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'Hero and Leander' is a poem by Christopher Marlowe that retells the Greek myth of Hero and Leander. After Marlowe's untimely death it was completed by George Chapman. Marlowe's poem relates the Greek legend of Hero and Leander, young lovers living in cities on opposite sides of the Hellespont, a narrow stretch of the sea in what is now northwestern Turkey, and which separates Europe and Asia. Hero is a priestess or devotee of Venus (goddess of love and beauty) in Sestos, who lives in chastity despite being devoted to the goddess of love. At a festival in honor of her deity, Venus and Adonis, she is seen by Leander, a youth from Abydos on the opposite side of the Hellespont. Leander falls in love with her, and she reciprocates, although cautiously, as she has made a vow of chastity to Venus.
Hero and Leander are the protagonists in a classical tale of epic but tragic love. Hero lives secluded in a tower on the European shore of the Hellespont, and Leander on the opposite side of the passage. Since they cannot hope to marry, the couple resolves to meet in secret: each night he swims across to her, guided by the light of her torch. But the time comes when a winter storm kills both the light and Leander. At dawn, Hero sees her lover's mangled body washed ashore, and so hurls herself from the tower to meet him in death. Silvia Montiglio here shows how and why this affecting story has proved to be one of the most popular and perennial mythologies in the history of the West. Discussing its singular drama, danger, pathos and eroticism, the author explores the origin of the legend and its rich and varied afterlives. She shows how it was used by Greek and Latin writers; how it developed in the Middle Ages - notably in the writings of Christine de Pizan - and Renaissance; how it inspired Byron to swim the Dardanelles; and how it has lived on in representations by artists including Rubens and Frederic Leighton.
This book is a study of the literary reception of the originally Greek love-story of Hero and Leander, examining the nature of the tale and demonstrating its longevity and huge popularity from classical times to the present, in a great variety of different genres. Chapters consider the classical versions (Ovid, Musaios, Martial), medieval and renaissance versions in various European languages, folk and literary ballads (and even a pop song), the lyric, dramatic versions, settings to music, burlesques and travesties in all genres, modern reflections of the story in (experimental) literary forms.
This wide-ranging study uses close readings of texts by Marlowe, Shakespeare, Webster, Middleton and Ford to investigate the intersections of erotic desire and dramatic form in the early modern period, considering to what extent disruptive desires can successfully challenge, change or undermine the structures in which they are embedded.
Joan Roís de Corella is one of the most renowned authors of fifteenth-century Catalan literature. His Story of Leander and Hero uses a well-known Vergilian and Ovidian motif of unremitting love that turns into tragedy. Corella retells the story adding to it a great dose of suspense and pathos and recasts it in the fashion of sentimental prose, a genre famous at the time and a clear precedent of the great narrative genre to flourish during the Renaissance in the Iberian Peninsula and Europe: the novel.
Christopher "Kit" Marlowe (1564-1593) was an English dramatist, poet and translator of the Elizabethan era. His first drama was Dido, Queen of Carthage. His first play performed on the London stage was Tamburlaine about the conqueror Timur, who rises from shepherd to warrior. Tamburlaine was a success, and was followed with Tamburlaine Part II. The two parts were published in 1590; however all of Marlowe's other works were published posthumously. They include: The Jew of Malta, Edward the Second, The Massacre at Paris and The Tragical History of Doctor Faustus. George Chapman (c. 1559-1634) was an English dramatist, translator, and poet. He was a classical scholar, and his work shows the influence of Stoicism. Chapman has been identified as the Rival Poet of Shakespeare's Sonnets by William Minto, and as an anticipator of the Metaphysical Poets. Chapman is best remembered for his translations of Homer's Iliad, Odyssey, and Batrachomyomachia.
In ancient Greece, one of the twelve labours of Heracles was to bring back a golden apple from the Garden of Hesperides. To archaeologist Oriel Anderson, joining a team of Greek divers on the island of Helios seems like the golden apple of her dreams. Yet the dream becomes a nightmare when she meets the devilish owner of the island, Damian Lekkas. In shocked recognition, she is flooded with the memory of a romantic night in a stranger's arms, six summers ago. A very different man stands before her now, and Oriel senses that the sardonic Greek autocrat is hell-bent on playing a cat and mouse game with her. As they cross swords and passions mount, Oriel is aware that malevolent eyes watch her from the shadows. Dark rumours are whispered about the Lekkas family. What dangers lie in Helios, a bewitching land where ancient rituals are still enacted to appease the gods, young men risk their lives in the treacherous depths of the Ionian Sea, and the volatile earth can erupt at any moment? Will Oriel find the hidden treasures she seeks? Or will Damian's tragic past catch up with them, threatening to engulf them both?