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There is ample room inside for writing notes and ideas. It can be used as a notebook, journal, diary or composition book. This paperback notebook is 6" x 9" (letter size) and has 150 pages of white, lined paper (date line to the left or right).
Poetry. As Yevgeny Yevtushenko recounts, Ricardo Sanchez was one of the creators of la poesia chicana and his voice was the concentrate of many silent voices. His written poetry was ambassador of the non-written sufferings of so many chicanos, whose barefoot feet were in the USA, but whose barefoot soul was endlessly walking sobre la tierra seca mexicana, muriendo de la sed. Ricardo Sanchez (1941-1995) is considered one of the fathers of the Chicano literary genre and is one of the most published and widely anthologized Chicano writers. His family had roots in New Mexico for five generations, but he was raised in El Paso, Texas. Sanchez earned a PhD in American studies and cultural linguistic theory from the Union Graduate School in Cincinatti, Ohio, and taught in several schools throughout the US. He traveled continuously, lecturing and reading. The Loves of Ricardo is published posthumously. Sanchez's papers are archived at the University of Texas, Austin, and at Stanford University.
From the Nobel Prize-winning author: “A capacious, funny, threatening novel” of wandering souls and political upheaval in 1930s Portugal (The New York Times Book Review). The year is 1936, and the dictator António de Oliveira Salazar is establishing himself in Portugal, edging his country toward civil war. At the same time, Dr. Ricardo Reis has returned home to Lisbon after a long sojourn in Brazil. What’s brought him back is word that the great poet, Fernando Pessoa, has died. With no intention of resuming his practice, Reis now dabbles in his own poetry, wastes his days strolling the boulevards and back streets, engages in affairs with two different women—and is followed through each excursion by Pessoa’s ghost. As a fascist revolution roils, and as Reis’s path intersects with three relative strangers—two living, one dead—Reis may finally discover the reality of his own chimerical existence. “A rich story about human relationships and dreams.”—The New York Times Called “a magnificent tour-de-force, perhaps one of the best novels published in Europe since World War II” (The Bloomsbury Review) and “altogether remarkable” (The Wall Street Journal), The Year of the Death of Ricardo Reis is a PEN Award winner and stands among the finest works by the author of Blindness. Translated by Giovanni Pontiero
Bring the magic of I Love Lucy, the classic television show, to your home or office with this one-of-a-kind talking bobble figurine of the iconic Lucy Ricardo! This set includes: 3-1/2" full-color Lucy Ricardo bobble figurine on I Love Lucy-branded base. When pressed, the base says classic Lucy phrases from throughout the show's run. Lines include: "Ewww," "I have an idea!," "I'm a dipper from way back...," Lucy's Vitameatavegamin pitch, and more! A mini book featuring photos from I Love Lucy throughout.
A god overlooks the world he created with restless dissatisfaction, and contemplates ending his misery. A young painter sees a dazzling woman from across the coffee shop and quickly falls in love, but her past brings him unspeakable shame. A gambling addict hides his debts to save his marriage, until a shady executive demands her money back or she'll squeal. Computer Love is a collection of stories about people who have experienced a profound sense of loss and seek to deeply root their sense of self in the philosophy of love. Ordinary people are driven to extreme ends about their conviction in their common bonds. Some survive, others do not, but their collective existence answers the question, what happens when your world slips away and only love remains?
A tale, never before told, of anarchy, cooperation, and betrayal at the margins of the Mexican revolution. In this long-awaited book, Claudio Lomnitz tells a groundbreaking story about the experiences and ideology of American and Mexican revolutionary collaborators of the Mexican anarchist Ricardo Flores Magón. Drawing on extensive research in Mexico and the United States, Lomnitz explores the rich, complicated, and virtually unknown lives of Flores Magón and his comrades devoted to the “Mexican Cause.” This anthropological history of anarchy, cooperation, and betrayal seeks to capture the experience of dedicated militants who themselves struggled to understand their role and place at the margins of the Mexican Revolution. For them, the revolution was untranslatable, a pure but deaf subversion: La revolución es la revolución—“The Revolution is the Revolution.” For Lomnitz, the experiences of Flores Magón and his comrades reveal the meaning of this phrase. The Return of Comrade Ricardo Flores Magón tracks the lives of John Kenneth Turner, Ethel Duffy, Elizabeth Trowbridge, Ricardo Flores Magón, Lázaro Gutiérrez de Lara, and others, to illuminate the reciprocal relationship between personal and collective ideology and action. It is an epic and tragic tale, never before told, about camaraderie and disillusionment in the first transnational grassroots political movement to span the U.S.-Mexican border. The Return of Comrade Ricardo Flores Magón will change not only how we think about the Mexican Revolution but also how we understand revolutionary action and passion.
Cartoonist Ricardo Caté describes Indian humor as the result of “us living in a dominant culture, and the funny part is that we so often fall short of fitting in.” His cartoon column, Without Reservations, is a popular daily dose in the Santa Fe New Mexican. Actor Wes Studi says, “Caté’s cartoons serve to remind us there is always a different point of view, or laughing at every day scenes of home life where Indian kids act just like their brethren of different races. Without Reservations is always thought-provoking whether it makes you laugh, smirk, or just enjoy the diversity of thought to be found in Indian Country.”