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"The Watts Towers of Simon Rodia are one of the unique treasures of Los Angeles and the product of one man's obsession. Rodia, a poor Italian immigrant, settled in a sleepy railway junction south of downtown in 1921 and spent the next thirty-four years single-handedly assembling a frenzy of shapes and color. Rising to one hundred feet, the towers were built without machine equipment, scaffolding, bolts, rivets, welds - or plans!" "Bud Goldstone, who knew Rodia personally, and Arloa Paquin Goldstone have worked to preserve the towers since 1959. They tell the exciting story of how the towers were first rescued from demolition by the City of Los Angeles itself and then saved from natural and man-made disasters. They present new biographical information about Rodia and his innovative techniques and discuss the towers as art, as architecture, and as a singular expression of urban culture in Southern California."--Page 4 of cover.
The incredible artwork of an Italian immigrant who followed his dream of monumental proportions in the impoverished Watts neighborhood of Los Angeles is revealed in this fascinating and engaging true story. A Reading Rainbow selection! Simon (Sam) Rodia had no formal engineering or architectural training. Yet, over the course of three decades, he constructed an artistic masterpiece in his own backyard – the Watts Towers. Using all kinds of things other people had thrown away, such as broken bottles and tiles, pieces of mirror and glass, seashells, and bits of pottery, he adorned the collection of 17 interconnected sculptural towers. His imaginative salvaging and perseverance can be seen today, as people from all over the world still come to marvel at Sam’s dream.
Between 1921 and 1955, Italian immigrant Simon Rodia transformed broken glass, seashells, pottery, and a dream to "do something big" into a U.S. National Landmark. Readers watch the towers rise from his little plot of land in Watts, California, through the eyes of a fictional girl as she grows and raises her own children. Chronicled in stunningly detailed collage that mimics Rodia's found-object art, this thirty-four-year journey becomes a mesmerizing testament to perseverance and possibility. A final, innovative "build-your-own-tower" activity makes this multicultural, intergenerational tribute a classroom natural and a perfect gift-sure to encourage kids to follow their own big dreams.
"Art and the City" explores the contentious relationship between civic politics and visual culture in Los Angeles. Struggles between civic leaders and modernist artists to define civic identity and control public space highlight the significance of the arts as a site of political contest in the twentieth century.
It's August 1965 and Los Angeles is scorching - and when white police officers arrest an ordinary black Angeleno named Marquette Frye, they light the touchpaper on six days of rioting. Graffiti Palace follows young African-American graffiti expert Americo Monk as he tries to get home through the chaos, telling the secret history of the riots - and the unfolding story of Los Angeles and black America - along the way. As Monk travels through the streets of South Central LA, he orients himself by gang tags and more intricate and mysterious graffiti symbols towards home. But the cops and the gangs are after the notebook where Monk records the city's graffiti, and which might just be the key to the secret tides of power ebbing below the surface of the city... Bursting at the seams with memorable characters - including Nation of Islam leader Elijah Muhammad, sewer-dwelling crack dealers and a legendary Mexican graffiti artist no-one's even sure exists - Graffiti Palace conjures into being a fantastical, living, breathing portrait of Los Angeles in 1965.
"Published in conjunction with the exhibition Noah Purifoy: Junk Dada at the Los Angeles County Museum of Art, Los Angeles, California."
This National Book Award-winning debut poetry collection is a "powerfully evocative" (The New York Review of Books) meditation on the black female figure through time. Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems meditating on the roles desire and race play in the construction of the self. In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present—titles that feature or in some way comment on the black female figure in Western art. Bracketed by Lewis's own autobiographical poems, "Voyage" is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin—five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story? Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire—how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race—a full embrace of its pleasure and horror, in equal parts.