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Excerpt from The London Pleasure Gardens of the Eighteenth Century The principal sources of information consulted are named in the notes and in a section at the end of each notice, and, wherever_practicable, a list has been added of the most interesting views of the various gardens. The Introduction contains a brief sketch of some of the main characteristics of the pleasure resorts described in the volume, and it is only necessary here to add that even our long list of sixty-four gardens does not by any means exhaust the outdoor resources of the eighteenth-century Londoner, who had also his Fairs, and his Parks, and his arenas for rough sport, like Hockley-in-the - Hole. But these subjects have already found their chroniclers. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Each summer, a 'perpetual fair' plagued eighteenth-century London, a city in transition overrun by a burgeoning population. City officials attempted to control disorderly urban amusement according to their own gendered understandings of order and morality. Frequently derided as locations of dangerous femininity disrupting masculine commerce, fairs withstood regulation attempts. Fairs were important in the lives of ordinary Londoners as sites of women’s work, sociability, and local and national identity formation. Rarely studied as vital to London’s modernisation, urban fairs are a microcosm of London’s transforming society, demonstrating how metropolitan changes were popularly contested. This study contributes to our understanding of popular culture and modernisation in Britain during the formative years of its global empire. Fascinating examples drawn from literary and visual culture make this an engaging study for scholars and students of late Stuart and early Georgian Britain, urban and gender history, World’s Fairs and cultural studies.
Presents a history of the Vauxhall Gardens, which rose from humble beginnings to become a fixture in the cutural and fashionable life of English society until its closure during the reign of Queen Victoria.
Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. From the field of natural philosophy, involving the science of sounds and acoustics, to the realm of imagination, involving resounding music and art, the branches of modern culture that were involved in the intellectual tradition of the science of music proved to be variously appealing to men of letters. Among these, a particularly rich field of investigation was the British philosophy of the mind and of human understanding, developed between the seventeenth and eighteenth centuries, which looked at music and found in its realm a way of understanding human experience. Focussing on the world of sensation - trying to describe how the human mind could develop ideas and emotions by its means - philosophers and physicians often took their cases from art's products, be it music (sounds), painting (colours) or poetry (words as signs of sound conveying a meaning), thus looking at art from a particular point of view: that of the perceiving mind. The relationship between music and the philosophies of mind is presented here as a significant part of the construction of a Science of Man: a huge and impressive 'project' involving both the study of man's nature, to which - in David Hume's words - 'all sciences have a relation', and the creation of an ideal of what Man should be. Maria Semi sheds light on how these reflections moved towards a Science of Music: a complex and articulated vision of the discipline that was later to be known as 'musicology'; or Musikwissenschaft.
The Pleasures of the Imagination examines the birth and development of English "high culture" in the eighteenth century. It charts the growth of a literary and artistic world fostered by publishers, theatrical and musical impresarios, picture dealers and auctioneers, and presented to th public in coffee-houses, concert halls, libraries, theatres and pleasure gardens. In 1660, there were few professional authors, musicians and painters, no public concert series, galleries, newspaper critics or reviews. By the dawn of the nineteenth century they were all aprt of the cultural life of the nation. John Brewer's enthralling book explains how this happened and recreates the world in which the great works of English eighteenth-century art were made. Its purpose is to show how literature, painting, music and the theatre were communicated to a public increasingly avid for them. It explores the alleys and garrets of Grub Street, rummages the shelves of bookshops and libraries, peers through printsellers' shop windows and into artists' studios, and slips behind the scenes at Drury Lane and Covent Garden. It takes us out of Gay and Boswell's London to visit the debating clubs, poetry circles, ballrooms, concert halls, music festivals, theatres and assemblies that made the culture of English provincial towns, and shows us how the national landscape became one of Britain's greatest cultural treasures. It reveals to us a picture of English artistic and literary life in the eighteenth century less familiar, but more suprising, more various and more convincing than any we have seen before.
'Creative Urban Milieus' is an interdisciplinary examination of the historical relationship between culture and the economy in such cities as Berlin, New York, Helsinki, London, Venice, and many others.
"Lee brings the atmosphere of the Georgian era to life with lush descriptions that beg the reader to see, hear, feel and touch it all."—RT Book Reviews She is the ultimate gamble...And he'll risk everything on a toss of the dice Beautiful young widow Susannah, Lady Messingham, refuses to belong to any man again. Until she inadvertently draws handsome Lord Philip Drake into an exhilarating game of terrifying stakes and unimaginable rewards. Philip is a seasoned gambler who knows all the tricks and isn't afraid to use them. He'd do anything for Susannah, including sacrificing his honor and his freedom. Praise for The Highest Stakes: "A sweeping tale of romance, betrayal, intrigue, and the power of true love." - RT Book Reviews "Compelling...Allow yourself to be transported." - The Racing Journal "Brava to Ms. Lee on a brilliant first novel. Well-rounded characters, excellent research, realistic dialogue, and a unique plot." - Romance Reviews Today "Lee writes beautifully and passionately ... the plot moves at a rapid clip with extraordinary twists and turns, leaving the reader wanting to know more." - Rundpinne