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The shocking series of crimes committed by lovers Martha Beck and Raymond Fernandez dominated the front pages in 1949. Caught for the double homicide of a widow and her young daughter in Michigan, the first couple of crime became the focus of an intense debate over the death penalty and extradition. Their story climaxed in a sensational trial in New York City and concluded two years later inside Sing Sing's notorious "Death House." Pulp fiction era reporters, who followed every step taken by the accused slayers, christened Beck and Fernandez the "Lonely Hearts Killers"--a nickname that stuck and has since been used to describe an entire category of criminal behavior. Despite the sensationalization of the killer couple's exploits, the story of the Michigan crime that ended their spree has until now remained largely untold. Drawing on rare archival material, this book presents, for the first time anywhere, a detailed account of this lost chapter in the saga of the "Lonely Hearts Killers." Both biography and analysis, this book also attempts to deconstruct the myths and misconceptions and to provide answers to a few unanswered questions about the case.
Four absolutely funny, culturally outrageous who-done-it stories whose unique detective, a lonely disrespected anti-hero, sees sacred beliefs turned upside down as he solves the mysterious deaths of a rich Tasty Cake deliveryman, a woman supporting the correct causes, a bum exposing the correct causes, and a disillusioned volunteer involved in the correct causes.
Consort to Emperor Franz Joseph of Austria, Elizabeth of Bavaria was a modern woman who fled the confines of Habsburg to roam free--she fancied dangerous riding, sailing, and poetry--but her life ended with her assassination in 1896. "Makes us feel the impact of her beauty as well as the fatal egotism which led to unhappiness, restlessness, and futility."--"Elizabeth Harvey." "Well documented and illustrated...a grand and fascinating tale."--"Brian Aldiss"
A fight over a rich man’s will turns deadly in this murder mystery by the “kingpin among the mystery writers” from the series that inspired the HBO show (The New York Times). Marilyn Marlow has inherited a good deal of money from her mother. But the money originated with another will—that of her mother’s wealthy employer. Now his relatives are contesting the will, and it’s Rose Keeling, the key witness to its signing, whose mind they'll need to sway. When Rose is murdered, sleuthing lawyer Perry Mason must navigate a twisted case involving a personal ad that casts a cloud of suspicion over his client, Miss Marlow, in this mystery in Edgar Award–winning author Erle Stanley Gardner’s classic, long-running series, which has sold three hundred million copies and serves as the inspiration for the HBO show starring Matthew Rhys and Tatiana Maslany. DON’T MISS THE NEW HBO ORIGINAL SERIES PERRY MASON, BASED ON CHARACTERS FROM ERLE STANLEY GARDNER’S NOVELS, STARRING EMMY AWARD WINNER MATTHEW RHYS
David Riesman’s The Lonely Crowd: A Study in the Changing American Character is one of the best-known books in the history of sociology – holding a mirror up to contemporary America and showing the nation its own character as it had never seen it before. Its success is a testament to Riesman’s mastery of one key critical thinking skill: interpretation. In critical thinking, interpretation focuses on understanding the meaning of evidence, and is frequently characterized by laying down clear definitions, and clarifying ideas and categories for the reader. All these processes are on full display in The Lonely Crowd – which, rather than seeking to challenge accepted wisdom or generate new ideas, provides incisive interpretations and definitions of ideas and data from a variety of sources. Above all, Riesman’s book is a work of categorization – a form of interpretation that can be vital to building and communicating systematic arguments. With the aid of his two co-authors (Nathan Glazer and Reuel Denney), he defined three cultural types that formed a perfect pattern for understanding mid-century American society and the changes it was undergoing. The clarity of the book’s definitions tapped directly into the zeitgeist of the 1950s, powering it to best-seller status and an audience that extended far beyond academia.
Each year, over 40,000 new students enter America's law schools. Each new crop experiences startlingly high rates of depression, anxiety, fatigue, and dissatisfaction. Kathryne M. Young was one of those disgruntled law students. After finishing law school (and a PhD), she set out to learn more about the law school experience and how to improve it for future students. Young conducted one of the most ambitious studies of law students ever undertaken, charting the experiences of over 1000 law students from over 100 different law schools, along with hundreds of alumni, dropouts, law professors, and more. How to Be Sort of Happy in Law School is smart, compelling, and highly readable. Combining her own observations and experiences with the results of her study and the latest sociological research on law schools, Young offers a very different take from previous books about law school survival. Instead of assuming her readers should all aspire to law-review-and-big-firm notions of success, Young teaches students how to approach law school on their own terms: how to tune out the drumbeat of oppressive expectations and conventional wisdom to create a new breed of law school experience altogether. Young provides readers with practical tools for finding focus, happiness, and a sense of purpose while facing the seemingly endless onslaught of problems law school presents daily. This book is an indispensable companion for today's law students, prospective law students, and anyone who cares about making law students' lives better. Bursting with warmth, realism, and a touch of firebrand wit, How to Be Sort of Happy in Law School equips law students with much-needed wisdom for thriving during those three crucial years.
This classic ethnography, now in its second edition, describes the traditional way of life of the Kaluli, a tropical forest people of Papua New Guinea. The book takes as its focus the nostalgic and violent Gisalo ceremony, one of the most remarkable performances in the anthropological literature. Tracking the major symbolic and emotional themes of the ceremony to their sources in everyday Kaluli life, Schieffelin shows how the central values and passions of Kaluli experience are governed by the basic forms of social reciprocity. However, Gisaro reveals that social reciprocity is not limited to the dynamics of transaction, obligation and alliance. It emerges, rather, as a mode of symbolic action and performative form, embodying a cultural scenario which shapes Kaluli emotional experience and moral sensibility and permeates their understanding of the human condition.