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The Locust Messenger returns in Fitzgerald's Fit. Part 2 of The Locust Messenger takes you into a spiritual battle between Heaven and Hell, explaining what it is like for a struggling believer. Diane's final break from Rueben in 1997 lead her down a path of drugs, fornication and eventually a face-off with a sorceror and his pot-luck of soothe-saying friends. But a Daddy's little girl named Diane was not alone. Not once did she turn away from the grace of God that would save her from a mouth of a sorceror who spoke on behalf of Satan and his followers. Diane's battle was won into the Kingdom of God while she was being persecuted on drugs and judgment from the Lord would be followed by fury.
The legendary strategist, the mastermind behind Barack Obama's historic election campaigns, shares a wealth of stories from his forty-year journey through the inner workings of American democracy.
Examining a wide array of ancient writings, Brent Nongbri dispels the commonly held idea that there is such a thing as ancient religion. Nongbri shows how misleading it is to speak as though religion was a concept native to pre-modern cultures.
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Widely acknowledged as a contemporary classic that has introduced thousands of readers to American literature, From Puritanism to Postmodernism: A History of American Literature brilliantly charts the fascinating story of American literature from the Puritan legacy to the advent of postmodernism. From realism and romanticism to modernism and postmodernism it examines and reflects on the work of a rich panoply of writers, including Poe, Melville, Fitzgerald, Pound, Wallace Stevens, Gwendolyn Brooks and Thomas Pynchon. Characterised throughout by a vibrant and engaging style it is a superb introduction to American literature, placing it thoughtfully in its rich social, ideological and historical context. A tour de force of both literary and historical writing, this Routledge Classics edition includes a new preface by co-author Richard Ruland, a new foreword by Linda Wagner-Martin and a fascinating interview with Richard Ruland, in which he reflects on the nature of American fiction and his collaboration with Malclolm Bradbury. It is published here for the first time.