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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Poetry. The Early Renaissance game of Tarot inspired poetry centuries before it was used for fortune telling. The poems in FORTUNE'S LOVER do not explain the Tarot so much as spin off from it. These poems are infused with a wisdom based not so much in finding the right answers as in asking the right questions. Rachel Pollack is the author of thirty books of fiction and non-fiction, which have been published in fourteen languages, including: 78 Degrees of Wisdom, The Body of the Goddess, and Tarot of Perfection. Her books have won the World Fantasy Award, the Arthur C. Clarke Award, and the COVR Award. She is also a visual artist, the creator of The Shining Tribe Tarot. She teaches in the MFA program at Goddard College.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
'The New Faber Book of Love Poems' presents some of the most emotive and memorable lyric poems produced in the English language from the Renaissance to the present.
Excerpt from The Lover's Year-Book of Poetry, a Collection of Love Poems for Every Day in the Year, Vol. 2: The Other Life Deem not that they are blest alone Whose days a peaceful tenor keep, The God who loves our race has shown A blessing for the eyes that weep. The light of smiles shall fill again The lids that overflow with tears, And weary hours Of woe and pain Are promises Of happier years. Oh, there are days of sunny rest For every dark and troubled night, And grief may bide, an evening guest, But joy shall come with early light. And thou who o'er thy friend's low bier Dost shed the bitter drops like rain, Hope that a brighter, happier sphere Will give him to thy arms again. Nor let the good man's trust depart, Though life its common gifts deny; Though, with a pierced and bleeding heart, And spurned of men, he goes to die. For God hath marked each sorrowing day, And numbered every secret tear. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.