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Examining the relationship between German poetry, philosophy, and visual media around 1900, Carsten Strathausen argues that the poetic works of Rainer Maria Rilke, Hugo von Hofmannsthal, and Stefan George focused on the visible gestalt of language as a means of competing aesthetically with the increasing popularity and "reality effect" of photography and film. Poetry around 1900 self-reflectively celebrated its own words as both transparent signs and material objects, Strathausen says. In Aestheticism, this means that language harbors the potential to literally present the things it signifies. Rather than simply describing or picturing the physical experience of looking, as critics have commonly maintained, modernist poetry claims to enable a more profound kind of perception that grants intuitive insights into the very texture of the natural world.
Jenna Albertsen, a writer, has just won the Pulitzer Prize for fiction but cant find the thing she wants most, love. She is saddened that her stepfather, Ned Albertsen, who raised her and whom she adores, cant get his novel published. But she is also shocked to hear that her dear friend Maribeth has committed suicide because her husband has gotten someone pregnant and wants a divorce to marry the girl. She flies home for the funeral and is comforted by her old friend, Brian Bradshaw, who has just been released from the Army, due to wounds suffered in Alghanistan.
Look of Things: Poetry and Vision around 1900
Everyone needs things to look forward to: big things and small things, on good days and on bad days, whether we actively create delight for ourselves or simply allow it to enter our lives. In these pages, beloved author and illustrator Sophie Blackall has gathered a collection of joys for all of us—reminders that every day the sun comes up and new babies are born. She includes suggestions that you bake muffins for a friend, or draw a face on an egg and put it in the fridge where it will smile at you each time you open the door. With wisdom, whimsy, and compassion, the 52 illustrated ideas in this book offer moments of uplift and serendipity for yourself and your loved ones. A message of hope and solace in hard times and of joyful anticipation at times of new beginnings—whether you're grieving a loss or starting a new chapter—and for all the days in between—Things to Look Forward to is full of gentle reminders of the objects, occasions, gestures, and ideas that warm our hearts. There is always something bright on the horizon, and sometimes that horizon can be a lot closer than we think. BELOVED AUTHOR: Sophie Blackall is a world-renowned, two-time Caldecott award–winning children's book author and illustrator. Whether your kids grew up with Ivy & Bean and If You Come to Earth, or you're discovering Blackall's empathetic voice and gorgeous artwork for the first time, you’re sure to fall in love with her new book for adults and folks of all ages. UPLIFTING AND HOPEFUL: We all need a little reassurance that things will get better—this book offers just that, and so much more. It reminds us that while looking forward is important, sometimes we can take matters into our own hands and create our own joy when we need it most. THE PERFECT GIFT: Not only a promise of solace in tough times, this book is also a celebration of joyful new beginnings—after all, who has more to look forward to than parents of new babies, or recent grads? You'll want to give Things to Look Forward to to the grieving and the embarking alike. Perfect for new moms, new graduates, those going through breakups or suffering a loss, and anyone who could use a little extra joy in life just because. Perfect for: • Those going through hard times and those experiencing joyous life events • Parents (or aunts, uncles, grandparents) who have bought Sophie Blackall's books for their children and fallen in love with her artwork • Shoppers looking for the perfect grad gift or baby shower gift • People looking for a way to express sympathy with someone who is struggling or grieving
Lift the flaps to explore all sorts of exciting things that go - bulldozers rumbling around building sites, passenger ships cruising over the ocean, or jumbo jets soaring into the sky.
The Scheme of Things, a coming-of-age story with a thriller twist, poses the question: Have you ever had a secret? For young Henry Dodge, every day is an exercise in keeping his. Whether it's his sketchbook falling into the hands of his older brother, John, or saying the wrong thing to his parents Big Ed and Kate, which may tip them off to the fact that he knows he is different. He would rather spend his afternoons with his friend Kelley, perfecting their disco moves than join in with the neighborhood boys and their sporting ways. When Danny Woodson moves into the neighborhood and becomes his brother's best friend, Henry's world is turned upside down, as his attraction to him is electrifying. In an effort to find a place to hide, Henry turns to TV, movies and music that provide him a great escape, a solace, which he can't get from the world-at-large. Unfortunately, the nighttime soap operas of the 80's plant the seeds of a scheme that involves running away to find Danny in Los Angeles. But the City of Angels holds only devils in disguise, backstabbing and heartache, as Henry thinks he has found shelter in The Palace of King George and his court of supporting players. In a tale that is equal parts comedy and heartbreak, Henry struggles to find acceptance and eventually going against the grain to find his place in the scheme of things.
"One of the greatest sources of prophetic vision is found by better understanding our past," says Rick Joyner. "I studied Christ's interaction with the apostles as well as the life of the early church to be obedient to a heavenly vision in which I was told that I would not be able to accurately foresee the future until I understood the past." In this important book Joyner looks at the life and ministry of the apostles and of later generations so that Christians today can close the openings the enemy has used to gain entry and do his deadly work. He examines the successes and failures of Christians of the past so we can better understand how to be God's servants today.
The Shakespearean image of a tempest and its aftermath forms the beginning as well as a major guiding thread of Logic of Imagination. Moving beyond the horizons of his earlier work, Force of Imagination, John Sallis sets out to unsettle the traditional conception of logic, to mark its limits, and, beyond these limits, to launch another, exorbitant logic—a logic of imagination. Drawing on a vast range of sources, including Plato, Aristotle, Kant, Hegel, Nietzsche, and Freud, as well as developments in modern logic and modern mathematics, Sallis shows how a logic of imagination can disclose the most elemental dimensions of nature and of human existence and how, through dialogue with contemporary astrophysics, it can reopen the project of a philosophical cosmology.
Intentions generally viewed as a pit-bull kind of determination propelling one to succeed at all costs by never giving up on an inner picture. In this view, and attitude that combines hard work with an indefatigable drive toward excellence is the way to succeed. However, intention is viewed very differently in this book. [The author] has researched intention as a force in the universe that allows the act to creation to take place. This book explores intention-not as something you do-but as an energy you're a part of. We're all intended here through the invisible power of intention.-Dust jacket.
How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.