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Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wide array of styles. Nonetheless, it remains a very important school in the annals of art. Any current or budding art aficionado should become familiar with the impressionist movement and its impact on the art world. This book presents a sweeping study of this artistic period, from its origins to its manifestations in the works of some of art history's most revered painters. Following this overview is a substantial and selective bibliography, featuring access through author, title, and subject indexes.
Catalog of an exhibition held at the National Gallery, London, December 7, 2016-March 26, 2017.
Mary Cassatt was a headstrong, determined girl. She wanted to be an artist in 1860, a time when proper girls certainly weren't artists. It wasn't polite. But Mary herself wasn't polite. She pursued art with a passion, moving to Paris to study, painting what she saw. Her work was rejected by the Salon judges time and time again. One day, the great painter Edgar Degas invited her to join him and his group of independent artists, those who flouted the rules and painted as they pleased-the Impressionists. Mary was on her way. "I began to live," said Mary. Today, her paintings hang in museums around the world and she is recognized as one of the most celebrated female artists of all time.
Discusses the characteristics of the Impressionism movement which began in the 1860s and presents biographies of fourteen Impressionist artists.
Intended as the companion art book to a travelling exhibition, An American Impressionist: The Art And Life Of Alson Skinner Clark is the first in-depth scrutiny of the American Impressionist painter Alson Skinner Clark (1876-1949). Featuring 77 colour plates and 10 halftones of Clark's work, ranging from nude figures to bustling urban centres to panoramic scenes from all over the world, An American Impressionist pairs the raw beauty and gentle imagery of the oil on canvas works with a brief discussion of Clark's life, his marriage, travels abroad, the toll World War I took upon him, his obscure retirement and the recent rediscovery of his contributions, particularly to the Impressionist tradition in California, where Clark made a name and lasting memory for himself among the local art community. Especially recommended for collectors, students, and connoisseurs of the Impressionist style. 77 colour & 10 halftone plates
Drawing on unpublished letters and other documents, a leading French historian/biographer traces the life and times of art dealer Durand-Ruel (1831-1921). Ruel supported the careers of most of the major Impressionist artists including Degas, Manet, Monet, Morisot, Pissarro, Renoir, and Sisley. Photos feature the artists and art championed by Ruel.
The New York Times–bestselling biography of Manet, Cezanne, Degas, and others—a “revealing group portrait . . . lively, required reading” (People). Though they were often ridiculed or ignored by their contemporaries, their paintings are now revered around the world. Their dazzling works are familiar to even the most casual art lovers—but how well do we know the Impressionists as people? The first book to offer an intimate and lively biography of the world’s most popular group of artists, including Manet, Monet, Pissarro, Cézanne, Renoir, Degas, Sisley, Morisot, and Cassatt. Sue Roe’s Private Lives of the Impressionists, follows an extraordinary group of artists into their Paris studios, down the rural lanes of Montmartre, and into the rowdy riverside bars of a city undergoing monumental change. Vivid and deeply researched, it casts a brilliant light on this unparalleled society of genius colleagues who lived and worked together for twenty years—and transformed the art world with their breathtaking depictions of ordinary life.
Working in Europe at the end of the 19th century, John Russell (1858-1930) was part of the French avant-garde and the only Australian painter to have been closely associated with some of the most original and influential artists in France. He was a close friend of Van Gogh and Rodin, dined with Monet and taught impressionist colour theory to Matisse. Yet, despite the efforts of fellow Australian artist Thea Proctor, his cousin, he remains little known. This major survey presents the breadth of Russell's art from his studies in London and Paris, through impressionism and experimentation with pure colour, to his later fauve-like luminous watercolours.