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When Jack Davis took up his pen for EC Comics, he made his innocent victims more eye-poppingly terrified, his ax-murderers more gleefully gruesome, and his vampires and werewolves more bloodthirsty and feral than any other artist. These horror and suspense tales ― from the pages of Vault of Horror,Haunt of Fear, Crime SuspenStories, and Shock SuspenStories ― offer everything a horror fan could ask for: re-animated bodies and body parts, a ghoul who stores bodies like a squirrel stores nuts, a vampire who moonlights at (where else?) a blood bank, greedy business partners, corrupt politicians, jealous lovers, revenge from beyond the grave, and a healthy complement of vampires, werewolves, and assorted grotesqueries. All leavened with the cackling, pun-laced humor of scripter Al Feldstein and illuminated as only the virtuoso brushwork of Jack Davis can present them.
Discover the strange and macabre world of Ambrose Pratt's 'The Living Mummy'. In this one-of-a-kind novel, archaeologists unearth a mummy who becomes a servant to an evil mastermind, leading to a bizarre and dangerous journey involving spiritualism, black magic, and the search for the elixir of life.
Taking its title from one of Wallace Wood’s all-time classics, the evil little paranoid thriller “Came the Dawn,” this collection features page after page after page of Wood’s sleek and meticulously crafted artwork put in the service of cunning twist-ending stories, most often from the typewriter of EC editor Al Feldstein. These tales range from supernatural shockers from the pages of Tales From the Cryptand The Haunt of Fear (“The Living Corpse,” “Terror Ride,” “Man From the Grave,” “Horror in the Freak Tent”) to often pointedly contemporary crime thrillers from Crime SuspenStories (“The Assault,” “The Whipping,” and “Confession,” which was singled out for specific excoriation in the anti-comics screed Seduction of the Innocent, thus giving it a special cachet), but the breathtaking art and whiplash-inducing shock endings are constants throughout.
Trade paperback. Dr. Pinsent is translating hieroglyphics in Egypt when he meets up with Sir Robert Ottley, who is searching for the tomb and mummy of the ancient Egyptian priest Ptahmes. Pinsent is intrigued by the excavation - but he is even more fascinated by OttleyÕs daughter, May, who is assisting her father. When the sarcophagus of Ptahmes is unearthed and opened, a bizarre series of events begins to unfold. Pinsent is drawn into the mysterious phenomena, which swiftly develop into something more sinister. Only when Pinsent and the Ottleys return to London do matters take a devilishly threatening turn. Ambrose Pratt (1874Ð1944) was a prolific Australian journalist and author of novels and non-fiction. Later in life Pratt was an outspoken opponent of the White-Australia Policy. His many activities included advocating the inclusion of Australian fauna at Melbourne Zoo; he later became vice-president of the Zoological Society of Victoria.
This special collection features more than 30 EC classics from the pages of Tales From the Crypt, The Haunt of Fear, The Vault of Horror, Shock SuspenStories, Impact, and Crime SuspenStories. Of special note is Orlando’s “The Monkey,” the classic realistic EC story about drug addiction, considered to be one of the most cautionary of “the preachies,” and Orlando’s adaptation of Bradbury’s eerily haunting “The Lake,” about a childhood tragedy. This volume also includes the title story “The Thing From the Grave,” a special Orlando frightfest originally printed in 3-D that hasn’t been seen since its original publication more than 60 years ago (and is presented here for the first time in easy-on-the-eyes 2-D). Plus all of Orlando’s Panic stories, including parodies of Mother Goose, TV commercials, and soap operas. Like every book in the Fantagraphics EC Artists’ Library, The Thing From the Grave And Other Stories also features essays and notes by EC experts on these superbly crafted, classic American comics.
This volume of the New York Times’ bestselling series of superbly restored, classic crime and horror EC Comics re-presents the work of Jack Kamen, Al Feldstein, and Ray Bradbury. Grand Master crime novelist Max Allan Collins (Road to Perdition) introduces these tales, which include the infamous “The Orphan” one of the stories that got EC Comics into hot water during the U.S. Senate’s investigation into comic books. “The October Game” is adapted from the chilling classic short story by Ray Bradbury. A gruesome look at a malevolent Halloween party game perpetrated by a man who believes the child of his unfaithful wife is not his. In “Frozen Assets!,” a woman and her lover seal her still-living husband in a chest freezer. “Standing Room Only” ― a brother murders his twin sister and her husband, and disguises himself as her so he can inherit their estate. But then the estate lawyer makes a play for the “widow” ... “Three for the Money” ― A woman finds her husband dead ― with a knife in his back and a bullet in his head. The police arrest two suspects ― but to get a conviction, they must determine who acted first. Who actually committed the murder, and who stabbed or shot a man who was already dead?
This volume collects all of George Evans' EC horror. It features "Blind Alleys," one of the most chilling and famous EC stories (adapted for the 1972 movie Tales From the Crypt). A man who abused residents of a home for the blind winds up in an impossibly narrow corridor lined with razor blades as a ravenous dog closes in. "In Gorilla My Dreams," an innocent man's brain is transplanted into a gorilla ... who is then blamed for the death of his former self and hunted down. And in our titular tale, "A Slight Case of Murder," four pretty young women are each gruesomely murdered inside locked rooms with no way for the killer to get in or out. But one man thinks he knows who's behind it. In addition, A Slight Case of Murder and Other Stories also includes Evans's unforgettable adaptation of the Ray Bradbury story "The Small Assassin!" This book superbly showcases these classic comic book stories and enhances the reader's experience with commentary and historical and biographical detail by EC experts.
This volume collects short horror comics stories from Tales From the Crypt, Vault of Horror, Haunt of Fear, Crime SuspenStories, and Impact ― including a rare EC gem that hasn’t been seen since its original publication more than 65 years ago! These stories, which "Ghastly" Graham Ingels drew while he was at the pinnacle of his powers, include tales such as "Accidents and Old Lace." Three sweet, little old ladies weave tapestries depicting the gruesome deaths of real people, but when an art dealer commits murder to get a tapestry of his own, he discovers just how closely art imitates … death. In "Marriage Vow," a woman returns from the grave to fulfill her wifely duty to her murderous husband, until death does them … together; and in "The Sliceman Cometh," an executioner during the French Revolution can’t escape the severed head of an innocent man.
All of the creator of Mad magazine’s rarely seen EC science fiction comics stories in a single volume! These stories ― all drawn by Kurtzman, some of which he also wrote ― are from the pages of Weird Science, Weird Fantasy, Tales from the Crypt, and more. With Al Feldstein, Kurtzman created "Lost in the Microcosm," "The Man Who Raced Time," and "Atom Bomb Thief." There's also "The Radioactive Child," "The Last War on Earth," and the titular story, a cautionary tale about how the laws of physics would impact a real-world superhero, delivered in a uniquely bold, slashing cartoony-but-dead-serious style.
When the famed artist Wallace Wood teamed up with legendary writer/editor Harvey Kurtzman to create stories about men in combat, the result was some of the best war stories ever put to paper. Together, Wood and Kurtzman delivered outstanding, deeply human battle tales from the Civil War to World War I to World War II to Korea. From the Army to the Navy to the Air Force to the Marines. From aviators to soldiers to sailors. Wood and Kurtzman pulled no punches in depicting the utter folly, madness, and horror of war — especially in the title story, which depicts the bombing of Nagasaki from the viewpoint of the victims on the ground — a shockingly controversial point of view in 1953!