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Manly Palmer Hall was a Canadian author and mystic of outstanding wisdom. At the age of just 25 he published his magnum opus 'The Secret Teachings of All Ages', whose breadth of knowledge brought him instant recognition as a leading scholar in the fields of religion, mysticism, and the occult. 'The Lost Keys of Freemasonry' once again displays Hall's insight and erudition. Taking as his subject the Legend of Hiram Abiff, the author reveals the higher and hidden aspects of Freemasonry in beautiful and poetic prose that is accessible to Mason and non-Mason alike. A book that can be revisited again and again for its deep layers of wisdom.
Manly Palmer Hall was a writer, lecturer, mystic philosopher, founder of the Philosophical Research Society, an expert in tarot readings, and a Freemason. He wrote a series of occult books that became famous due to the author’s breadth of knowledge. Among his books, The Lost Keys of Freemasonry and The Secret Teachings of All Time: An Encyclopedic Exposition of Hermetic, Kabbalistic and Rosicrucian Symbolic Philosophy are best known. His books are primarily informational and contain numerous illustrations and original texts describing mystical components: Freemasonry symbols, Rosicrucians’ documents, recipes by alchemists, and Kabbalistic rules. The Lost Keys of Freemasonry The Secret Teachings of All Ages
Pandora waas the "pagan Eve," and she is one of the rare mythological figures to have retained vitality up to our day. Glorified by Calderon, Voltaire, and Goethe, she is familiar to all of us, and "Pandora's box" is a household word. In this classic study Dora and Erwin Panofsky trace the history of Pandora and of Pandora's box in European literature and art from Roman times to the present. Originally published in 1962. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
First published in 1892, this classic explores the symbolism of classical architecture. A milestone in relating mysticism to design, it shows the correlation between mythology and the design of St. Paul's Cathedral, the Taj Mahal, the Palace of Versailles, and other architectural masterpieces. 30 black-and-white illustrations.
This book discusses Ramon Llull (ca. 1232-1316), the Christian missionary, philosopher and mystic, his relations with Jewish contemporaries, and how he integrated Jewish mystical teachings (Kabbalah) into his thought system so as to persuade the Jews to convert. Issues dealt with include Llull's attitude towards the Jews, his knowledge of Kabbalah, his theories regarding the Trinity and Incarnation (the Art), and the impact of his ideas on the Jewish community. The book challenges conventional scholarly opinion regarding Christian knowledge of contemporary Jewish thought and questions the assumption that Christians did not know or use Kabbalah before the Renaissance. Further, it suggests that Lull was well aware of ongoing intellectual and religious controversies within the Jewish community, as well as being the first Christian to acknowledge and appreciate Kabbalah as a tool for conversion.
This important book, which won the 1984 Alice Davis Hitchcock Award, traces the process by which the mystical and numerological grounds for the use of number and geometry in building gave way to the more functional and technical ones that prevail in architectural theory and practice today. Between the late Renaissance and the early nineteenth century, the ancient arts of architecture were being profoundly transformed by the scientific revolution. This important book, which won the 1984 Alice Davis Hitchcock Award, traces the process by which the mystical and numerological grounds for the use of number and geometry in building gave way to the more functional and technical ones that prevail in architectural theory and practice today. Throughout, it relates the major architectural treatises of successive generations to the larger culture and the writings of philosophers, mathematicians, scientists, and engineers. The book leads the reader through the controversy that was generated by Claude Perrault in the seventeenth century. His writings began to cast doubt on the absolute aesthetic value of the classical orders and the "perfect" proportions that were architecture's legacy from Pythagorean times. Thus the once immutable "invisible" system lost its special status forever. The book focuses in particular on eighteenth-century developments in the science of mechanics and emerging techniques in structural analysis which slowly entered the architectural treatises and found their way into practice, often by way of civil and military engineers. And by the nineteenth century, the book notes, even architectural rendering and drawing were radically changed through the introduction of new descriptive and projective geometries. Tracing these fundamental changes in architectural intentions, Pérez-Gómez challenges many popular misconceptions about the theory and history of modern architecture. At the same time, he suggests an intangible loss, that of a culture's power to express through a building its total mathematical, mystical, and magical world-view.