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Excerpt from The Lives and Graves of Our Presidents The seeds of the republic were planted in a distrust of the king. AS that grew, the necessity for self-government became more apparent. Slowly, but absolutely, at last, their loyalty and affection for the king died, and self-government was the one only form of national existence to adopt. They adopted it' in solemn recognition of all that it meant, and so adopting it they realized the momentous Significance and responsibility of the ruler of a free people who lived and acted for them, in the heart of a new continent, growing rapidly in every element of power and greatness, with the eyes of the world turned upon them, and in an age ripe for great revolutions. Their peculiar, and as they thought providential, history deepened the solem nity of what they did. Then, their first president was as a man and a magistrate so almost infinitely above the king they once loved but now loathed, and had done so much, and with such singular devotion to the public good and every high obligation in securing their liberties, that all their old respect for rulers returned to their hearts With increased tenderness and force. The president became more to them than the king ever was. In his person there centered all the profound regard they had learned to cherish for the people, for republican institutions, and the humanity of which they formed a part. The baptism of suffering and sorrow through which they passed in the change from the king to the president gave them one of the great' lessons that went deepest into their hearts, and started in the new nation a tide of profound respect for the chief magistrate who was the people's authority. No other nation ever had so fortunate a beginning, or so rich a pupilage through an infancy abounding in lessons of wisdom and worth, or so grand an entrance into the manhood of national life. Such a beginning prophesied all the greatness, worth and power which have followed. The colonial school of America was rough, but solid and genuine and trained a people such as the world never saw before, as the seed of a new nation and a new era of mankind. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
NATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • An "extraordinary ... profoundly moving" history (The New York Times Book Review) of the American Civil War that reveals the ways that death on such a scale changed not only individual lives but the life of the nation. An estiated 750,000 soldiers lost their lives in the American Civil War. An equivalent proportion of today's population would be seven and a half million. In This Republic of Suffering, Drew Gilpin Faust describes how the survivors managed on a practical level and how a deeply religious culture struggled to reconcile the unprecedented carnage with its belief in a benevolent God. Throughout, the voices of soldiers and their families, of statesmen, generals, preachers, poets, surgeons, nurses, northerners and southerners come together to give us a vivid understanding of the Civil War's most fundamental and widely shared reality. With a new introduction by the author, and a new foreword by Mike Mullen, 17th Chairman of the Joint Chiefs of Staff.
In this gripping and provocative “ethnography of death,” anthropologist and MacArthur "Genius" Fellow Jason De León sheds light on one of the most pressing political issues of our time—the human consequences of US immigration and border policy. The Land of Open Graves reveals the suffering and deaths that occur daily in the Sonoran Desert of Arizona as thousands of undocumented migrants attempt to cross the border from Mexico into the United States. Drawing on the four major fields of anthropology, De León uses an innovative combination of ethnography, archaeology, linguistics, and forensic science to produce a scathing critique of “Prevention through Deterrence,” the federal border enforcement policy that encourages migrants to cross in areas characterized by extreme environmental conditions and high risk of death. For two decades, systematic violence has failed to deter border crossers while successfully turning the rugged terrain of southern Arizona into a killing field. Featuring stark photography by Michael Wells, this book examines the weaponization of natural terrain as a border wall: first-person stories from survivors underscore this fundamental threat to human rights, and the very lives, of non-citizens as they are subjected to the most insidious and intangible form of American policing as institutional violence. In harrowing detail, De León chronicles the journeys of people who have made dozens of attempts to cross the border and uncovers the stories of the objects and bodies left behind in the desert. The Land of Open Graves will spark debate and controversy.
The Ultimate SF Collection: 150 Classics is an unparalleled compilation that traverses the broad spectrum of science fiction, showcasing the rich diversity and profound depth of this genre. From the proto-science fiction elements of Mary Shelley's groundbreaking work to the complex social commentaries of H.G. Wells, and the pioneering space operas of E.E. Smith, this anthology celebrates the multifaceted nature of science fiction. It navigates through various literary styles, from adventure-laden narratives and speculative technological wonders to dystopian visions and philosophical explorations, offering readers a comprehensive journey through the evolution of the genre. Standout pieces include timeless classics that have become cornerstones of science fiction, reflective of the era's technological aspirations and societal fears. The contributing authors and editors, a constellation of literary luminaries, bring together an extraordinary range of perspectives, each infusing the collection with unique insights grounded in their distinct historical and cultural contexts. Authors like Jules Verne and H.G. Wells are credited with the genesis of speculative fiction, while pioneers like Mary Shelley and Edgar Allan Poe introduced elements that would define the genre. This anthology not only highlights seminal works that contributed to the development of science fiction but also aligns with various literary movements, from Romanticism to Modernism, enriching the readers' understanding of its thematic diversity. The Ultimate SF Collection: 150 Classics offers a unique opportunity to immerse oneself in the expansive universe of science fiction. It is an essential read for aficionados and newcomers alike, providing a broad compilation that celebrates the genre's ability to question the known and imagine the unknown. This anthology encourages readers to explore the depths of human imagination, the ethical dilemmas of science and technology, and the endless possibilities of alternative realities. It is an invitation to traverse time, space, and dimension through a literary lens, fostering a deeper appreciation of the genre's contribution to culture and society.
The first paperback edition of the classic biography of the founder of the Mormon church, this book attempts to answer the questions that continue to surround Joseph Smith. Was he a genuine prophet, or a gifted fabulist who became enthralled by the products of his imagination and ended up being martyred for them? 24 pages of photos. Map.
From Catriona McPherson, the Agatha-Award winning author of Quiet Neighbors, comes a clever, spine-tingling standalone Gothic thriller. “Go to My Grave is both a classic ‘country house mystery’ and a thriller. Atmospheric, with mind-bending twists, a narrator who may or may not be reliable, and an ending that will take your breath away and leave you astonished.” —Louise Penny Donna Weaver has put everything she has into restoring The Breakers, an old bed and breakfast on a remote stretch of beach in Galloway. Now it sits waiting—freshly painted, richly furnished, filled with flowers—for the first guests to arrive. But Donna's guests, a contentious group of estranged cousins, soon realize that they’ve been here before, years ago. Decades have passed, but that night still haunts them: a sixteenth birthday party that started with peach schnapps and ended with a girl walking into the sea. Each of them had made a vow of silence: “lock it in a box, stitch my lips, and go to my grave.” But now someone has broken the pact. Amid the home-baked scones and lavish rooms, someone is playing games, locking boxes, stitching lips. And before the weekend is over, at least one of them will go to their grave.
Musaicum Books presents to you this meticulously edited Harvard Classics collection: The Harvard Classics: V. 1: Franklin, Woolman & Penn V. 2: Plato, Epictetus & Marcus Aurelius V. 3: Bacon, Milton, Browne V. 4: Poems by John Milton V. 5: R. W. Emerson V. 6: Poems by Robert Burns V. 7: St Augustine & Thomas á Kempis V. 8: Nine Greek Dramas V. 9: Cicero and Pliny V. 10: The Wealth of Nations V. 11: The Origin of Species V. 12: Plutarch's Lives V. 13: Æneid V. 14: Don Quixote V. 15: Bunyan & Walton V. 16: Thousand and One Nights V. 17: Folklore & Fable V. 18: Modern English Drama V. 19: Goethe & Marlowe V. 20: The Divine Comedy V. 21: I Promessi Sposi V. 22: The Odyssey V. 23: Two Years Before the Mast V. 24: Edmund Burke V. 25: J. S. Mill & T. Carlyle V. 26: Continental Drama V. 27 & 28: English and American Essays V. 29: The Voyage of the Beagle V. 30: Scientific Papers V. 31: The Autobiography of Benvenuto Cellini V. 32: Literary and Philosophical Essays V. 33: Voyages & Travels V. 34: French & English Philosophers V. 35: Chronicle and Romance V. 36: Machiavelli, Roper, More, Luther V. 37: Locke, Berkeley, Hume V. 38: Harvey, Jenner, Lister, Pasteur V. 39: Prefaces and Prologues V. 40–42: English Poetry V. 43: American Historical Documents V. 44 & 45: Sacred Writings V. 46 & 47: Elizabethan Drama V. 48: Blaise Pascal V. 49: Epic and Saga V. 50: Reader's Guide V. 51: Lectures The Shelf of Fiction: V. 1 & 2: The History of Tom Jones V. 3: A Sentimental Journey & Pride and Prejudice V. 4: Guy Mannering V. 5 & 6: Vanity Fair V. 7 & 8: David Copperfield V. 9: The Mill on the Floss V. 10: Hawthorne, Irving, Poe, Harte, Twain, Hale V.11: The Portrait of a Lady V. 12: Notre Dame de Paris V. 13: Balzac, Sand, de Musset, Daudet, de Maupassant V. 14 & 15: Goethe, Keller, Storm, Fontane V. 16–19: Tolstoy, Dostoevsky, Turgenev V. 20: Valera, Bjørnson, Kielland