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Bud Dorsey is West Louisville's most iconic living photographer. While working at American Synthetic Rubber Company in the 1960s, he took photographs on the side and began getting his work published in the Louisville Defender and the Courier-Journal. He freelanced like this into the early 1980s, publishing photographs not just in local newspapers but also in national publications such as the iconic JET magazine. In 1981, Bud joined the staff of the Defender as its sole full-time photojournalist. Now able to document the community he cared about so deeply on a full-time basis, he became more prolific than ever. In the 20+ years Bud held that position, no one documented life in Louisville¿especially within the Black community¿more richly than he did. He did it all with modest tools: unremarkable cameras, no lighting equipment, limited supplies of film, and a tiny, simple darkroom. To this day, Bud is seemingly at every event in West Louisville¿cultural showcases, church functions, protests, civic meetings, athletic events, crime scenes, etc. He finds almost everything interesting, and as a result his body of work represents an impressively rich portrait of life in Louisville over the years.The photographs in Available Light show us life in Louisville as many of us have never seen it before. Bud teaches us how to look at our community: with love, curiosity, respect, nuance, concern, playfulness, hope, heartbreak, and pride. Available Light is a love letter to Louisville, crafted outside of mainstream arts and media worlds over the course of decades by a man who cares and has always there to bear witness.
Ten young writers from Muhammad Ali's alma mater write about the fights they've fought that have brought them to where they are today.
Crack of the Bat is a comprehensive and entertaining look at the most famous icon in the history of baseball, the Louisville Slugger bat. It includes the evolution of bats from pioneer wagon tongues to the sleek aluminum models of today. It examines the amazing physics involved in hitting a baseball, where .003 seconds means the difference between a home run and a foul ball. It tells the fascinating history of the still family-owned Hillerich & Bradsby Company, which in just 80 years went from making butter churns to making seven million bats a year. Reinforcing this are dozens of stories about the bats themselves, and the personal idiosyncracies of the most famous hitters in baseball history, including Honus Wagner, Ty Cobb, Babe Ruth, Stan Musial, Mickey Mantle, Ted Williams, Tony Gwynn, Cal Ripken Jr. and Derek Jeter. The book explains why the players picked the bats they did, the amazing lengths they would go to to protect them, and how valuable these bats have now become in the hands of collectors. Illustrated with hundreds of archival photographs, baseball decals, and icons, many in color, this book will become as much a cherished keepsake as some of the bats it describes.
Dwayne Cox and William Morison trace the twists and turns of the University of Louisville's two hundred year journey from provincial academy to national powerhouse. From the 1798 charter that established Jefferson Seminary to the 1998 opening of Papa John Stadium, Cox and Morison reveal the unique and fascinating history of the university's evolution. They discuss the early failures to establish a liberal arts college; tell the extraordinary story of the Louisville Municipal College, U of L's separate division for African Americans during the era of segregation; detail the political wrangling and budgetary struggles of the university's move from quasi-private to state-supported institution; and confront head-on the question of the university's founding date. The history of the University of Louisville defies the stereotype of orderly and planned growth. For many years, the university was essentially a consortium of two professional schools—medicine and law. Not until the first decade of the twentieth century did the liberal arts gain a firm and permanent foothold. Because of its early emphasis on practical, professional education and the virtual autonomy of its separate units for many years, the University of Louisville is unusual in the annals of higher education.
Julie Baldyga's artwork is distinctive and compelling, and a book about her work is long overdue.Throughout her childhood, Julie's parents took her to doctors in an attempt to learn more about why she was so different from most other children: nonverbal, antisocial, obsessed with wires and hoses and engines. Twice, doctors advised her parents to institutionalize her, saying that she could otherwise be a danger to herself and others. Fortunately, her parents did not take the doctors' advice: Julie would grow up to be a luminous human and a brilliant, prolific artist."In Heaven Everyone Will Shake Your Hand" takes an in-depth look at this distinctive self-taught artist and her work. This collection of oil pastels, ceramics, and photographs of her "heavenly people"--400 remarkable life-size human figures-- not only showcase this singular artist but will also serve as a poignant reminder of what is possible when we refuse to write people off.
Churchill Downs is the epicenter of Kentucky's equine heritage and the most storied racetrack in the world. More than a thousand workers come to the backside of Churchill Downs on any given day during a meet. Before sunrise, seven days a week, stable hands, hot walkers, grooms, outriders, jockeys, and more tend to the well-being of the horses and the track. Most will never stand in the Winner's Circle. There could be no Kentucky Derby without their contributions.Better Lucky Than Good is the most caring, in-depth look into the lives and stories of equine workers ever published--and it was written by the people who live and work on the backside of Churchill Downs. The book's 32 authors include grooms, hot walkers, exercise riders, a clocker, an outrider, assistant trainers, a jockey, a starting gate crew member, a pony person, a horticulturist, a silks seamstress, shedrow foremen, a tack and saddle man, a security guard, a horse tattooer, trainers, an alcohol and drug abuse counselor, a farm manager, a chaplaincy associate, and many more. "Every person I know who has ever 'written a horse book,' or worked extensively as a journalist covering the world of the track, has at some point had a version of this thought: If somebody would just do a good oral history, interviewing the people who actually work with the horses--the grooms and riders and ferriers and assistant trainers, the folks on the "backside"--it would be worth 10,000 pages of even the best literary description of the sport. Now the Louisville Story Program has done this, and done it beautifully. It's no exaggeration to say that this book has needed to exist for 200 years."--John Jeremiah Sullivan, author of Pulphead and Blood Horses
To document the amazing transformation of Louisville from a sleepy river town to a dynamic modern city, Greater Louisville Inc. - The Metro Chamber of Commerce - has partnered with Butler Books and the University of Louisville Photographic Archives to present this 240-page collection of vintage and contemporary photographs that convey the fascinating story of Louisville's growth and evolution.As the hundreds of comparative photographs attest, Louisville has changed dramatically since the turn of the century but has managed to retain much of its architectural charm and sense of place. The book is a pleasing blend of history and progress, portraying the changing landscape of Louisville's downtown and its landmark buildings, neighborhoods, parks and points of interest. Through side-by-side images, the reader sees the city transform through the lens of time.Captions compiled by an all-star cast of local historians accompany the photographs. Introductions by GLI President and CEO Joe Reagan, University of Louisville President James Ramsey, and U of L Archivist/Louisville Metro Council Member Tom Owen set the stage for the reader's photographic journey through Louisville's evolving landscape.
Since the settlement of Louisville in 1778, African Americans have created a history behind the wall of slavery and the veil of segregation, and have forged a remarkably vibrant community that, at times, influenced the political and cultural history of the nation. This community, while not entirely beyond the reach of white Louisvillians, was certainly beyond their field of vision - and its people and its achievements are largely unknown, even to more recent generations of African Americans themselves.Over the past two centuries and more, black Louisville faced many challenges: creating a free black community in the midst of slavery; the struggle to end slavery itself; the struggle to expand the limits of freedom in a segregated society; creating meaning and culture; the struggle to end segregation; and the struggle to expand the limits of freedom in a society in which African Americans are "neither separate nor equal." Louisville African Americans met each of these challenges and, by so doing, they created a community and defined its identity and character. When most successful, they capitalized on their opportunities and assets, the most important of which derived from Louisville's favorable location, the need for black labor, the need for black votes and the presence of a few influential white allies. The resulting economic and political capacity, when used astutely, could wrest concessions from white businesses and political leaders that advanced the interests of the entire African American community.The purpose of Two Centuries of Black Louisville: A Photographic History is simply to tell this story in words and images - a history in which all, irrespective of race and place, can take pride.