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This book proposes an analysis of the underlying 'logic' of culture, drawing on a wide range of material not previously examined in works of this kind.
Advocates of computers make sweeping claims for their inherently transformative power: new and different from previous technologies, they are sure to resolve many of our existing social problems, and perhaps even to cause a positive political revolution. In The Cultural Logic of Computation, David Golumbia, who worked as a software designer for more than ten years, confronts this orthodoxy, arguing instead that computers are cultural “all the way down”—that there is no part of the apparent technological transformation that is not shaped by historical and cultural processes, or that escapes existing cultural politics. From the perspective of transnational corporations and governments, computers benefit existing power much more fully than they provide means to distribute or contest it. Despite this, our thinking about computers has developed into a nearly invisible ideology Golumbia dubs “computationalism”—an ideology that informs our thinking not just about computers, but about economic and social trends as sweeping as globalization. Driven by a programmer’s knowledge of computers as well as by a deep engagement with contemporary literary and cultural studies and poststructuralist theory, The Cultural Logic of Computation provides a needed corrective to the uncritical enthusiasm for computers common today in many parts of our culture.
This third volume in a bestselling series on culture, society, and museums examines the effects of globalization on contemporary museum, heritage, and exhibition practices.
Engages with the impact of modern technology on experimental physicists. This study reveals how the increasing scale and complexity of apparatus has distanced physicists from the very science which drew them into experimenting, and has fragmented microphysics into different technical traditions.
The self serves as a universally available, effective, and indispensable filter for making sense of the chaos of the world. In her latest book, Takie Lebra attempts a new understanding of the Japanese self through her unique use of cultural logic. She begins by presenting and elaborating on two models ("opposition logic" and "contingency logic") to examine concepts of self, Japanese and otherwise. Guided by these, she delves into the three layers of the Japanese self, focusing first on the social layer as located in four "zones"—omote (front), uchi (interior), ura (back), and soto (exterior)—and its shifts from zone to zone. New light is shed on these familiar linguistic and spatial categories by introducing the dimension of civility. The book expands the discussion in relation to larger constructions of the inner and cosmological self. Unlike the social self, which views itself in relation to the "other," the inner layer involves a reflexivity in which self communicates with self. While the social self engages in dialogue or trialogue, the inner self communicates through monologue or soliloquy. The cosmological layer, which centers around transcendental beliefs and fantasies, is examined and the analysis supplemented with comments on aesthetics. Throughout, Lebra applies her methodology to dozens of Japanese examples and makes relevant comparisons with North American culture and notions of self. Finally, she provides a spirited analysis of critiques of Nihonjinron to reinforce the relevancy of Japanese studies. This volume is the culmination of decades of thinking on self and social relations by one of the most influential scholars in the field. It will prove highly instructive to Japanese and non-Japanese readers alike in a range of disciplines, including anthropology, sociology, and social psychology.
Edmund Leach's book investigates the writings of 'structuralists' and their theories in anthropology.
Author is particularly concerned with ancient Near East and contemporary West Africa.
In this long-awaited sequel to The Invention of Culture, Roy Wagner tackles the logic and motives that underlie cultural invention. Could there be a single, logical factor that makes the invention of the distinction between self and other possible, much as specific human genes allow for language? Wagner explores what he calls "the reciprocity of perspectives" through a journey between Euro-American bodies of knowledge and his in-depth knowledge of Melanesian modes of thought. This logic grounds variants of the subject/object transformation, as Wagner works through examples such as the figure-ground reversal in Gestalt psychology, Lacan's theory of the mirror-stage formation of the Ego, and even the self-recursive structure of the aphorism and the joke. Juxtaposing Wittgenstein's and Leibniz's philosophy with Melanesian social logic, Wagner explores the cosmological dimensions of the ways in which different societies develop models of self and the subject/object distinction. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
This book proposes to identify three long-term structures in causal reasoning - in particular, in terms of the relationship between cause and identity - that appear to be of value in categorizing and organizing various trends in philosophical thought. Such conceptual schemes involve a host of philosophical dilemmas (such as the problem of relativism), which are examined in the first chapter. A number of naturalistic and transcendental approaches to this problem are also analysed. In particular, the book attempts to construct a theoretical basis for Foucault's tripartite classification of epistemological structures in European thought. The final chapter attempts to buttress the above schema by extending the analysis from cause and identity to growth, change, and stability, critiquing certain ideas of Foucault and Heidegger, as well as examining the contemporary thought of process philosophy and complexity theory.
This book is a condensation of critical essays in contemporary culture within the context of European phenomenology, employing its own self-critiques in order to demonstrate the methodological and experiential dimensions of the logic of culture. The essays are neither a part of foundationalism or foundation-less. Rather the experience of the space-time movement are critical for opening cultural studies to civilization and cosmological (world) investigations.