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Noel Riley Fitch has written a perfect book, full to the brim with literary history, correct and whole-hearted both in statement and in implication. She makes me feel and remember a good many things that happened before and after my time. I'm glad to have lived long enough to read it. --Glenway Wescott
How he could now be forgotten seems unfathomable. Lewis Galantie¿re guided Hemingway through his first years in Paris, when the author was unknown and desperate for recognition. He helped James Joyce and Sylvia Beach launch Ulysses; started John Houseman in his theatrical career; and saw Antoine de Saint-Exupe¿ry through his wartime exile in America, as his friend and as his collaborator and translator in life and in print. He was a playwright, a literary and cultural critic and an author, Federal Reserve Bank economist throughout the Great Depression, director of the French Branch of the Office of War Information at the onset of World War II, ACLU Director during the McCarthyism-fraught 1950s, Counselor to Radio Free Europe and, at a crucial time in its history, president of PEN America, the writers advocacy organization.Yet, today, few know his name and, to those who do, he is a cipher...And that was precisely his intent. The son of Jewish Latvian immigrants at a time of rampant anti-semitism, Lewis spent his first thirteen years in Chicago's tenements and did not complete grade school. Yet, by his early twenties, Lewis had convinced the world that he was the apostate son of French Catholic parents, and had earned degrees from French and German universities.Galantière, The Lost Generation¿s Forgotten Man, is both a historical chronicle providing rare insights into the lives of leading twentieth century figures (with previously unpublished personal correspondence from Hadley Hemingway and Alfred Knopf), and a meticulously researched biography. Galantière presents, for the first time, the seemingly magical story of the self-fabricated and fully-realized man, Lewis Galantie¿re.
Modern Lives traces the development of the idea of "the lost generation" and reinterprets it in light of more recent versions of the American 1920s. Employing a wide range of historical, literary, and cultural theory, Marc Dolan focuses on American versions of "the lost generation", particularly as they emerged in the autobiographical writings of the generation's supposed "members". By examining the narrative and discursive forms that Ernest Hemingway, Malcolm Cowley, F. Scott Fitzgerald, and others imposed on the raw data of their lives, Dolan draws out the subtle relationships between personal and historical narratives of the early twentieth century, as well as the ways in which the mediating notion of a distinct "generation" allowed those authors to pass back and forth between "the personal" and "the historical". Written with the general Americanist rather than the theoretical specialist in mind, Modern Lives opens out the concept of "the lost generation" to reveal the clashing formulations of "self", "society", "nation", and "culture" that were contained within that concept and that continue to influence personal and national self-conceptions in America right down to the present day.
This book is about how traumatic psychological injury is passed down to the children and grandchildren of those who originally experienced it and about finding the shared humanity in families, in psychotherapy, in society, and in memories of the past that repairs the damage people do to one another.
Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by? In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle. Born in Topeka, Kansas, in 1979, Ben Lerner is the author of three books of poetry The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award and the Northern California Book Award, a Fulbright Scholar in Spain, and the recipient of a 2010-2011 Howard Foundation Fellowship. In 2011 he became the first American to win the Preis der Stadt Münster für Internationale Poesie. Leaving the Atocha Station is his first novel.
A Haridwar pandit who maintains genealogical records of families for centuries; a professional mourner who has mastered the art of fake tears; a letter writer who overlooks the lies that a sex worker makes him write to her family back home. These are remnants of an India that still exist in its old streets and neighbourhoods, an unshakeable sense of belonging to a time that was the everyday life of our ancestors. In The Lost Generation, Nidhi Dugar Kundalia narrates the unforgettable stories of eleven professionals—from the hauntingly beautiful rudaalis to the bizarre tasks of a street dentist—uncovering the romance, tragedy and old-world charm of India’s ageing bylanes and its incredible living history.
This masterpiece of war literature that will change your perspective on life and humanity.** Follow the journey of Paul, a young German soldier who enlists in World War I with his friends, full of enthusiasm and patriotism. But soon, he faces the horrors of the trenches, where death, disease, and despair lurk at every corner. He witnesses the brutality and futility of war, and he vows to resist the hatred that makes him kill his fellow human beings, who are just like him, except for their uniforms. This book is a powerful and moving portrait of the suffering, the courage, and the longing for peace of a generation that was sacrificed for a senseless conflict. It is widely regarded as the best war novel of all time, and it has been adapted into an Oscar-winning movie that you can watch on Netflix.
The removal of Aboriginal and Torres Strait Islander children from their families gained national attention in Australia following the Bringing Them Home Report in 1997. However, the voices of Indigenous parents were largely missing from the Report. The Inquiry attributed their lack of testimony to the impact of trauma and the silencing impact of parents’ overwhelming sense of guilt and despair; a submission by Link-Up NSW commented on Aboriginal mothers being “unwilling and unable to speak about the immense pain, grief and anguish that losing their children had caused them.” This book explores what happened to Aboriginal mothers who had children removed and why they have overwhelmingly remained silent about their experiences. Identifying the structural barriers to Aboriginal mothering in the Stolen Generations era, the author examines how contemporary laws, policies and practices increased the likelihood of Aboriginal child removal and argues that negative perceptions of Aboriginal mothering underpinned removal processes, with tragic consequences. This book makes an important contribution to understanding the history of the Stolen Generations and highlights the importance of designing inclusive truth-telling processes that enable a diversity of perspectives to be shared.
The world’s second-wealthiest country, Japan once seemed poised to overtake America. But its failure to recover from the economic collapse of the early 1990s was unprecedented, and today it confronts an array of disturbing social trends. Japan has the highest suicide rate and lowest birthrate of all industrialized countries, and a rising incidence of untreated cases of depression. Equally as troubling are the more than one million young men who shut themselves in their rooms, withdrawing from society, and the growing numbers of “parasite singles,” the name given to single women who refuse to leave home, marry, or bear children. In Shutting Out the Sun, Michael Zielenziger argues that Japan’s rigid, tradition-steeped society, its aversion to change, and its distrust of individuality and the expression of self are stifling economic revival, political reform, and social evolution. Giving a human face to the country’s malaise, Zielenziger explains how these constraints have driven intelligent, creative young men to become modern-day hermits. At the same time, young women, better educated than their mothers and earning high salaries, are rejecting the traditional path to marriage and motherhood, preferring to spend their money on luxury goods and travel. Smart, unconventional, and politically controversial, Shutting Out the Sun is a bold explanation of Japan’s stagnation and its implications for the rest of the world.
Hailed by national leaders as politically diverse as former Vice President Al Gore and former House Speaker Newt Gingrich, Generations has been heralded by reviewers as a brilliant, if somewhat unsettling, reassessment of where America is heading. William Strauss and Neil Howe posit the history of America as a succession of generational biographies, beginning in 1584 and encompassing every-one through the children of today. Their bold theory is that each generation belongs to one of four types, and that these types repeat sequentially in a fixed pattern. The vision of Generations allows us to plot a recurring cycle in American history -- a cycle of spiritual awakenings and secular crises -- from the founding colonists through the present day and well into this millenium. Generations is at once a refreshing historical narrative and a thrilling intuitive leap that reorders not only our history books but also our expectations for the twenty-first century.