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"Superbly written. It is pure magic, just like the photograph! You are a wonderful writer. You pull the reader into the shoes of, Lloyd....Just great." ‬Ty Copeman "The story of Lloyd Haynes is an important one--well beyond his time spent on a beloved TV show. His life was rich, full, and extremely difficult on many levels. And it's a story of the changing--and unchanging--culture of America in the 1960s-1980s. The author, Carolyn Haynes, was the late actor's wife. She is able to bring an inside perspective to the story, but this is more than a memoir. It's a carefully researched biography too. Mr. Haynes deserves nothing less." Canopic Publishing Discover elevating choices actor Lloyd Haynes, star of critically acclaimed 1970s television series Room 222 made through painful, restricting and often dangerous bigotry while influenced by the Mafia, and the KKK. His compelling journey from a "segregated mortuary" to stardom, his mind-plaguing secret, captivating moments with a king, recognition from the United States Senate, the marines, the navy, the aeronautics industry, the film industry, and poignant stories from strangers, prisoners, fans, family, friends, and co-workers. "With all those gorgeous women around, what made his eyes seek-out yours? Or...did you seek-out his?" Alison Bogert
Discover the choices actor Lloyd Haynes, star of the critically acclaimed 1970s series Room 222 made through painful, confining and sometimes dangerous bigotry. The Mafia, the KKK, his compelling journey from his described South Bend, Indiana "ghetto mortuary" to stardom, his mind-plaguing secret, captivating moments with a king, recognition from the United States Senate, the marines, the navy, the aeronautics industry, the film industry, and poignant stories from strangers, family, friends, and co-workers. "With all those gorgeous women around, what made his eyes seek out yours? Or...did you seek out his?"-Alison Bogert--My dear friend.
The Austin Healey - or 'Big' Healey - is one of the iconic British sports cars. The first Austin-Healey 100 model was unveiled at the 1952 Earls Court Motor Show, and when the last car rolled off the production line in 1967, over 73,000 examples had been built.
“[A] dark, elegant novel” of two women in ancient Greece, based on the great tragedies of Sophocles (Publishers Weekly). Thebes is a city in mourning, still reeling from a devastating plague that invaded every home and left the survivors devastated and fearful. This is the Thebes that Jocasta has known her entire life, a city ruled by a king—her husband-to-be. Jocasta struggles through this miserable marriage until she is unexpectedly widowed. Now free to choose her next husband, she selects the handsome, youthful Oedipus. When whispers emerge of an unbearable scandal, the very society that once lent Jocasta its support seems determined to destroy her. Ismene is a girl in mourning, longing for the golden days of her youth, days spent lolling in the courtyard garden, reading and reveling in her parents’ happiness and love. Now she is an orphan and the target of a murder plot, attacked within the very walls of the palace. As the deadly political competition swirls around her, she must uncover the root of the plot—and reveal the truth of the curse that has consumed her family. The novel is based on Oedipus Tyrannus and Antigone, two of Classical Greece’s most compelling tragedies. Told in intersecting narratives, this reimagining of Sophocles’s classic plays brings life and voice to the women who were too often forced to the background of their own stories. “After two and a half millennia of near silence, Jocasta and Ismene are finally given a chance to speak . . . Haynes’s Thebes is vividly captured. In her excellent new novel, she harnesses the mutability of myth.” —The Guardian
It's 1935 and Charlotte Albert, the youngest child of Russian immigrant parents, has graduated from New Utrecht High in Brooklyn. With a small part in a Broadway play and plans to start college, Charlotte thinks she knows what her future holds. But when she meets and falls for a charming, older, British-born actor, she shelves her plans and the trajectory of her life is changed forever in ways she could never have imagined. Played out against the years preceding, during and immediately following the Second World War, Charlotte's story takes us to locales as disparate as Newburgh (New York), McPherson (Kansas), Hollywood (California) and Pyote (Texas). In "The Queen of Kansas," Fels treats themes of love, friendship, loyalty, family and betrayal with the same combination of humor and heartbreak that served him well in his 2012 memoir, "Sometimes I See You."
On the heels of her Oprah-selected debut blockbuster "Mother of Pearl, " Melinda Haynes returns with a lush and deeply affecting story of redemption and renewal set in 1960s Mississippi.
Gritty all-new crime stories set in the bustling Texas city, by Ben Fountain, Kathleen Kent, James Hime, and many more. In a country with so many interesting cities, Dallas is often overlooked—except on November 22 every year. On that day in 1963, Dallas became American noir. This collection of crime stories takes its inspiration from the darker corners of everyday life in a city that many associate only with a historic assassination—or a glitzy TV show about oil fortunes and family feuds. Featuring brand-new stories by Kathleen Kent, Ben Fountain, James Hime, Harry Hunsicker, Matt Bondurant, Merritt Tierce, Daniel J. Hale, Emma Rathbone, Jonathan Woods, Oscar C. Peña, Clay Reynolds, Lauren Davis, Fran Hillyer, Catherine Cuellar, David Haynes, and J. Suzanne Frank.
The behind-the-scenes story of the making of the classic television series offers insight into how the influential show reflected changing American perspectives and was a first situation comedy to employ numerous women as writers and producers.
"You have the luck of Croesus on stilts (as my Auntie Vi would have said) if you’ve had the sort of career, ups and downs, warts and all that I have in that wondrous little corner of show business called musical theatre." One of the most successful and distinguished artists of our time, Andrew Lloyd Webber has reigned over the musical theatre world for nearly five decades. The winner of numerous awards, including multiple Tonys and an Oscar, Lloyd Webber has enchanted millions worldwide with his music and numerous hit shows, including Jesus Christ Superstar, Evita, Cats, The Phantom of the Opera—Broadway’s longest running show—and most recently, School of Rock. In Unmasked, written in his own inimitable, quirky voice, the revered, award-winning composer takes stock of his achievements, the twists of fate and circumstance which brought him both success and disappointment, and the passions that inspire and sustain him. The son of a music professor and a piano teacher, Lloyd Webber reveals his artistic influences, from his idols Rodgers and Hammerstein and the perfection of South Pacific’s “Some Enchanted Evening,” to the pop and rock music of the 1960s and Puccini’s Tosca, to P. G. Wodehouse and T. S. Eliot. Lloyd Webber recalls his bohemian London youth, reminiscing about the happiest place of his childhood, his homemade Harrington Pavilion—a make-believe world of musical theatre in which he created his earliest entertainments. A record of several exciting and turbulent decades of British and American musical theatre and the transformation of popular music itself, Unmasked is ultimately a chronicle of artistic creation. Lloyd Webber looks back at the development of some of his most famous works and illuminates his collaborations with luminaries such as Tim Rice, Robert Stigwood, Harold Prince, Cameron Mackintosh, and Trevor Nunn. Taking us behind the scenes of his productions, Lloyd Webber reveals fascinating details about each show, including the rich cast of characters involved with making them, and the creative and logistical challenges and artistic political battles that ensued. Lloyd Webber shares his recollections of the works that have become cultural touchstones for generations of fans: writings songs for a school production that would become his first hit, Joseph and the Amazing Technicolor Dreamcoat; finding the coterie of performers for his classic rock opera Jesus Christ Superstar; developing his first megahit, Evita, which would win seven Tonys Awards, including Best Musical; staking his reputation and fortune on the groundbreaking Cats; and making history with the dazzling The Phantom of the Opera. Reflecting a life that included many passions (from architecture to Turkish Swimming Cats), full of witty and revealing anecdotes, and featuring cameo appearances by numerous celebrities—Elaine Paige, Sarah Brightman, David Frost, Julie Covington, Judi Dench, Richard Branson, A.R. Rahman, Mandy Patinkin, Patti LuPone, Richard Rodgers, Norman Jewison, Milos Forman, Plácido Domingo, Barbra Streisand, Michael Crawford, Gillian Lynne, Betty Buckley, and more—Unmasked at last reveals the true face of the extraordinary man beneath the storied legend.
A Texas historian presents a vividly detailed account of the 1835–36 battle for independence, shining new light on the experiences of Tejano rebels. In the 1820s and ‘30s, thousands of settlers from the United States migrated to Mexican Texas, lured by Mexico’s promise of freedom. But when President Antonio Lopez de Santa Anna came to power, he discarded the constitution and established a new centralized government. In 1835 and ‘36, Mexican-born Tejanos and Anglo-born Texans fought side by side to defend their rights against this authoritarian power grab. After Santa Anna silenced decent across Mexico, Texas emerged as the lone province to gain independence. Offering a unique study of the role the Mexican-born revolutionaries played in Texas’s battle for independence, this account examines Mexico from the fifteenth century through the birth of the sovereign nation of Texas in 1836. Drawing heavily on first-person accounts, this detailed history sheds light on the stories and experiences of Tejanos and Texans who endured the fight for liberty. Enhanced by maps and illustrations handcrafted by the author, this volume contributes an important perspective to the ongoing scholarship and debate surrounding the Alamo generation of the 1830s.