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Margaret Cavendish was one of the most original, loveable and eccentric of women writers. Pepys called her "mad, ridiculous, and conceited" but when she paid her famous visit to London in 1667 he ran all over town to see her. And many of her other contemporaries were no less fascinated. Posterity has continued to feel the attraction; to her many admirers she has always been "the incomparable Princess," and Lamb enthusiastically praised her as "the thrice noble, chase, and virtuous—but again somewhat fantastical, and original-brain'd, generous Margaret Newcastle." This biography is the first full-length study entirely devoted to the Duchess of Newcastle. It shows Margaret's metamorphosis from an imaginative, bashful child into a romantic public figure, and how, after living at home among a family unusual in its loyalties, she served as lady-in-waiting to Queen Henrietta Maria during the Civil War and in exile married William Cavendish, the "Loyal" Duke of Newcastle, before emerging as the first woman writer of her times—"Margaret the First" as she wished to be known. Her poetry, fiction, drama and natural philosophy, along with her many other writings, are treated as facets of her extraordinary personality delightful in itself and also valuable as an illustration of the spirit of the age. The illustrations are unusually good and include a fine unpublished portrait of the Duchess, a photo of her effigy in Westminster Abbey and reproductions of several of the ornate engraved title-pages of her works.
Flamboyant, theatrical and ambitious, Margaret Cavendish was one of the seventeenth century's most striking figures: a woman who ventured into the male spheres of politics, science, philosophy and literature. The Blazing World is a highly original work: part Utopian fiction, part feminist text, it tells of a lady shipwrecked on the Blazing World where she is made Empress and uses her power to ensure that it is free of war, religious division and unfair sexual discrimination. This volume also includes The Contract, a romance in which love and law work harmoniously together, and Assaulted and Pursued Chastity, which explores the power and freedom a woman can achieve in the disguise of a man.
A Lit Hub Best Book of 2016 • One of Electric Literature's Best Novels of 2016 • An Entropy Best Book of 2016 “The duchess herself would be delighted at her resurrection in Margaret the First...Dutton expertly captures the pathos of a woman whose happiness is furrowed with the anxiety of underacknowledgment.” —Katharine Grant, The New York Times Book Review Margaret the First dramatizes the life of Margaret Cavendish, the shy, gifted, and wildly unconventional 17th–century Duchess. The eccentric Margaret wrote and published volumes of poems, philosophy, feminist plays, and utopian science fiction at a time when "being a writer" was not an option open to women. As one of the Queen's attendants and the daughter of prominent Royalists, she was exiled to France when King Charles I was overthrown. As the English Civil War raged on, Margaret met and married William Cavendish, who encouraged her writing and her desire for a career. After the War, her work earned her both fame and infamy in England: at the dawn of daily newspapers, she was "Mad Madge," an original tabloid celebrity. Yet Margaret was also the first woman to be invited to the Royal Society of London—a mainstay of the Scientific Revolution—and the last for another two hundred years. Margaret the First is very much a contemporary novel set in the past. Written with lucid precision and sharp cuts through narrative time, it is a gorgeous and wholly new approach to imagining the life of a historical woman. "In Margaret the First, there is plenty of room for play. Dutton’s work serves to emphasize the ambiguities of archival proof, restoring historical narratives to what they have perhapsalways already been: provoking and serious fantasies,convincing reconstructions, true fictions.”—Lucy Ives, The New Yorker “Danielle Dutton engagingly embellishes the life of Margaret the First, the infamousDuchess of Newcastle–upon–Tyne.” —Vanity Fair