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"As the generations rise and fall, the wars of the past are surpassed by the wars of the present age, prosperity and poverty diverge in new ways, and new technology remakes the world in ways Ralph Waldo Emerson, Ken Patton, Olympia Brown, or Francis Watkins Harper could hardly have comprehended. New words of love and truth, new memorable phrases, new encouragements are in order. Assumptions, sometimes unconsciously made in previous eras, have been challenged and rethought. Contemporary voices in this new century still revere both love and truth and find ways in worship of moving out of the familiar and into new territory. Styles of imagery and poetry that might have startled our ancestors encourage us to live out lives of depth."--Mark Belletini, from the PrefaceMore than 250 readings are collected here to reinvigorate and update Unitarian Universalist worship. Just as Singing the Journey supplemented the hymns in Singing the Living Tradition with more diversity in perspectives and styles, Lifting Our Voices supplements the SLT readings with modern voices from an array of cultures and theological perspectives. Chosen with care by Revs. Mark Belletini, Kendyl Gibbons, Angela Herrera, Abhi Janamanchi, and Hope Johnson, these new readings, from Unitarian Universalists and acclaimed authors and poets are sure to become instant classics.
This work chronicles the life and pottery of Maria Martinez in a tribute ofoth the artist and one America's greatest natural resources.
The Native American Graves Protection and Repatriation Act (NAGPRA) of 1990 provides a legal framework within which Native Americans can seek the repatriation of human remains and certain categories of cultural objects--including "sacred objects"--from federally funded institutions. Although the repatriation movement among Native Americans has heretofore received scholarly attention specifically focused on this act, Sacred Claims is the first book to analyze the ways in which religious discourse is used to articulate repatriation claims. Greg Johnson takes this act as one instance in a larger context wherein native peoples around the globe must engage legal arenas in order to preserve their heritage. Methodologically, Sacred Claims is based on a close reading of government documents concerning the law and participant observation in a variety of NAGPRA-related events and provides the background and legislative history of the law, the life history of the act's axial term cultural affiliation (the most delicate and least understood aspect of NAGPRA), and several case studies of highly visible and contentious Hawaiian repatriation disputes. Johnson then moves beyond the strictly legal context to analyze NAGPRA discourse in the public realm. He concludes by way of a theoretical treatment of the foregoing issues, arguing that religious language was the chief means by which native representatives ultimately persuaded non-native audiences of the applicability of widely-held human rights principles to their cultural remains. Theorizing modes of cultural vitality in the repatriation context, Johnson argues that living tradition is not found in the objects themselves but is instead located in struggles over them. With the law on the brink of receiving crucial tests, and repatriation issues making daily headlines in Native American and Hawaiian news, Sacred Claims is a timely and necessary examination of these issues.
The Living Tradition of Architecture explores the depth of architecture as it takes flesh in the living tradition of building, dwelling and thinking. This is a timely appraisal of the field by some of its foremost contributors. Beyond modern misconceptions about tradition only relating to things past and conducive to a historicist vision, the essays in this volume reveal tradition as a living continuity and common ground of reference for architecture. This collection of essays brings together world-leading scholars, practicing architects and educators, Alberto Pérez-Gómez, Christian Frost, Dagmar Weston, Daniel Libeskind, David Leatherbarrow, Eric Parry, Gabriele Bryant, Joseph Rykwert, Karsten Harries, Kenneth Frampton, Mari Hvattum, Patrick Lynch, Robin Middleton, Stephen Witherford, and Werner Oechslin, in a single celebratory publication edited by José de Paiva and dedicated to Dalibor Vesely. This book provides a unique initiative reflecting the group’s understanding of the contemporary situation, revealing an ongoing debate of central relevance to architecture.
Fifteen lavishly detailed Southern houses in Atlanta, Georgia, South Carolina, the Virginia Piedmont, along the Florida coasts, and in the mountains of North Carolina, from a leader in traditional architecture. Esteemed Atlanta architect Norman Davenport Askins made his name with his mastery of historical precedent. His gracious and livable designs recall such diverse sources as Italian Renaissance country villas, hillside castles in the Dordogne, and the very strong presence of the Colonial Revival and Federal houses in Atlanta and the greater South. Inspired by Tradition presents a portrait of Southern elegance through Askins’s trademark infusion of traditional design with understated innovation and style. New color photographs of interiors and landscape, commissioned specially for the book, complement traditional hand-drawn plans and elevations. In a special section dedicated to “Elements of Tradition,” Askins identifies the key components of traditional design and the parameters for using them successfully. Ultimately he believes in approaching tradition with innovation and individuality—adding touches of glamour, humor, and romance that bring his houses to life.
Between the Lines comments on the hymns, tunes and readings in Singing the Living Tradition. It includes suggestions for introducing and teaching new material to congregations. Revised in 1998; a handy index has been added.
Essays exploring the Orthodox understanding of Tradition and its relevance to our modern world in such crucial areas as authority, mission and social responsibility.
An engaging exploration of the quest for individuality within the rich tapestry of artistic traditions, by one of India's best-known artists. "The fulfillment of a modern Indian artist's wish to be part of a living tradition, i.e. to be individual and innovative, without being an outsider in his own culture, will not come of itself, it calls for concerted effort." In Living Tradition, a critical study of modern Indian art as it has evolved through continuous interaction with several traditions--foreign and indigenous--K. G. Subramanyan, one of India's most celebrated artists, offers a theoretical groundwork for that "concerted effort." In the course of his study, he explores the distinctions between Indian and European traditions, the continuities in India's folk traditions, and the attempts of several thinkers and artists to identify an Indian artistic tradition or to deny it altogether in a quest for personal expression or universality. With over seventy-five illustrations in color complementing Subramanyan's thought-provoking essay, Living Tradition provides readers with a visually engaging exploration of the vibrant tapestry of Indian art. Subramanyan played a pivotal role in shaping India's artistic identity after Independence. Mani-da, as he was fondly called, seamlessly blended elements of modernism with folk expression in his works, spanning paintings, murals, sculptures, prints, set designs, and toys. Beyond his visual artistry, his writings have laid a solid foundation for understanding the demands of art on the individual. In the year of his centenary, Seagull is proud to publish his writings in special new editions.
Most visitors to New Zealand identify the country with the haka, but few know the meaning or history of this powerful challenge. This little book is a beginner's guide to haka, covering the various types of haka and their use including the famous Ka Mate haka and the new Kapa O Pango. Both black and white and full colour photographs showcase the haka in history as well as modern renditions by kapa haka groups. Both a source of pride and a source of controversy, the haka is an integral part of New Zealand's culture.