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Reproduction of the original.
References to Aborigines at Jervis Bay, Sandy Cape, Keppel Bay, Tasmania, New South Wales coast, Victoria coast; attack by Aborigines at Port King; descriptions of Aborigines and their body coverings, clothing; Euranabie; Budgeree Dick; Aborigines travelled on the Lady Nelson to act as advisors.
This two-volume work provides the first edited publication of Matthew Flinders’s fair journals from the circumnavigation of Australia in 1801-1803 in HMS Investigator, and of the ’Memoir’ he wrote to accompany his journals and charts. These are among the most important primary texts in Australian maritime history and European voyaging in the Pacific. Flinders was the first explorer to circumnavigate Australia. He was also largely responsible for giving Australia its name. His voyage was supported by the Admiralty, the Navy Board, the East India Company and the patronage of Sir Joseph Banks, President of the Royal Society. Banks ensured that the Investigator expedition included scientific gentlemen to document Australia’s flora, fauna, geology and landscape features. The botanist Robert Brown, botanical painter Ferdinand Bauer, landscape artist William Westall and the gardener Peter Good were all members of the voyage. After landfall at Cape Leeuwin, Flinders sailed anti-clockwise round the whole continent, returning to Port Jackson when the ship became unseaworthy. After a series of misfortunes, including a shipwreck and a long detention at the Ile de France (now Mauritius), Flinders returned to England in 1810. He devoted the last four years of his life to preparing A Voyage to Terra Australis, published in two volumes, and an atlas. Flinders died on 19 July 1814 at the age of forty. The fair journals edited here comprise a daily log with full nautical information and ’remarks’ on the coastal landscape, the achievements of previous navigators in Australian waters, encounters with Aborigines and Macassan trepangers, naval routines, scientific findings, and Flinders’s surveying and charting. The journals also include instructions for the voyage and some additional correspondence. The ’Memoir’ explains Flinders’ methodology in compiling his journals and charts and the purpose and content of his surveys.
Indigenous Australians have long understood sustainable hunting and harvesting, seasonal changes in flora and fauna, predator–prey relationships and imbalances, and seasonal fire management. Yet the extent of their knowledge and expertise has been largely unknown and underappreciated by non-Aboriginal colonists, especially in the south-east of Australia where Aboriginal culture was severely fractured. Aboriginal Biocultural Knowledge in South-eastern Australia is the first book to examine historical records from early colonists who interacted with south-eastern Australian Aboriginal communities and documented their understanding of the environment, natural resources such as water and plant and animal foods, medicine and other aspects of their material world. This book provides a compelling case for the importance of understanding Indigenous knowledge, to inform discussions around climate change, biodiversity, resource management, health and education. It will be a valuable reference for natural resource management agencies, academics in Indigenous studies and anyone interested in Aboriginal culture and knowledge.
Pākehā Settlements in a Māori World offers a vivid account of early European experience in these islands, through material evidence offered by the archaeological record. As European exploration in the 1770s gave way to sealing, whaling and timber-felling, Pākehā visitors first became sojourners in small, remote camps, then settlers scattered around the coast. Over time, mission stations were established, alongside farms, businesses and industries, and eventually towns and government centres. Through these decades a small but growing Pākehā population lived within and alongside a Māori world, often interacting closely. This phase drew to a close in the 1850s, as the numbers of Pākehā began to exceed the Māori population, and the wars of the 1860s brought brutal transformation to the emerging society and its economy. Archaeologist Ian Smith tells the story of adaptation, change and continuity as two vastly different cultures learned to inhabit the same country. From the scant physical signs of first contact to the wealth of detail about daily life in established settlements, archaeological evidence amplifies the historical narrative. Glimpses of a world in the midst of turbulent change abound in this richly illustrated book. As the visual narrative makes clear, archaeology brings history into the present, making the past visible in the landscape around us and enabling an understanding of complex histories in the places we inhabit.
We do not see empty figures and outlines; we do not move in straight lines. Everywhere we are surrounded by dapple; the geometry of our embodied lives is curviform, meandering, bi-pedal. Our personal worlds are timed, inter-positional, and contingent. But nowhere in the language of cartography and design do these ordinary experiences appear. This, Dark Writing argues, is a serious omission because they are designs on the world: architects and colonizers use their lines to construct the places where we will live. But the rectilinear streets, squares, and public spaces produced in this way leave out people and the entire environmental history of their coming together. How, this book asks, can we explain the omission of bodies from maps and plans? And how can we redraw the lines maps and plans use so that the qualitative world of shadows, footprints, comings and goings, and occasions—all essential qualities of places that incubate sociality—can be registered? In short, Dark Writing asks why we represent the world as static when our experience of it is mobile. It traces this bias in Enlightenment cartography, in inductive logic, and in contemporary place design. This is the negative critique. Its positive argument is that, when we look closely at these designs on the world, we find traces of a repressed movement form. Even the ideal lines of geometrical figures turn out to contain traces of earlier passages; and there are many forms of graphic design that do engage with the dark environment that surrounds the light of reason. How can this "dark writing"—so important to reconfiguring our world as a place of meeting, of co-existence and sustaining diversity—be represented? And how, therefore, can our representations of the world embody more sensuously the mobile histories that have produced it? Dark Writing answers these questions using case studies: the exemplary case of the beginnings of the now world-famous Papunya Tula Painting Movement (Central Australia) and three high-profile public place-making initiatives in which the author was involved as artist and thinker. These case studies are nested inside historical chapters and philosophical discussions of the line and linear thinking that make Dark Writing both a highly personal book and a narrative with wide general appeal.