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It is the story of Roger Graetz, raised in a Boston suburb by an aristocratic Guatemalan mother, and his relationship with Flor de Mayo, the beautiful young guatemalan orphn sent by his grandmother to live with family as a maid.
A Guatemalan-American writer returns to the Boston suburb of his youth in this American Book Award–winning novel “full of rebellious comedy and vitality” (New Yorker). A 2022 Pulitzer Prize Finalist In Monkey Boy, Francisco Goldman’s “brilliantly constructed auto-fiction” (NPR), we meet Francisco Goldberg, a middle-aged writer grappling with the challenges of family and love, legacies of violence and war, and growing up as the son of immigrants. Having fled Mexico after his journalism provokes the wrong people, Goldberg’s attempt to start fresh in New York. But even as he finds himself falling in love, he is drawn away yet again—back to his childhood home in the white, working-class suburbs of Boston. Frankie is beckoned there by a high school girlfriend who witnessed his youthful humiliations, and by his ailing mother, Yolanda, whose intermittent lucidity unearths forgotten pockets of the past. His brief trip is haunted by memories of his recently deceased father, the Guatemalan woman who helped raise him, and the high school bullies who called him “monkey boy.”
In this New York Times Notable Book, the Pulitzer Prize–finalist undertakes his own investigation into the murder of a Guatemalan bishop. Named a Best Book of the Year by the Washington Post Book World, the Chicago Tribune, the Economist, and the San Francisco Chronicle Two days after releasing a groundbreaking church-sponsored report implicating the military in the murders and disappearances of some two hundred thousand Guatemalan civilians, Bishop Juan Gerardi was bludgeoned to death in his garage. Gerardi was the country’s leading human rights activist, but the Church quickly realized it could not rely on police investigators or the legal system to solve the crime. Instead, Church leaders formed their own investigative team: a group of secular young men who called themselves Los Intocables—the Untouchables. Author Francisco Goldman spoke to witnesses no other reporter was able to reach, observing firsthand some of the most crucial developments in this sensational case. Documenting the Latin American reality of mara youth gangs and organized crime, The Art of Political Murder tells the incredible true story of Los Intocables and their remarkable fight for justice. “Becoming by turns a little bit Columbo, Jason Bourne and Seymour Hersh, Goldman gives us the anatomy of a crime while opening a window to a misunderstood neighboring country that is flirting with anarchy.” —The New York Times Book Review
America seen through the eyes of the huddled masses. The hero is Estaban, one of a group of Central Americans brought to New York to crew a tramp ship, only to be abandoned by the ship's owners. When their food runs out Estaban, a former Nicaraguan guerrilla, goes ashore to steal for them. His forays lead him to a Latino neighborhood where he finds work and love. By the author of The Long Night of the White Chickens.
Celebrated novelist Francisco Goldman married a beautiful young writer named Aura Estrada in a romantic Mexican hacienda in the summer 2005. The month before their second anniversary, during a long-awaited holiday, Aura broke her neck while body surfing. Francisco, blamed for Aura's death by her family and blaming himself, wanted to die, too. But instead he wrote Say Her Name, a novel chronicling his great love and unspeakable loss, tracking the stages of grief when pure love gives way to bottomless pain. Suddenly a widower, Goldman collects everything he can about his wife, hungry to keep Aura alive with every memory. From her childhood and university days in Mexico City with her fiercely devoted mother to her studies at Columbia University, through their newlywed years in New York City and travels to Mexico and Europe-and always through the prism of her gifted writings-Goldman seeks her essence and grieves her loss. Humor leavens the pain as he lives through the madness of utter grief and creates a living portrait of a love as joyous and playful as it is deep and profound. Say Her Name is a love story, a bold inquiry into destiny and accountability, and a tribute to Aura-who she was and who she would have been.
A devout woman finds herself adrift in late nineteenth–century Central America in this novel of “deep imagination, stylistic verve, and psychological acuity” (The Washington Post). Set in late nineteenth century Central America and New York City, The Divine Husband tells the story of María de las Nieves Moran, whose brief career as a nun is ended in the wake of revolution. Forced to make her way in the secular world, María is surrounded by an unforgettable cast of characters: José Martí, the poet and hero of Cuban independence and the first man María loves; Mack Chinchilla, the Yankee-Indio entrepreneur intent on winning her hand; a British diplomat setting up a political impostor plot; and Mathilde, the daughter whose birth—perhaps fathered by one of these men—ruins María’s reputation and launches her on a journey toward a new future. This joyfully imagined novel of ideas is populated by Indian girls, wandering Jewish coffee farmers, the founder of the rubber-balloon industry, and one of Latin America’s greatest and most complex men. Written by Pulitzer Prize–finalist Francisco Goldman, The Divine Husband is a sweeping, poetic novel rich in historical detail and vivid characterization. “Goldman echoes Flaubert, García Marquez, and even DeLillo.” —Bookforum
Often treated like night itself—both visible and invisible, feared and romanticized—Latina/os make up the largest minority group in the US. In her newest work, María DeGuzmán explores representations of night in art and literature from the Caribbean, Colombia, Central and South America, and the US, calling into question night's effect on the formation of identity for Latina/os in and outside of the US. She takes as her subject novels, short stories, poetry, essays, non-fiction, photo-fictions, photography, and film, and examines these texts through the lenses of nationhood, sexuality, human rights, exoticism, among others.
A crime novel, at once disturbing and perversely comforting, factually has been known to curtail social anxieties through the ‘open and shut case’ of its narrative form. But what happens to that form in a world where guilt and innocence are not easily assigned? Return to the Scene of the Crime takes place on the trope of an investigator returning to the post-colony on a quest for knowledge. In tandem with solving the case, they must also grapple with the complexities of their origins. Kamil Naicker shows how five authors defy generic expectations to illustrate the complexities of personal identity, transitional justice, and civil violence in the post-colonial world. Congregating novels set in South Africa, China, Guatemala, Sri Lanka and Somalia, this book intervenes in literary studies by bringing the trend of the returnee figure and exploring the possibilities of world-making through the explosion of a familiar form. Print edition not for sale in Sub Saharan Africa.
Your students and users will find biographical information on approximately 300 modern writers in this volume of Contemporary Authors®. Authors in this volume include: Janet Dawson Patrice Gaines Isabella Rossellini Markus Wolf