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Sunday, 8.30 p.m. (1833). Before beginning to copy or count words,[59] I must write you one line of love, my dear little lunatic. I love you—do you understand, I love you! This is a profession of faith which comprises all my duty and integrity. I love you, ergo, I am faithful to you, I see only you, think only of you, speak only to you, touch only you, breathe you, desire you, dream of you; in a word, I love you! that means everything. Do not therefore give way any more to melancholy; permit yourself to be loved and to be happy. Fear nothing from me, never doubt me, and we shall be blissful beyond words. I am expecting you shortly, and am ready with warm and tender caresses which, I hope, will cheer you. Your Juju. (1833). Since you left me I carry death in my heart. If you go to the ball to-night, it must be at the cost of a definite rupture between us. The pain I suffer at imagining you moving among that throng of fascinating, careless women, is too great for you to be able to inflict it without incurring guilt towards me. Write to me “Care of Madame K....” If I do not hear from you before midnight, I shall understand that you care very little for me ... that all is over between us ... and for ever. J. Wednesday, 2.30 p.m. (1833). I cannot refrain, dearly beloved, from commenting upon the profound melancholy you were in this morning, and upon the doubt you manifest on every occasion as to the sincerity of my love. This unjustifiable suspicion on your part disheartens me beyond all expression. It intimidates me and makes me fear to confide to you the incidents my dubious position exposes me to. To-day, for instance, I concealed from you the visit of a creditor, who presented himself to the porter, but was not shown up. I paid him out of my own resources, without your knowledge, because you are always telling me I do not love you. This expression from you makes me feel that you hold a shameful opinion of me and my character, rendered possible perhaps by my situation, but none the less false, unjust, and cruel. I love you because I love you, because it would be impossible for me not to love you. I love you without question, without calculation, without reason good or bad, faithfully, with all my heart and soul, and every faculty. Believe it, for it is true. If you cannot believe, I being at your side, I will make a drastic effort to force you to do so. I shall have the mournful satisfaction of sacrificing myself utterly to a distrust as absurd as it is unfounded. Meanwhile, I ask your pardon for the guilty thought that came to me this morning, and which may possibly recur, if you continue to see in my love only a mean-spirited compliance and an unworthy speculation. This letter is very lengthy, and very sad to write. I trust with all my soul, that I may never have to reiterate its sentiments. I love you. Indeed I love you. Believe in me. Juliette. Wednesday, 8.15 p.m. (1833).
Remember the wonderfully romantic book of love letters that Carrie reads aloud to Big in the recent blockbuster film, Sex and the City? Fans raced to buy copies of their own, only to find out that the beautiful book didn't actually exist. However, since all of the letters referenced in the film did exist, we decided to publish this gorgeous keepsake ourselves. Love Letters of Great Men follows hot on the heels of the film and collects together some of history's most romantic letters from the private papers of Beethoven, Mark Twain, Mozart, and Lord Byron. For some of these great men, love is "a delicious poison" (William Congreve); for others, "a nice soft wife on a sofa with good fire, & books & music" (Charles Darwin). Love can scorch like the heat of the sun (Henry VIII), or penetrate the depths of one's heart like a cooling rain (Flaubert). Every shade of love is here, from the exquisite eloquence of Oscar Wilde and the simple devotion of Robert Browning, to the wonderfully modern misery of the Roman Pliny the Younger, losing himself in work to forget how much he misses his beloved wife, Calpurnia. Taken together, these letters show that perhaps men haven't changed all that much over the last 2,000 years--passion, jealousy, hope and longing still rule their hearts and minds. In an age of e-mail and texted "i luv u"s, this timeless and unique collection reminds us that nothing can compare to the simple joy of sitting down to read a letter from the one you love.
"Love Letters of Great Men and Women: From The Eighteenth Century To The Present Day" is a collection of love letters written between 1688 and 1910. Letters within this book were featured in the 2008 feature film "Sex and the City". This charming volume includes a short treatise on love letter writing by the editor as well as love letters by notable historical figures including Beethoven, Napoleon Bonaparte, Robert Burns, Gustave Flaubert, Lord Bayron, Victor Hugo, Franz Kafka, Vincent Van Gogh and many others.
Juliette Drouet's Love-Letters to Victor Hugo : Edited with a Biography of Juliette Drouet In the first portion we present the biography of Juliette Drouet in the form of a series of synthetic tableaux, each tableau summarising several lustres of her life. We thus avoid the long-drawn-out narrative, year by year, of an existence devoid of incident or adventure. In the second, we publish those letters which strike us as peculiarly eloquent, witty, or lyrical. In the light shed upon them by the preliminary biography, they form, as one might say, its justification and natural sequel. At the outset of her liaison with the poet Juliette does not date her “scribbles”; she merely notes the time of day and the day of the week, until about 1840; we have therefore been obliged to content ourselves with the classification effected by her in the collection of her manuscripts, and preserved by her executor. From 1840 she dated every sheet. Consequently our work simultaneously achieves more precision and certainty.
"To love is to act"-- "Aimer, c'est agir." These words, which Victor Hugo wrote three days before he died, epitomize his life's philosophy. His love of freedom, democracy, and all people--especially the poor and wretched--drove him not only to write his epic Les Misérables but also to follow his conscience. We have much to learn from Hugo, who battled for justice, lobbied against slavery and the death penalty, and fought for the rights of women and children. In a series of essays that interweave Hugo's life with Les Misérables and point to the novel's contemporary relevance, To Love Is to Act explores how Hugo reveals his guiding principles for life, including his belief in the redemptive power of love and forgiveness. Enriching the book are insights from artists who captured the novel's heart in the famed musical, Les Mis creators Alain Boublil and Claude-Michel Schönberg, producer of the musical Les Misérables Cameron Mackintosh, film director Tom Hooper, and award-winning actors who have portrayed Jean Valjean: Colm Wilkinson and Hugh Jackman.