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Over forty years have elapsed since the death of the British jazz legend Tubby Hayes and yet his story still continues to captivate. Beginning as a precociously talented teenage saxophonist, he took first the local and then the international jazz scene by storm, displaying gifts equal to the finest American jazzmen. He appeared with none other than Duke Ellington and proved almost single-handedly that British jazz need not labour under an inferiority complex. Hayes's triumphs during the 1950s and 60s enabled still later generations of English musicians to take their music onto the world stage. However his story, distorted by the folklore surrounding his tragically early death, aged only 38, has rarely been accurately recorded. Much of what has been written, broadcast and recounted about Hayes has added only confusion to our understanding of his short but brilliant life.In this new, expanded paperback edition, award-winning saxophonist and writer Simon Spillett, widely regarded as the world's leading authority on Hayes and his work, painstakingly outlines a career that alternated professional success and personal downfall. Using credible eye-witness recollection, drawn from conversations with Hayes's family, partners, friends and musical colleagues, unique access to Hayes's own tape, photographic and personal archives - including papers that have only recently come to light - and extensive contemporary research material, Spillett has reconstructed the trajectory of his subject's life both candidly and respectfully.
The Long Shadows: A True-Life Novel The Long Shadows is a fascinating true-life novel about Jacob Reuben Erlich, who, at 8 foot 6, was among the tallest men in the world. Best known by his stage name, Jack Earle, he would overcome crippling shyness, depression, temporary blindness and the physical challenges of a giant's frame to earn widespread acclaim during his career as a silent film star, circus performer, artist, poet and vaudevillian. Drawing on ten years of research culled from family lore, newspaper archives, historical documents and the recorded recollections of Earle's contemporaries, author Andrew Erlich weaves a fascinating bio-fictional account of a remarkable man and the cast of colorful characters who knew him. Along the way, we learn a great deal about courage, character, and one man's unique perspective on a broad sweep of history that encompassed the Great Depression, the immigrant experience in turn-of-the-century Texas, silent films, life in the circus, the modern art movement and the domestic anti-Semitism that accompanied the run-up to World War II.
When Truly Plaice's mother was pregnant, the town of Aberdeen joined together in betting how recordbreakingly huge the baby boy would ultimately be. The girl who proved to be Truly paid the price of her enormity; her father blamed her for her mother's death in childbirth, and was totally ill equipped to raise either this giant child or her polar opposite sister Serena Jane, the epitome of femine perfection. When he, too, relinquished his increasingly tenuous grip on life, Truly and Serena Jane are separated--Serena Jane to live a life of privilege as the future May Queen and Truly to live on the outskirts of town on the farm of the town sadsack, the subject of constant abuse and humiliation at the hands of her peers. Serena Jane's beauty proves to be her greatest blessing and her biggest curse, for it makes her the obsession of classmate Bob Bob Morgan, the youngest in a line of Robert Morgans who have been doctors in Aberdeen for generations. Though they have long been the pillars of the community, the earliest Robert Morgan married the town witch, Tabitha Dyerson, and the location of her fabled shadow book--containing mysterious secrets for healing and darker powers--has been the subject of town gossip ever since. Bob Bob Morgan, one of Truly's biggest tormentors, does the unthinkable to claim the prize of Serena Jane, and changes the destiny of all Aberdeen from there on. When Serena Jane flees town and a loveless marriage to Bob Bob, it is Truly who must become the woman of a house that she did not choose and mother to her eight-year-old nephew Bobbie. Truly's brother-in-law is relentless and brutal; he criticizes her physique and the limitations of her health as a result, and degrades her more than any one human could bear. It is only when Truly finds her calling--the ability to heal illness with herbs and naturopathic techniques--hidden within the folds of Robert Morgan's family quilt, that she begins to regain control over her life and herself. Unearthed family secrets, however, will lead to the kind of betrayal that eventually break the Morgan family apart forever, but Truly's reckoning with her own demons allows for both an uprooting of Aberdeen County, and the possibility of love in unexpected places.
Jazz is a music of journeys, migration, and global mobility – from the legacies of the transatlantic slave trade to global travels for escape, exchange, or putting down roots. Having migrated via changing modes of transportation and media communication, the sounds, musicians, and theories of jazz have led to today's diasporic jazz world of global and local encounters. This book features articles that deal with jazz in various geographic areas such as Japan or Israel, orchestras travelling to Egypt or invited to the USA, and so-called expatriate jazz musicians taking up residence in Europe. By sharing their research about jazz on TV, on records, and at festivals, the authors from different disciplines demonstrate how jazz studies today engage with movement in the music's past to question and shape its future. This collection of writings has its origins in the VI Rhythm Changes Conference "Jazz Journeys," which took place in Graz (Austria) and where the International Society for Jazz Research celebrated its 50th anniversary.
This seventh collection of essays and reviews kicks off with a survey of some overlooked British poets from the 1940s who, through a network of little magazines with anarchist inclinations, attempted to offer an alternative to the MacSpaunDay generation's sensibilities. Another piece considers how British writers were monitored by MI5 and local police forces, while a third switches attention to the USA and looks at the still-controversial case of Alger Hiss and his alleged role as a spy who passed information to Russia. There are essays about lesser-known Beat-related writers like Bob Kaufman and Brion Gysin, inspections of some little magazines of the 1950s and 1960s, and two long reviews which consider the effect that Dadaism had and the role played in the movement by Tristan Tzara. Walt Whitman, Woody Guthrie, and Malcolm Cowley also make an appearance.
Global Jazz: A Research and Information Guide is an annotated bibliography that explores the global impact of jazz, detailing the evolution of the African American musical tradition as it has been absorbed, transformed, and expanded across the world’s historical, political, and social landscapes. With more than 1,300 annotated entries, this vast compilation covers a broad range of subjects, people, and geographic regions as they relate to interdisciplinary research in jazz studies. The result is a vivid demonstration of how cultures from every corner of the globe have situated jazz—often regarded as America’s classical music—within and beyond their own musical traditions, creating new artistic forms in the process. Global Jazz: A Research and Information Guide presents jazz as a common musical language in a global landscape of diverse artistic expression.
A Stanford University Three Books Selection for 2019 “Essential.… A conflicted and complex portrait of a city starving for solutions.” —Brandon Yu, San Francisco Chronicle San Francisco is changing at warp speed. Famously home to artists and activists, and known as the birthplace of the Beats, the Black Panthers, and the LGBTQ movement, the Bay Area has been reshaped by Silicon Valley. The richer the region gets, the more unequal and less diverse it becomes, and cracks in the city’s facade—rapid gentrification, an epidemic of evictions, rising crime, atrophied public institutions—are growing wider. Inspired by Studs Terkel’s classic works of oral history, Cary McClelland spent years interviewing people at the epicenter of recent change, from venture capitalists and coders to politicians and protesters, capturing San Francisco as never before.
The authors of Ice Age “present a well-documented argument that [Newton] owed more to the ideas of others than he admitted” (Kirkus Reviews). Robert Hooke and Edmond Halley, whose place in history has been overshadowed by the giant figure of Newton, were pioneering scientists within their own right, and instrumental in establishing the Royal Society. Although Newton is widely regarded as one of the greatest scientists of all time and the father of the English scientific revolution, John and Mary Gribbin uncover the fascinating story of Robert Hooke and Edmond Halley, whose scientific achievements neatly embrace the hundred years or so during which science as we know it became established. They argue persuasively that, even without Newton, science would have made a great leap forward in the second half of the seventeenth century, headed by two extraordinary figures, Hooke and Halley. “Science readers will thank the Gribbins for restoring Hooke and Halley to the prominence that they deserve.”—Publishers Weekly “Engaging . . . They offer proof that Hooke was an important scientist in his own right, and often had physical insights that were borrowed (usually without acknowledgement) by Newton.”—Choice
HISTORICAL FICTION. The Long Shadow is compelling historical novel which tells the human story of the Eastern campaign in Salonika and will appeal to readers of The Island and The Thread.
**Winner of the American Book Award (2023)** ​**Longlisted for the PEN/Jacqueline Bograd Weld Award (2023)** The long-awaited first full biography of legendary jazz saxophonist and composer Sonny Rollins Sonny Rollins has long been considered an enigma. Known as the “Saxophone Colossus,” he is widely acknowledged as one of the greatest jazz improvisers of all time, winning Grammys, the Austrian Cross of Honor, Sweden’s Polar Music Prize and a National Medal of Arts. A bridge from bebop to the avant-garde, he is a lasting link to the golden age of jazz, pictured in the iconic “Great Day in Harlem” portrait. His seven-decade career has been well documented, but the backstage life of the man once called “the only jazz recluse” has gone largely untold—until now. Based on more than 200 interviews with Rollins himself, family members, friends, and collaborators, as well as Rollins’ extensive personal archive, Saxophone Colossus is the comprehensive portrait of this legendary saxophonist and composer, civil rights activist and environmentalist. A child of the Harlem Renaissance, Rollins’ precocious talent landed him on the bandstand and in the recording studio with Bud Powell, Thelonious Monk, Charlie Parker, Miles Davis and Dizzy Gillespie, or playing opposite Billie Holiday. An icon in his own right, he recorded Tenor Madness, featuring John Coltrane; Way Out West; Freedom Suite, the first civil rights-themed album of the hard bop era; A Night at the Village Vanguard; and the 1956 classic Saxophone Colossus. Yet his meteoric rise to fame was not without its challenges. He served two sentences on Rikers Island and won his battle with heroin addiction. In 1959, Rollins took a two-year sabbatical from recording and performing, practicing up to 16 hours a day on the Williamsburg Bridge. In 1968, he left again to study at an ashram in India. He returned to performing from 1971 until his retirement in 2012. The story of Sonny Rollins—innovative, unpredictable, larger than life—is the story of jazz itself, and Sonny’s own narrative is as timeless and timely as the art form he represents. Part jazz oral history told in the musicians’ own words, part chronicle of one man’s quest for social justice and spiritual enlightenment, this is the definitive biography of one of the most enduring and influential artists in jazz and American history.