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Contains annual, time-series data with national coverage on almost any aspect of United States economics, population or infrastructure since the government began recording statistics. Part 1 covers: Population. Vital statistics and health and medical care. Migration. Labor. Prices and price indexes. National income and wealth. Consumer income and expenditures. Social statistics. Land, water, and climate. Agriculture. Forestry and fisheries. Minerals. Part 2 covers: Construction and housing. Manufactures. Transportation. Communications. Energy. Distribution and services. International transactions and foreign commerce. Business enterprise. Productivity and technological development. Financial markets and institutions.
This stunning collection gathers never-before-seen poems, found by archivists in boxes kept at the Pablo Neruda Foundation in Chile in 2014. Neruda is renowned for poetry that casts away despair and celebrates living, fired by his belief that there is no unsurmountable solitude. Then Come Back presents Neruda's mature imagination and writing: signature love poems, odes, anecdotes, and poems of the political imagination. Translator Forrest Gander beautifully renders the eros and heartache, deep wonder and complex wordplay of the original Spanish, which is presented here alongside full-colour reproductions of the poems in their original composition on napkins, playbills, receipts, and in notebooks. Then Come Back: The Lost Neruda simultaneously completes and advances the oeuvre of the Nobel Laureate. Discovered during the cataloguing of Neruda's papers, there are 21 poems in all, together with detailed notes about how they relate to his published work.
Fine contemporary translations of one of the great poets of the T'ang dynasty.
What have you lost? A friend? A brother? A wallet? A memory? A meaning? A year? Each Night Images, dream news, fragments, flash then fade. These darkened walls. Here, I say. Climb into this story. Be remembered! Jay Bremyer 00-01 Tayshas High School Reading List Notable Children's Trade Books in the Field of Social Studies 2000, National Council for SS & Child. Book Council, 2000 Best Books for Young Adults (ALA), 00 Riverbank Review Magazine's Children's Books of Distinction Award Nominations, Winner 2000 Lee Bennett Hopkins Poetry Award, and 01 Riverbank Review Magazine's Children's Books of Distinction Award Nominations
The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic. Vocal Score Co-commission by Boston Symphony and Hallé Concerts Society for their respective Children's Choirs. Two versions - with orchestral or with piano accompaniment. The vocal score is the same for both versions. James Burton is a composer but also a conductor. He is conductor of the Tanglewood Festival Chorus and choral director of the Boston Symphony. The book The Lost Words, exquisitely designed, has won multiple awards and is an international best-seller. The vocal score includes Jackie Morris's beautiful imagery in its cover design.
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in this place there are the dead, the deadly and the dying. there is the cross, the builders of the cross and the burners of the cross. the pattern of my life forms like a cheap shadow on the wall before me. my love what is left of it now must crawl to wherever it can crawl. the strongest know that death is final and the happiest are those gifted with the shortest journey.
From the depths of sorrow following the sudden death of her closest female mentor, Brenda Hillman asks anguished questions in this book of poems about separation, spiritual transcendence, and the difference between life and death. Both personal and philosophical, her work can be read as a spirit-guide for those mourning the loss of a loved one and as a series of fundamental ponderings on the inevitability of death and separation. At first refusing to let go, desperate to feel the presence of her friend, the poet seeks solace in a belief in the spirit world. But life, not death, becomes the issue when she begins to see physical existence as "an interruption" that preoccupies us with shapes and borders. "Shape makes life too small," she realizes. Comfort at last comes in the idea of "reverse seeing": that even if she cannot see forward into the spirit world, her friend can see "backward into this world" and be with her. Death Tractates is the companion volume to a philosophical poetic work entitles Bright Existence, which Hillman was in the midst of writing when her friend died. Published by Wesleyan University Press in 1993, it shares many of the same Gnostic themes and sources.