media comes A Contract of Words—the fourth volume in an ongoing short story anthology series featuring authors from all over the world. In this installment, the authors wove multi-genre tales around characters entering into contracts, who found repercussions or rewards. From comedy, to drama, fantasy, romance, and horror, these stories put eclectic and unusual spins on what is usually thought to be typical and mundane events. Whether you are honoring a request for euthanasia, satisfying a contract for home improvement, failing to meet an exorcism agreement, or feeling the ramifications of a shady television reality show, you may find yourself gripped with fear from an evil pyramid-scheme company or desperately searching for a loophole in a contract that pits you against a gunslinger at high noon. These stories of both infringement and fulfillment of contracts will warm your heart, send shivers down your spine, and tickle your funny bone. Whether to be enlightened, entertained, or momentarily immersed in another world, these selections convey the true spirit of the short story and the complexity of promises.
A temp assistant and the British boss she loves to hate . . . The Devils series is a sexy blend of spice, romance and grumpy men. Prepare to laugh, swoon and cry . . . perfect for fans of Christina Lauren and Emma Chase. He might not be the devil, but working under him for six weeks is my idea of hell. Hayes Flynn is an arrogant jerk known best for his scotch habit and the way he spreads his British "charm" all over Hollywood, never with the same woman twice. He's the last person I want to work for, except he has a face I can't look away from, and the longer we're together, the harder he is to hate. Because under that smug exterior is a heart he doesn't want to show-one that was badly broken a decade earlier. A part of me wants to fix it for him before I leave...but can I do it without breaking my own in the process?
[Siren Everlasting Classic ManLove: Erotic Romance, Alternative, Fantasy, Paranormal, Shape-shifters, Demons, Light Consensual BDSM, MM, HEA] The Incubus Song- Dante Louis is a struggling musician in New Orleans with no time for a social life. He doesn't know that his passion has caught the eye of some otherworldly creatures who want more from him than the music he makes. Eroc Alighieri is a sex demon on probation for showing mercy to a human. When the King of the Incubi hands him the important mission of retrieving Dante’s soul, he knows that it is his last chance. But Eroc never anticipated the pleasure he feels when obeying the sexy musician. Can the two overcome their differences and make a meaningful relationship out of a shady business deal? Or will they both lose themselves in the roles they've been cast to play? The Incubus Lesson- Remy Eschette has been a bad boy. So bad, in fact, that he's attracted the attention of a class A Incubus with sex and contracts on his mind. Remy’s soul is up for grabs, and Deacon steps in with an offer Remy is better off not refusing. He can become his Hell Hound, his live-in servant, in exchange for his life. Deacon Anderson is an immortal Incubus with no idea what it takes to make a commitment. Unfortunately, taking on a Hell Hound is the biggest commitment of all. Avoidance is the only viable option. But when Remy refuses to sleep with him until Deacon helps him right the wrongs of his past, the Incubus is faced with spending more and more time with him. Love brings redemption, but both struggle with their respective sordid pasts. Time will tell what sacrifices they have to make in order to find a loving relationship in the new bargains they strike.
Postapocalyptic Fiction and the Social Contract: "We'll Not Go Home Again" provides a framework for our fascination with the apocalyptic events. The popular appeal of the end of the world genre is clear in movies, novels, and television shows. Even our political debates over global warming, nuclear threats, and pandemic disease reflect a concern about the possibility of such events. This popular fascination is really a fascination with survival: how can we come out alive? And what would we do next? The end of the world is not about species death, but about beginning again. This book uses postapocalyptic fiction as a terrain for thinking about the state of nature: the hypothetical fiction that is the driving force behind the social contract. The first half of the book examines novels that tell the story of the move from the state of nature to civil society through a Hobbesian, a Lockean, or a Rousseauian lens, including Lucifer's Hammer by Larry Niven and Jerry Pournelle, Alas, Babylon by Pat Frank, Malevil by Robert Merle, and Into the Forest by Jean Hegland. The latter half of the book examines Octavia Butler's postapocalyptic Parable series in which a new kind of social contract emerges, one built on the fact of human dependence and vulnerability.
THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.
When the Devil needs a rogue demon killed, who does he call? The Player: Necromance-for-hire Dante Valentine is choosy about her jobs. Hot tempered and with nerves of steel, she can raise the dead like nobody's business. But one rainy Monday morning, everything goes straight to hell. The Score: The Devil hires Dante to eliminate a rogue demon: Vardimal Santino. In return, he will let her live. It's an offer she can't refuse. The Catch: How do you kill something that can't die?
Pieter Tonneman, the law in the fledgling Dutch settlement on the southern tip of Manhattan Island, must look into the apparent suicide of a local tavern owner and a fire in Jews Alley. Reprint.