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Noel Riley Fitch has written a perfect book, full to the brim with literary history, correct and whole-hearted both in statement and in implication. She makes me feel and remember a good many things that happened before and after my time. I'm glad to have lived long enough to read it. --Glenway Wescott
Members of the Lost Generation, American writers and artists who lived in Paris during the 1920s, continue to occupy an important place in our literary history. Rebelling against increased commercialism and the ebb of cosmopolitan society in early twentieth-century America, they rejected the culture of what Ernest Hemingway called a place of “broad lawns and narrow minds.” Much of what we know about these iconic literary figures comes from their own published letters and essays, revealing how adroitly they developed their own reputations by controlling the reception of their work. Surprisingly the literary world has paid less attention to their autobiographies. In Writing the Lost Generation, Craig Monk unlocks a series of neglected texts while reinvigorating our reading of more familiar ones. Well-known autobiographies by Malcolm Cowley, Ernest Hemingway, and Gertrude Stein are joined here by works from a variety of lesser-known—but still important—expatriate American writers, including Sylvia Beach, Alfred Kreymborg, Samuel Putnam, and Harold Stearns. By bringing together the self-reflective works of the Lost Generation and probing the ways the writers portrayed themselves, Monk provides an exciting and comprehensive overview of modernist expatriates from the United States.
John W. Aldridge is one of the few young critics of importance to appear on the literary scene since World War II. In AFTER THE LOST GENERATION he discusses with acumen and discernment the most important works of the young post-war writers of the Forties—Norman Mailer, Irwin Shaw, John Horne Burns, Truman Capote, Gore Vidal, Paul Bowles, Alfred Hayes and others. Aldridge discusses three writers of the 1920’s—Ernest Hemingway, John Dos Passos, and F. Scott Fitzgerald—to introduce the writers of World War II. He draws significant parallels between the work of the two generations—between Hemingway and Hayes, between Fitzgerald and Burns, between Bowles and Hemingway, and between the “lost generation” of the Twenties and the “illusionless lads of the Forties.” More important than the likenesses between the two generations are the new developments. Norman Mailer and Irwin Shaw wrote enormous “encyclopedic” war novels which covered whole armies and had settings in a dozen different lands. John Horne Burns sought relief from the chaos of modernity in Italian culture and Old World tradition. Truman Capote dealt essentially with abnormalities and peculiarities in human nature. Anti-Semitism, the Negro problem, and homosexuality appear time and again in the new writing. The old themes with which Hemingway and Fitzgerald shattered Victorian patterns—sex, drinking, the brutalities of war—are no longer shocking. AFTER THE LOST GENERATION is a penetrating analysis of post-war fiction that already has provoked wide controversy and discussion. “A pioneer study...The first serious and challenging book about the new novelists.”—Malcolm Cowley, New York Herald Tribune
"Excellent. This is a fine, and unusual, collection of literary Americana."--Atlantic "Fine comic moments of truth."--New York Times Book Review "An invaluable source of literary history."--Publishers Weekly This is the story of one of the most famous literary "sets" of the twentieth century. Gerald and Sara Murphy were at the center of a group including Ernest Hemingway and his wives, F. Scott and Zelda Fitzgerald, John Dos Passos, Archibald MacLeish, Dorothy Parker, Alexander Woollcott, Robert Benchley, Phillip Barry, and many others. They personified the jazz age and the lost generation. The Murphys have been viewed primarily as cult/pop figures. In this book Miller shows, through a sequential interweaving of letters from several correspondents, that they actually were the nucleus without which the group as we know it would not have stayed together. Miller allows the individual correspondents to tell their own stories, providing new insights into their lives and this era. It is the best sort of eavesdropping. Gerald and Sara Murphy married on December 30, 1915. Both families were moneyed and cosmopolitan. Their attraction to each other was in part based on their desire to escape the routine and predictable social rounds in which their families were immersed. Against their families' wishes, they and their three children left for Europe in 1921. They remained in France for over a decade, and quite naturally socialized with the expatriate set. They were, in part, models for Dick and Nicole Diver in Tender Is the Night. MacLeish wrote poems about them, their friends paid tribute to them and relied on them day to day and in correspondence, and their own letters are worth reading for their liveliness and because they so well preserve a record of the twenties and thirties. Miller provides nearly every extant letter between the Murphys and their friends during those decades. Most of them have not been published previously, and of course, they have never been presented collectively. Together, they constitute an epistolary "novel" of peculiar power and authenticity about a remarkable era. Linda Patterson Miller is associate professor of English at Pennsylvania State University at Ogontz.
The 1970s was a great decade for British racing drivers, but it was also the era in which the nation lost a generation of brilliant young drivers – Roger Williamson, Tony Brise and Tom Pryce – in tragic accidents. All had the potential to be World Champions. With access to their families, friends and race colleagues, David Tremayne tells their full stories in this superb book, now available in paperback. It makes for poignant but uplifting reading.
This poem describes a harrowing time in our history. The author was inspired by the depth of feeling and the fear of being forgotten that plagued the writers of the "lost generation." We can see bit of that fear in ourselves and in others of our time. It is easy to feel lost in a time of social media and technology. This poem is a bridge that closes the gap between the two generations. The author hopes it reminds people that nothing is ever truly lost.
The Lost Generation is a vital component to understanding Maoism. The book provides a comprehensive account of the critical movement during which seventeen million young "educated" citydwellers were supposed to transform themselves into peasants, potentially for life. Bonnin closely examines the Chinese leadership's motivations and the methods that they used over time to implement their objectives, as well as the daytoday lives of those young people in the countryside, their difficulties, their doubts, their resistance and, ultimately, their revolt. The author draws on a rich and diverse array of sources, concluding with a comprehensive assessment of the movement that shaped an entire generation, including a majority of today's cultural, economic, and political elite.
The Lost Generations is a fictional tale of life in America as experienced by a foreigner. Through the eyes of the main character, who is caught between the complexities of his dual culture as he travels back and forth between his home in America and his homeland, this powerful novel explores the important global issues of our time. The Lost Generations is a novel that enlightens readers about what happens on a daily basis, and what life is like in the other parts of the world outside America. . It takes the reader on a journey through the vicious cycle that occurs everyday in the less developed countries. It tells a complete story and allows the audience to become a part of the act, and this is what makes the novel powerful. The narrative voice is mainly third-person omniscient and does not remain that way throughout the novel. It is a new and different voice.