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Completely relaunched, revamped and repackaged edition of this hugely popular book which has already sold more than 17,000 copies in its two previous editions. Packed with facts, stats, lists and quirky anecdotes from the rich history of one of England's biggest and most famous football clubs, this much-loved book is the perfect Christmas gift for Liverpool fans of all ages.
The world-famous Merseyside football club has a widely diverse and amazingly successful history. This title presents some of the facts about The Reds on a range of topics, from the history of Anfield, to the European glory nights, famous managers, and match-day facts and stats.
An entertaining quick-fire round up of Liverpool's most shocking, gruesome and unusual events over the years.
Part of a series of gift books containing local facts, regional dialect, ghost stories, local recipes, sporting anecdotes and questions on your local history. This work is illustrated with approximately 35 black and white photographs from The Francis Frith Collection.
In eighteenth-century England, “variety” became a prized aesthetic in musical culture. Not only was variety—of counterpoint, harmony, melody, and orchestration—expected for good composition, but it also manifested in cultural mediums such as songbook anthologies, which compiled miscellaneous songs and styles in single volumes; pasticcio operas, which were cobbled together from excerpts from other operas; and public concerts, which offered a hodgepodge assortment of different types and styles of performance. I call this trend of producing music through the collection, assemblage, and juxtaposition of various smaller pieces as musical miscellany; like a jigsaw puzzle (also invented in the eighteenth century), the urge to construct a whole out of smaller, different parts reflected a growing desire to appeal to a quickly diversifying England. This book explores the phenomenon of musical miscellany in early eighteenth-century England both in performance culture and as an aesthetic. Chapters offer analyses of concert programming, early music criticism, the compilation of pasticcio operas and songbook miscellanies, and even the ways in which composers and performers shaped their freelancing careers. Musical miscellany, in its many forms, juxtaposed foreign and homegrown musical practices and styles in order to stimulate discourse surrounding English musical culture during a time of cosmopolitan transformation as the eighteenth century unfolded.