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From the internationally bestselling and prize-winning author of The Song of Achilles and Circe, an enchanting short story that boldly reimagines the myth of Galatea and Pygmalion. **Featuring a new afterword by Madeline Miller** In Ancient Greece, a skilled marble sculptor has been blessed by a goddess who has given his masterpiece – the most beautiful woman the town has ever seen – the gift of life. Now his wife, he expects Galatea to please him, to be obedience and humility personified. But she has desires of her own, and yearns for independence. In a desperate bid by her obsessive husband to keep her under control, she is locked away under the constant supervision of doctors and nurses. But with a daughter to rescue, she is determined to break free, whatever the cost... _________________________ Praise for CIRCE 'A thrilling tour de force of imagination' Mail on Sunday 'A bold and subversive retelling' New York Times 'A novel to be gobbled greedily in one sitting' Observer 'A remarkable achievement' Sunday Times
A down-on-his-luck boxing trainer finds a woman worth fighting for in this “assured” novel by an MWA Grand Master Award winner (Kirkus Reviews). It took some doing, but Duke Webster is out of prison. Val Valenty arranged the parole, and now the onetime prizefighter and boxing coach is his puppet, breaking his back on Valenty’s farm in exchange for a pittance. But Valenty is about to find out that boxing men never take orders without a scrap. The trouble begins when Webster meets Valenty’s wife. A barrel-shaped woman whose extreme weight makes her old before her time, Holly stays fat on Valenty’s cooking—meat, potatoes, and endless gravy. Webster puts her on a diet, slimming her down the way he would train an over-the-hill pro in search of a comeback. But as her waistline shrinks and her beauty emerges, Valenty gets jealous—putting them on course for a bloody confrontation where only the hungry will survive. This gritty, surprising tale comes from the acclaimed author of Double Indemnity and Mildred Pierce—a writer with “an empathy for losers and society’s lost souls” (Quad-City Times). Praise for James M. Cain’s fiction “Cain is one novelist who has something to teach just about any writer, and delight just about any reader.” —Anne Rice, #1 New York Times–bestselling author of Interview with a Vampire “Entertaining and cleverly plotted.” —The New York Times
Including the complete collaborative poems of Sheila E. Murphy and the late Michelle Greenblatt; three free-verse poems and 59 American ghazals. With a Foreword by Vincent A. Cellucci.
Poetry. DAYS OF BLUE AND FLAME by 101-year-old Sarah Yerkes investigates subjects closest to the author's heart--childhood, family, travel, aging, art. After a career as a sculptor and a landscape architect, Yerkes began writing poetry at age 97. "I never fully understood how satisfying it could be to shape, build and form a piece with words rather than with wood, aluminum, stone and iron pipe," she said. A hard-working artist, Yerkes strives to write sometimes difficult poems with courage. Poet David Keplinger, winner of the 2019 UNT Rilke Award, said, "Yerkes sews a pre-nuclear America to the computer age, and she leaves space enough for our own pages, and our children's pages, all the stories yet to come."
Fifty leading writers retell myths from around the world in this dazzling follow-up to the bestselling My Mother She Killed Me, My Father He Ate Me. Icarus flies once more. Aztec jaguar gods again stalk the earth. An American soldier designs a new kind of Trojan horse—his cremains in a bullet. Here, in beguiling guise, are your favorite mythological figures alongside characters from Indian, Punjabi, Inuit, and other traditions. Aimee Bender retells the myth of the Titans. Elizabeth McCracken retells the myth of Lamia, the child-eating mistress of Zeus. Madeline Miller retells the myth of Galatea. Kevin Wilson retells the myth of Phaeton, from Ovid’s Metamorphoses. Emma Straub and Peter Straub retell the myth of Persephone. Heidi Julavits retells the myth of Orpheus and Euridice. Ron Currie, Jr. retells the myth of Dedalus. Maile Meloy retells the myth of Demeter. Zachary Mason retells the myth of Narcissus. Joy Williams retells the myth of Argos, Odysseus’ dog. If “xo” signals a goodbye, then xo Orpheus is a goodbye to an old way of mythmaking. Featuring talkative goats, a cat lady, a bird woman, a beer-drinking ogre, a squid who falls in love with the sun, and a girl who gives birth to cubs, here are extravagantly imagined, bracingly contemporary stories, heralding a new beginning for one of the world’s oldest literary traditions.
“I resisted, but she drew me back. I stayed away, but she beckoned me. I distanced myself, but she haunted me. I even rejected her but she did not abandon me...” This work of nonfiction is divided into chapters in which the reader experiences aspects of art, culture, history and the present through the eyes of the writer and of the inhabitants of Rome, past and present. Show Less She Seduced Me is that rare book in which the reader becomes part of a magical world in which places, monuments and artists come alive through their stories. In this case, however, that world is Rome and the reader becomes a participant in the ebb and flow of the city and gains insight into why so many have fallen in love with Rome despite its faults. The journey commences with the reader accompanying the author who, standing in front of Michelangelo’s Moses statue, mouth agape, almost hears the artist scream at his creation: “Speak!” From this an odyssey of wonder begins: what is the story behind the Trevi fountain, behind that rock in the middle of the Roman Forum, behind all those priests and nuns everywhere, behind everything one stumbles upon, wonders about and takes selfies in front of? The quest is to uncover those stories. Author and reader continue to explore the life in the piazzas, experience camaraderie with street performers, see history through all the senses, get lost in Rome, observe Americans and foreigners, discover unique places to eat, speak with Romans, explore the houses of Nero, Augustus and Livia, encounter Caravaggio and chats with expats. This work is a virtual tour through a magical city that educates and enthralls.
The fantasy of a male creator constructing his perfect woman dates back to the Greek myth of Pygmalion and Galatea. Yet as technology has advanced over the past century, the figure of the lifelike manmade woman has become nearly ubiquitous, popping up in everything from Bride of Frankenstein to Weird Science to The Stepford Wives. Now Julie Wosk takes us on a fascinating tour through this bevy of artificial women, revealing the array of cultural fantasies and fears they embody. My Fair Ladies considers how female automatons have been represented as objects of desire in fiction and how “living dolls” have been manufactured as real-world fetish objects. But it also examines the many works in which the “perfect” woman turns out to be artificial—a robot or doll—and thus becomes a source of uncanny horror. Finally, Wosk introduces us to a variety of female artists, writers, and filmmakers—from Cindy Sherman to Shelley Jackson to Zoe Kazan—who have cleverly crafted their own images of simulated women. Anything but dry, My Fair Ladies draws upon Wosk’s own experiences as a young female Playboy copywriter and as a child of the “feminine mystique” era to show how images of the artificial woman have loomed large over real women’s lives. Lavishly illustrated with film stills, artwork, and vintage advertisements, this book offers a fresh look at familiar myths about gender, technology, and artistic creation.