Download Free The Lost Classics Book in PDF and EPUB Free Download. You can read online The Lost Classics and write the review.

Based on an issue of the Canadian periodical, Brick, this compendium features 80 essays by writers about their favourite classic work of literature. In this collection, Margaret Atwood discusses sex and death in Doctor Glas, Susan Musgrave remembers A.E. Houseman, and Ronald Wright muses about William Golding. Other contributors include Jane Rule, Russell Banks, John Irving, Carole Corbeil, and Bill Richardson. 2000.
A collection of magazine stories that Ruark wrote in the 1950s and 1960s, but were never published in book form.
Until recently, the story of African film was marked by a series of truncated histories: many outstanding films from earlier decades were virtually inaccessible and thus often excluded from critical accounts. However, various conservation projects since the turn of the century have now begun to make many of these films available to critics and audiences in a way that was unimaginable just a decade ago. In this accessible and lively collection of essays, Lizelle Bisschoff and David Murphy draw together the best scholarship on the diverse and fragmented strands of African film history. Their volume recovers over 30 'lost' African classic films from 1920-2010 in order to provide a more complex genealogy and begin to trace new histories of African filmmaking: from 1920s Egyptian melodramas through lost gems from apartheid South Africa to neglected works by great Francophone directors, the full diversity of African cinema will be revealed.
Douglas Wile translates and analyzes four collections of recently released nineteenth-century manuscripts on T'ai-chi ch'uan. These writings of Wu's older brothers Ch'eng-ch'ing and Ju-ch'ing, and his nephew Li I-yu, together with the transmissions of Yang Pan-hou, represent a significant addition to the seminal literature. The rich new texts allow us to make a fresh survey of longstanding issues in T'ai-chi history: the origins of the art; the authorship of the "classics;" the differences between Wu, Yang, and Li; and the roles of Chang San-feng, Wang Tsung-yueh, Chiang Fa, and the formerly missing link, Ch'ang Nai-chou. The original Chinese texts of the four new sets of classics have been appended for the convenience of Chinese readers and scholars. The book reconsiders the world of the Wu, Yang, and Li families of Yung-nien and reconstructs it against the background of the Opium Wars, the Taiping Rebellion, and the decline of the Manchu dynasty. New biographical sources illuminate the domestic and political lives of the Yung-nien circle and their orientation to the late imperial intellectual trends. The development of T'ai-chi ch'uan in the nineteenth century is explored in the context of China's cultural response to the challenge of the West and the role of body-centered arts in Asia during the drive for independence and the ongoing search for national identity.
In the spring of 1775, determined to help free the colonies from British rule, sixteen-year-old Roger Morse and his friends organize their own military company and find themselves participating in the first battles of the Revolution at Lexington and Concord.
Three schools of Taoism flourished at the beginning of the Han Dynasty in 2nd-Century B.C. China: the Lao-tzu, the Chuang-tzu, and the Huang-Lao, the last being the most influential philosophy at the court of the Han rulers. But, after Confucianism became the predominant court philosophy in the 1st Century B.C., Huang-Lao Taoism became little more than a name; its central principles virtually forgotten, its texts destroyed or lost. In 1973, among the many unique documents discovered in the richly furnished tomb of a Han-dynasty aristocrat, were five books written on silk, primary texts of Huang-lao Taoism and Yin-yang philosophy that had been lost to mankind for more than 2,000 years. A discovery as important in China as the unearthing of the Dead Sea Scrolls was in the West, the Mawangdui texts created a sensation when they were first published, even leading to the foundation of a new religion on Taiwan. Now Robin D. S. Yates, a noted expert in Chinese history and philosophy, offers the first complete translation of these precious and unique texts to be published in a Western language. As Professor Yates explains in his illuminating introduction to this volume, the recovery of the five lost classics sheds new light on a critical transitional period of Chinese political and intellectual history. Implicit in the texts is the assumption that a ruler who strives to align himself with the unknowable, transcendent order of the cosmos will become a "true king" capable of commanding the allegiance of a unified China. To this end, the essays deal with concrete questions of self-cultivation and political insight rather than with the abstract considerations typical of Western philosophy. The first four texts focus on different facets of Huang-lao Taoism while the fifth is devoted to Yin-yang philosophy: The Canon: Law unfolds the essence of the Tao and explains why rulers must abide within the boundaries of the law; The Canon is largely cast as a series of stories and dialogues between the mythological Yellow Emperor and his leading officials; Designations is a collection of fifty-four aphorisms expounding the eternal dilemmas of the human condition; Tao the Origin is an essay on the origin of the Tao; The Nine Rulers, the fragmentary fifth text, is a Yin-yang essay that considers the laws of nature which effective rulers must understand and obey. It is the only Yin-yang text which has survived almost whole into the Twentieth Century, and is valuable because its philosophy is basic to the origins of Huang-Lao tradition. Brilliantly translated by Professor Yates and prefaced with his fascinating and informative introduction, Five Lost Classics is as accessible to general readers as it is illuminating to scholars. With the publication of this volume, a document of inestimable value takes its place, after a two thousand year hiatus, in the canon of world literature and philosophy.
A windfall for every reader: a trove of marvelous impossible-to-find Kafka stories in a masterful new translation by Michael Hofmann Selected by the preeminent Kafka biographer and scholar Reiner Stach and newly translated by the peerless Michael Hofmann, the seventy-four pieces gathered here have been lost to sight for decades and two of them have never been translated into English before. Some stories are several pages long; some run about a page; a handful are only a few lines long: all are marvels. Even the most fragmentary texts are revelations. These pieces were drawn from two large volumes of the S. Fischer Verlag edition Nachgelassene Schriften und Fragmente (totaling some 1100 pages). “Franz Kafka is the master of the literary fragment,” as Stach comments in his afterword: "In no other European author does the proportion of completed and published works loom quite so...small in the overall mass of his papers, which consist largely of broken-off beginnings.” In fact, as Hofmann recently added: “‘Finished' seems to me, in the context of Kafka, a dubious or ironic condition, anyway. The more finished, the less finished. The less finished, the more finished. Gregor Samsa’s sister Grete getting up to stretch in the streetcar. What kind of an ending is that?! There’s perhaps some distinction to be made between ‘finished' and ‘ended.' Everything continues to vibrate or unsettle, anyway. Reiner Stach points out that none of the three novels were ‘completed.' Some pieces break off, or are concluded, or stop—it doesn’t matter!—after two hundred pages, some after two lines. The gusto, the friendliness, the wit with which Kafka launches himself into these things is astonishing.”
The classic French novel written by a soldier, who would later die during World War I, tells the story of Auguste Meaulnes and the "domain mysterieux."