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Alone on the endless red-sand desert in the Australian outback, tracking Varanus giganteus, the perentie lizard that grows to be more than six feet long. . . for desert rat Eric Pianka, such adventures have led to a satisfying, if unusual, way of life, as well as a distinguished career as a field biologist. In The Lizard Man Speaks, Pianka recounts more than thirty years of adventures in reptile studies, beginning with a boyhood passion for collecting snakes and lizards. He tells of "lizarding" in the North American deserts, the Kalahari Desert of southern Africa, and the Great Victoria Desert in Western Australia. His vivid imagery draws the reader into a world where lions lurk in the darkness beyond a gecko hunter's lights, where being stranded by car trouble miles from the last outpost is a constant danger, and where the wilderness still deserves to be called wild. Along the way, Pianka provides much general information about lizard ecology, the fire succession cycle, and the interaction of humans with the landscape. And he reveals the springs of his own determined spirit and love of solitude, describing a near-fatal boyhood accident and its shaping and character-building effect on the life that followed.
From the swamplands near Bishopville, South Carolina, come reports of a seven-foot-tall, scaly humanoid creature the locals call the "Lizard Man." Over the years, the creature has been seen by numerous witnesses, including a teenager who claimed it attacked him one night near a remote area called Scape Ore Swamp. The young man's testimony and physical evidence was so compelling, it not only launched a serious investigation by the local sheriff's office but an all-out monster hunt that drew hundreds of people to the small town. This real-life "creature from the black lagoon" has inspired major national news coverage, even a call from the famous CBS news anchor, Dan Rather, as he and the rest of the world clamored to know more about Bishopville's elusive monster. The case is often mentioned in books, websites, and television shows, but the full story has never been told... until now. This book provides unprecedented documentation for one of the most bizarre and hair-raising cases of an unknown creature. The witnesses are convinced they've seen it, and the local law officials are backing them up. This is their story. Follow Lyle Blackburn, author of the bestselling book The Beast of Boggy Creek, as he and his partner, Cindy Lee, revisit the sighting locations, speak to the living eyewitnesses, and consider all possible theories in their search for the truth behind the legendary Lizard Man. Lyle Blackburn is an author, musician, and cryptid researcher from Texas. He has always been fascinated with legends, lore, and sighting reports of "real-life monsters," and is the author of The Beast of Boggy Creek: The True Story of the Fouke Monster. During his research, Lyle has often explored the remote reaches of the southern U.S. in search of shadowy creatures said to inhabit the dense backwoods and swamplands of these areas. Lyle is also a featured speaker at cryptozoology and horror conferences around North America. He has been heard on numerous radio programs, including Coast To Coast AM, and appeared on television shows such as Monsters and Mysteries in America and the CBS Sunday Morning Show."
An ALA Notable Book Kids ages 9-12 will “delight in [the] oddness” of this Home Alone-style tale set in the 1970s—from a prolific children’s author who captures “a magic that’s not like anyone else’s” (Neil Gaiman). With Victor’s parents out of town, he is free to investigate the mysterious lizard musicians who have recently appeared on TV . . . Things Victor loves: pizza with anchovies, grape soda, B movies aired at midnight, the evening news. And with his parents off at a resort and his older sister shirking her babysitting duties, Victor has plenty of time to indulge himself and to try a few things he’s been curious about. Exploring the nearby city of Hogboro, he runs into a curious character known as the Chicken Man (a reference to his companion, an intelligent hen named Claudia who lives under his hat). The Chicken Man speaks brilliant nonsense, but he seems to be hip to the lizard musicians (real lizards, not men in lizard suits) who’ve begun appearing on Victor’s television after the broadcast of the late-late movie. Are the lizards from outer space? From “other space”? Together Victor and the Chicken Man, guided by the able Claudia, journey to the lizards’ floating island, a strange and fantastic place that operates with an inspired logic of its own.
This book provides an overview of the diversity of lizards and their major adaptive features. The authors discuss the latest research findings and provide new hypotheses about lizard diversity.
Los Angeles, 1943. It's the era of the Zoot Suit Riots, and Flaca and Cuata have a problem. It's bigger than being grounded by their strict mother. It's bigger than tensions with the soldiers stationed nearby. And it's shaped like a five-foot-tall lizard. When a lost member of an unknown underground species needs help, the sisters must scramble to keep their new friend away from a corrupt military scientist—but they'll do it in style. Cartoonist Marco Finnegan presents Lizard in a Zoot Suit, an outrageous, historical, sci-fi graphic novel.
When partners in crime-reduction Jerry “Leafy” Green and Bill “Beefy” Goodness — two of the LAPD’s most skilled homicide detectives — investigate the bizarre killing of a fashion model at the Hollywood Sign it soon becomes clear that this murder is part of a much larger conspiracy that threatens not only the people of America, but the entire population of the planet. As the case progresses, they recruit the help of a Jesus-lookalike ufologist, a streetwise Goth graffiti artist, a world-renowned geneticist, a super-nerd cyber investigator, and a fire-and-brimstone inner city reverend. The detectives and their motley crew of improvised freedom fighters must work quickly to take down the tainted global elite and avert the merciless enslavement of humanity that looms large on the horizon.
First publication of the esoteric shamanism of the Jamaican Elders ala Castaneda style storytelling.
The indispensable classic on marketing by the bestselling author of Tribes and Purple Cow. Legendary business writer Seth Godin has three essential questions for every marketer: “What’s your story?” “Will the people who need to hear this story believe it?” “Is it true?” All marketers tell stories. And if they do it right, we believe them. We believe that wine tastes better in a $20 glass than a $1 glass. We believe that an $80,000 Porsche is vastly superior to a $36,000 Volkswagen that’s virtually the same car. We believe that $225 sneakers make our feet feel better—and look cooler—than a $25 brand. And believing it makes it true. As Seth Godin has taught hundreds of thousands of marketers and students around the world, great marketers don’t talk about features or even benefits. Instead, they tell a story—a story we want to believe, whether it’s factual or not. In a world where most people have an infinite number of choices and no time to make them, every organization is a marketer, and all marketing is about telling stories. Marketers succeed when they tell us a story that fits our worldview, a story that we intuitively embrace and then share with our friends. Think of the Dyson vacuum cleaner, or Fiji water, or the iPod. But beware: If your stories are inauthentic, you cross the line from fib to fraud. Marketers fail when they are selfish and scurrilous, when they abuse the tools of their trade and make the world worse. That’s a lesson learned the hard way by telemarketers, cigarette companies, and sleazy politicians. But for the rest of us, it’s time to embrace the power of the story. As Godin writes, “Stories make it easier to understand the world. Stories are the only way we know to spread an idea. Marketers didn’t invent storytelling. They just perfected it.”
A first collection by an award-winning writer features characters at relationship crossroads in such stories as "Lizard Man," in which two men race to save a sick alligator; and "The End of Aaron," in which a girl helps her boyfriend face his greatest fears.
The Yoruba-Speaking Peoples of the Slave Coast of West Africa (1894) is an important work of in-depth research into one of the principal indigenous communities of West Africa. The territory of the Yoruba peoples extends over the southern parts of western Nigeria and eastern Dahomey, and this book examines their religion, customs, laws and language, and contains an extensive appendix comparing the Tshi (Oji), Gã, Ewe and Yoruba languages.