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"The complete guide of the extraordinary collections of the Louvre Abu Dhabi. This ensemble of books will showcase Louvre Abu Dhabi, a museum that will play an important role in the artistic discoveries, education and exchanges between peoples. Louvre Abu Dhabi has been conceived as a museum city or Arabic medina, inspired by the world and for the world. It will be the first Arabic museum of a universal vocation, located in the Saadiyat Cultural District, conceived as a bridge to the future with the purpose of linking knowledge and civilisations. Designed as a global art history handbook across the museum's collections, The Guide will take the reader through a cross-cultural journey through the entire museum, gallery by gallery. The museum will be a place of dialogue between cultures and civilizations and it will offer a transversal vision of art history."--Provided by publisher.
Louvre Abu Dhabi is a comprehensive exploration of Jean Nouvel's latestmasterpiece, from the first sketches and through each phase of its conceptionand construction. From the majestic, novel dome to the exhibition halls, thisedition walks the reader through this architectural jewel.
This album of the Louvre Abu Dhabi collection of works allows readers to fully enjoy what the museum offers its visitors: an encounter with the universal across epochs, cultures and civilisations. The discovery - or rediscovery - of the works exhibited in the Louvre Abu Dhabi is a unique experience: on one hand because they are seen in a new light, that of Abu Dhabi filtered through the dome designed by Jean Nouvel, and on the other because their dialogue with works with which they are not usually presented increases their polysemy. This album provides a key to understanding the characteristics common to all humanity and the elements that constitute and form our distinct identity filtered through the prism of time, culture and history. The collection of the Louvre Abu Dhabi is universal in its scope: from prehistory to the latest contemporary commissions. Artists Giuseppe Penone and Jenny Holzer have created new works in direct response to the museum's unique architecture and spirit. The very first purchase was made in 2009: a seminal painting by abstract pioneer Piet Mondrian. Since then, the collection has expanded to over 600 pieces. The diversity of masterpieces is astonishing. Highlights include an incredibly rare Bactrian princess from the 3rd millennium BCE; a 3000-year-old Middle-Eastern gold bracelet; and a magnificent monumental bronze lion from Andalusia from the 11-12th century. Alongside these are works by some of the great European masters of the 19th and 20th centuries: Paul Gauguin, Pablo Picasso, Paul Klee and Ren� Magritte. A series of nine canvases by Cy Twombly produced in Italy just three years before the artist's death in 2011 is also on show. Together, such works, and many more, represent the human desire for artistic expression in its entirety.
Since its opening in 2017, the Louvre Abu Dhabi has aimed to embody a spirit of universality, a goal echoed throughout this comprehensive guide, featuring essays by internationally acclaimed art historians. These texts discuss the museum's role as a 21st-century institution, including issues of representation within the collection.
Held on the occasion of Louvre Abu Dhabi’s first anniversary, the symposium Worlds in a Museum addressed the topic of museums in the era of globalisation, exploring contemporary museology and the preservation and presentation of culture within the context of changing societies. Departing from the historical museum structure inherited from the Enlightenment, leading experts from art, cultural, and academic institutions explore present-day achievements and challenges in the study, display and interpretation of art, history, and artefacts. How are “global” and “local” objects and narratives balanced – particularly in consideration of diverse audiences? How do we foster perspective and multiculturalism while addressing politicised notions of centre and periphery? As they abandon classical canons and categories, how are museums and cultural entities redefining themselves beyond predefined concepts of geography and history? This collection of essays arises from the symposium Worlds in a Museum organised by Louvre Abu Dhabi and École du Louvre.
Published by Louvre Abu Dhabi in collaboration with France Museums and Centre Pompidou, this exhibition catalogue examines how certain 20th century artists strove to establish a new visual language by merging text and image. Largely in response to a rapidly changing society, these artists looked towards eastern traditions and broke away from figurative conventions. Following the development of abstraction and how artists were inspired by early forms of writing, particularly calligraphy, the book is a rare opportunity to explore the work of modern masters such as Henri Matisse, Paul Klee, Joan Miró, Lee Ufan, Dia Azzawi, Lee Krasner and Jackson Pollock, alongside contemporary pieces and monumental calligraffiti by Mona Hatoum, eL Seed and Ghada Amer.
Contemporary Art and Digital Culture analyses the impact of the internet and digital technologies upon art today. Art over the last fifteen years has been deeply inflected by the rise of the internet as a mass cultural and socio-political medium, while also responding to urgent economic and political events, from the financial crisis of 2008 to the ongoing conflicts in the Middle East. This book looks at how contemporary art addresses digitality, circulation, privacy, and globalisation, and suggests how feminism and gender binaries have been shifted by new mediations of identity. It situates current artistic practice both in canonical art history and in technological predecessors such as cybernetics and net.art, and takes stock of how the art-world infrastructure has reacted to the internet’s promises of democratisation. An invaluable resource for undergraduate and postgraduate students of contemporary art – especially those studying history of art and art practice and theory – as well as those working in film, media, curation, or art education. Melissa Gronlund is a writer and lecturer on contemporary art, specialising in the moving image. From 2007–2015, she was co-editor of the journal Afterall, and her writing has appeared there and in Artforum, e-flux journal, frieze, the NewYorker.com, and many other places.
Accompanying the exhibition at Louvre Abu Dhabi, the catalogue Rembrandt, Vermeer and the Dutch Golden Age provides an image-rich overview of the artworks exhibited, complimented by four essays. The first situates The Leiden Collection within the context of the Dutch Golden Age. The second and third describe the major role that the Netherlands played on a global scale in the in the 17th century, the specificities of the Dutch Golden Age as well as the work of Rembrandt and his contemporaries, rooted in the society of that time and place. The fourth essay sheds light on the particular role that drawing played in the creative process of Dutch artists.
This catalogue, which accompanies the exhibition “Roads of Arabia: Archaeological Treasures of Saudi Arabia”, presents a historical journey through the trade routes, incense roads and pilgrimage paths of the Arabian Gulf. Following the major themes of the exhibition and highlighting its masterpieces, the book introduces a variety of cultures that inhabited these lands through their statues, funerary monuments, grave goods and daily use objects. Beginning with artifacts from the earliest human settlements to prehistoric times, continuing through to the dawn of Islam and precious religious objects and finally exploring the Middle Ages and the modern period with maps and photographs, the catalogue illustrates the essential connections and networks that the Gulf has always maintained with surrounding regions and civilizations.
Featuring a broad selection of paintings, sculptures and photographs coming mainly from the Centre Pompidou collections, Louvre Abu Dhabi’s exhibition catalogue “Rendezvous in Paris: Picasso, Chagall, Modigliani & Co.” focuses on this highly distinctive period in French art when young painters, sculptors and photographers flocked to early-20th-century Paris from all over the world to make a decisive contribution to the city’s art scene. Most notably from Germany, Spain, Italy, the Netherlands, Russia and even Japan, these formally inventive artists – Constantin Brancusi, Marc Chagall, Kees van Dongen, Tsuguharu Foujita, Amedeo Modigliani and Pablo Picasso among them – who would later become known as the “School of Paris”, rivalled the greatest French artists of the time.