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This is the story of how, over a period of one hundred and ninety-two days, I was torn away from the life I knew and loved, and dragged down to the depths of despair; of how I endured enforced isolation and near-starvation at the hands of Somali pirates; and of how I made a choice to survive by any and all means that I could muster.In September 2011 Judith Tebbutt and her husband David set out on an adventurous holiday to Kenya. A couple for thirty-three years, they had first met in Zambia: Africa had played a major part in their life together. After a joyous week on safari in the Masai Mara, they flew on to a beach resort forty kilometres south of Somalia. And there, in the early hours of 11 September, tragedy struck them.Judith was torn away from David by a band of armed pirates, dragged over sea and land to a village in the arid heart of lawless Somalia, and there held hostage in a squalid room, a ransom on her head. There, too, she learned the terrible truth that the responsibility of securing her release now rested with her son Ollie. But though she was isolated, intimidated and near-starved, Judith resolved to survive - walking endless circuits of her nine-foot prison, trying to make her captors see her as a human being, keeping her faith at all times in Ollie. Powerful, moving and at times quite devastating, this is Judith Tebbutt's story in her own words. It is a memoir of the life she shared with her beloved husband, an unflinching account of the ordeal that overturned her world, and a testament to the inner resilience and familial love that sustained her through captivity.There is nothing so bad in life as to have no hope - to believe you have been defeated, to give in to that. Now that I found myself in confinement, four thousand miles from home under a hostile sky, I would not accept that fate for myself.
Glory Boughton has returned to Gilead to care for her dying father. soon her brother, Jack—the prodigal son of the family, gone for twenty years—comes home too, looking for refuge and trying to make peace with a past littered with torment and pain. A troubled boy from childhood, an alcoholic who cannot hold a job, Jack is one of the great characters in recent literature. He is perpetually at odds with his surroundings and with his traditionalist father, though he remains Reverend Boughton’s most beloved child. Brilliant, beguiling, lovable and wayward, Jack forges an intense new bond with Glory and engages painfully with John Ames, his godfather and namesake. Home is a moving and healing book about families, family secrets and the passing of the generations, about love and death and faith. It is arguably Marilynne Robinson’s greatest work, an unforgettable embodiment of the deepest and most universal emotions.
Bruce Springsteen might be the quintessential American rock musician but his songs have resonated with fans from all walks of life and from all over the world. This unique collection features reflections from a diverse array of writers who explain what Springsteen means to them and describe how they have been moved, shaped, and challenged by his music. Contributors to Long Walk Home include novelists like Richard Russo, rock critics like Greil Marcus and Gillian Gaar, and other noted Springsteen scholars and fans such as A. O. Scott, Peter Ames Carlin, and Paul Muldoon. They reveal how Springsteen’s albums served as the soundtrack to their lives while also exploring the meaning of his music and the lessons it offers its listeners. The stories in this collection range from the tale of how “Growin’ Up” helped a lonely Indian girl adjust to life in the American South to the saga of a group of young Australians who turned to Born to Run to cope with their country’s 1975 constitutional crisis. These essays examine the big questions at the heart of Springsteen’s music, demonstrating the ways his songs have resonated for millions of listeners for nearly five decades. Commemorating the Boss’s seventieth birthday, Long Walk Home explores Springsteen’s legacy and provides a stirring set of testimonials that illustrate why his music matters.
When the Sudanese civil war reaches his village in 1985, 11-year-old Salva becomes separated from his family and must walk with other Dinka tribe members through southern Sudan, Ethiopia and Kenya in search of safe haven. Based on the life of Salva Dut, who, after emigrating to America in 1996, began a project to dig water wells in Sudan. By a Newbery Medal-winning author.
In the tradition of Michael Herr’s Dispatches and works by such masters of the memoir as Mary Karr and Tobias Wolff, a powerful account of war and homecoming. Brian Castner served three tours of duty in the Middle East, two of them as the commander of an Explosive Ordnance Disposal unit in Iraq. Days and nights he and his team—his brothers—would venture forth in heavily armed convoys from their Forward Operating Base to engage in the nerve-racking yet strangely exhilarating work of either disarming the deadly improvised explosive devices that had been discovered, or picking up the pieces when the alert came too late. They relied on an army of remote-controlled cameras and robots, but if that technology failed, a technician would have to don the eighty-pound Kevlar suit, take the Long Walk up to the bomb, and disarm it by hand. This lethal game of cat and mouse was, and continues to be, the real war within America’s wars in Iraq and Afghanistan. But The Long Walk is not just about battle itself. It is also an unflinching portrayal of the toll war exacts on the men and women who are fighting it. When Castner returned home to his wife and family, he began a struggle with a no less insidious foe, an unshakable feeling of fear and confusion and survivor’s guilt that he terms The Crazy. His thrilling, heartbreaking, stunningly honest book immerses the reader in two harrowing and simultaneous realities: the terror and excitement and camaraderie of combat, and the lonely battle against the enemy within—the haunting memories that will not fade, the survival instincts that will not switch off. After enduring what he has endured, can there ever again be such a thing as “normal”? The Long Walk will hook you from the very first sentence, and it will stay with you long after its final gripping page has been turned.
When Ron Zaleski returned home from his service to the Marine Corps in 1972, he was plagued by feelings of anger and guilt. As an act of penance, in 2006 he walked barefoot across the Appalachian Trail, where he learned self-forgiveness, empathy, and found a purpose greater than himself. In 2010, he upped the stakes and walked barefoot from Concord, MA to Santa Monica, CA. He traversed over 3,400 miles without shoes, all the while carrying a sign that read "18 Vets a Day Commit Suicide!" and a petition for military personnel to receive mandatory counseling. Along the way, he made connections and experienced things that would change him forever. "The Long Walk Home" recounts Ron's remarkable transformation from disgruntled Veteran to trailblazing advocate for hope and change.
As an Arab Christian pilot for a relief organization, Paul Farid feels called to bring supplies to his war-torn countrymen in southern Sudan. But with constant attacks from Khartoum’s Islamic government, the villagers have plenty of reasons to distrust Paul, and he wonders if the risks he’s taking are really worth his mission. American doctor Larson Kerr started working with the Sudanese people out of a sense of duty and has grown to love them all, especially Rachel, her young assistant. But despite the years she’s spent caring for them, her life feels unfulfilled. It’s a void that both Paul and Rachel’s older brother, Colonel Ben Alier of the Sudanese People’s Liberation Army, notice. When Rachel is abducted, Paul, Ben, and Larson agree to set aside their differences to form an unlikely alliance and execute a daring rescue. Their faith and beliefs tested, each must find the strength to walk the path God has laid before them, to find their way home.
Contemporary Black American Cinema offers a fresh collection of essays on African American film, media, and visual culture in the era of global multiculturalism. Integrating theory, history, and criticism, the contributing authors deftly connect interdisciplinary perspectives from American studies, cinema studies, cultural studies, political science, media studies, and Queer theory. This multidisciplinary methodology expands the discursive and interpretive registers of film analysis. From Paul Robeson’s and Sidney Poitier’s star vehicles to Lee Daniels’s directorial forays, these essays address the career legacies of film stars, examine various iterations of Blaxploitation and animation, question the comedic politics of "fat suit" films, and celebrate the innovation of avant-garde and experimental cinema.
Young Mikey Quinn, scavenging on the streets of Hull, is thrown into prison for stealing a rabbit from the butcher. His chief accuser, a well-to-do lawyer, has a daughter, Eleanor, whom he badly mistreats. When Mikey is released he finds that his mother has died and his brothers taken into the workhouse - determined to find a better life for his family, he walks all the way to London to seek his fortune. There he finds that the grim realities of city life are even worse than they were in Hull, and comes under the evil patronage of the sinister Tully, first encountered when he was in prison. But he also meets Eleanor again, and between them they face the dangers of London and gradually make a new life for themselves. Together they have to face journeying back to Hull - the long walk home.