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"Remarkable.… Ekirch has emptied night's pockets, and laid the contents out before us." —Arthur Krystal, The New Yorker Bringing light to the shadows of history through a "rich weave of citation and archival evidence" (Publishers Weekly), scholar A. Roger Ekirch illuminates the aspects of life most often overlooked by other historians—those that unfold at night. In this "triumph of social history" (Mail on Sunday), Ekirch's "enthralling anthropology" (Harper's) exposes the nightlife that spawned a distinct culture and a refuge from daily life. Fear of crime, of fire, and of the supernatural; the importance of moonlight; the increased incidence of sickness and death at night; evening gatherings to spin wool and stories; masqued balls; inns, taverns, and brothels; the strategies of thieves, assassins, and conspirators; the protective uses of incantations, meditations, and prayers; the nature of our predecessors' sleep and dreams—Ekirch reveals all these and more in his "monumental study" (The Nation) of sociocultural history, "maintaining throughout an infectious sense of wonder" (Booklist).
The discovery of America and its further development into a modern state and a nation are the clear instance of how ideology and rhetoric are entwined and how they can encompass widely disparate viewpoints. The essays collected in this book address the topical issues of modern American Studies: cultural difference and otherness; gender, race and ethnicity; class and power. They represent new texts and contexts, approached through the revision, reevaluation, and reconfiguration of cannons, thus accommodating the expectations of the heterodox audience. Femininity reconsidered; an ideology of passing away in contemporary world of technical development; race captured within the framework of identity and gender; the rhetoric of blackness approached through racial exploitation; American conquest ideology revealed in a mission of Manifest Destiny; the 20th century assimilation rhetoric in the relations between Native Americans and the US federal government; the conservative ideology and apologetic rhetoric of the Antebellum South; the critique of the 21st century American legal system; the evolution of the presidential rhetoric which today addresses a large heterogeneous audience – all these topics impose a transnational interpretation of American culture which developed as a result of the cross-cultural transformation of European culture/cultures, moulded on American soil to finally become a unique reformulation of the very idea of America itself.
Over the course of the eighteenth century, Anglo-Americans purchased an unprecedented number and array of goods. The Power of Objects in Eighteenth-Century British America investigates these diverse artifacts—from portraits and city views to gravestones, dressing furniture, and prosthetic devices—to explore how elite American consumers assembled objects to form a new civil society on the margins of the British Empire. In this interdisciplinary transatlantic study, artifacts emerge as key players in the formation of Anglo-American communities and eventually of American citizenship. Deftly interweaving analysis of images with furniture, architecture, clothing, and literary works, Van Horn reconstructs the networks of goods that bound together consumers in Boston, New York, Philadelphia, and Charleston. Moving beyond emulation and the desire for social status as the primary motivators for consumption, Van Horn shows that Anglo-Americans' material choices were intimately bound up with their efforts to distance themselves from Native Americans and African Americans. She also traces women's contested place in forging provincial culture. As encountered through a woman's application of makeup at her dressing table or an amputee's donning of a wooden leg after the Revolutionary War, material artifacts were far from passive markers of rank or political identification. They made Anglo-American society.
Dividing Line Histories of William Byrd II of Westover
An outstanding collection of original critical essays by distinguished specialists, this book is both a chronological survey of nearly 200 years of American literature and an exciting reappraisal of the major figures of that period. Includes works from Benjamin Franklin, Jonathan Edwards, William Bryd, Anne Bradstreet, William Bradford, and others.
A History of Virginia Literature chronicles a story that has been more than four hundred years in the making. It looks at the development of literary culture in Virginia from the founding of Jamestown in 1607 to the twenty-first century. Divided into four main parts, this History examines the literature of colonial Virginia, Jeffersonian Virginia, Civil War Virginia, and modern Virginia. Individual chapters survey such literary genres as diaries, histories, letters, novels, poetry, political writings, promotion literature, science fiction, and slave narratives. Leading scholars also devote special attention to several major authors, including William Byrd of Westover, Thomas Jefferson, Ellen Glasgow, Edgar Allan Poe, and William Styron. This book is of pivotal importance to the development of American literature and of American studies more generally.
In the recent past, enormous creative energy has gone into the study of American slavery, with major explorations of the extent to which African culture affected the culture of black Americans and with an almost totally new assessment of slave culture as Afro-American. Accompanying this new awareness of the African values brought into America, however, is an automatic assumption that white traditions influenced black ones. In this view, although the institution of slaver is seen as important, blacks are not generally treated as actors nor is their "divergent culture" seen as having had a wide-ranging effect on whites. Historians working in this area generally assume two social systems in America, one black and one white, and cultural divergence between slaves and masters. It is the thesis of this book that blacks, Africans, and Afro-Americans, deeply influenced white's perceptions, values, and identity, and that although two world views existed, there was a deep symbiotic relatedness that must be explored if we are to understand either or both of them. This exploration raises many questions and suggests many possibilities and probabilities, but it also establishes how thoroughly whites and blacks intermixed within the system of slavery and how extensive was the resulting cultural interaction.
An 18th century copperplate illustration, discovered in Oxford in 1929, was used to guide the restoration and reconstruction of several Williamsburg buildings. This information was appreciated but a discovery was made when more copperplates which came to light in 1986 were linked to the 1929 Oxford copperplate. This book pieces together the mystery of when, how, and why these copperplates were made. The authors link these illustrations to texts written (and to texts now lost) by one of the most prominent Virginians of this period, William Byrd II. Byrd (1674-1744) was a prominent plantation-owner, author, romantic scoundrel, and politician who is generally seen as the founder of the city of Richmond.
Winner of the Bancroft Prize In this brilliantly original book, written for the general reader, the American past becomes richly meaningful to the present.