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In a dilapidated and isolated old house, something peculiar seems to happen whenever the town’s bestial exterminator visits. On a seemingly bucolic country estate, the head of the household is a living corpse obsessed with other corpses. An adolescent boy who passes his days in private dream worlds experiences a sexual awakening spurred by his family’s scandalous tenant. In these and other stories, the modernist writer Alexei Remizov offers a panorama of Russian mythology, the supernatural, rural grotesques, and profound religious faith in fiery revolutionary settings. Alexei Remizov was one of the greatest writers of the Russian symbolist movement of the early twentieth century. In the thirteen stories collected in this volume, his exceptional stylistic achievements are on full display. Equally drawing on rural colloquial speech, the language of Russian fairy tales, and the customs of the Old Believers and Russian Orthodoxy, they transport the reader into a mysterious world in between uncanny folktales and encroaching modernity. The Little Devil and Other Stories includes works from across Remizov’s career, encompassing his thematic preoccupations and stylistic experimentation. Antonina W. Bouis’s translation captures Remizov’s many registers to offer English-language readers a sampling of a remarkable Russian writer.
Absurd fairy tales, very sensibly told ;There once was a good little devil - did you read that right? Yes you did: not a wicked little devil but a good one, and boy, was he in a fix! ;Instead of doing bad things like forgetting his homework and playing tricks on his teachers, this little devil kept trying to be good. He did all his homework - and sometimes enjoyed it! He was never rude and he even encouraged sinners to say sorry. His parents were at their wits' end. So the little devil struck out on his own.On his quest to learn to be good, our little devil meets all kinds of people, from priests to police and from the Pope in Rome to Little Jesus himself. But will the angels let a little red devil with black horns into Heaven? ;In these thirteen tales, clever young people find nifty ways to overcome greedy kings, wicked witches, unlucky spells and even silly names. And there's a big dash of magic to help them on the way!
'It is impossible to explain why Yevgeny chose Liza Annenskaya, as it is always impossible to explain why a man chooses this and not that woman.' This collection of eleven stories spans virtually the whole of Tolstoy's creative life. While each is unique in form, as a group they are representative of his style, and touch on the central themes that surface in War and Peace and Anna Karenina. Stories as different as 'The Snowstorm', 'Lucerne', 'The Diary of a Madman', and 'The Devil' are grounded in autobiographical experience. They deal with journeys of self-discovery and the moral and religious questioning that characterizes Tolstoy's works of criticism and philosophy. 'Strider' and 'Father Sergy', as well as reflecting Tolstoy's own experiences, also reveal profound psychological insights. These stories range over much of the Russian world of the nineteenth century, from the nobility to the peasantry, the military to the clergy, from merchants and cobblers to a horse and a tree. Together they present a fascinating picture of Tolstoy's skill and artistry. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
NATIONAL BOOK AWARD FINALIST • A sweeping, genre-bending “masterpiece” (Minneapolis Star Tribune) exploring Black art, music, and culture in all their glory and complexity—from Soul Train, Aretha Franklin, and James Brown to The Fresh Prince of Bel-Air, Whitney Houston, and Beyoncé ONE OF THE TEN BEST BOOKS OF THE YEAR: Chicago Tribune, The Philadelphia Inquirer, The Dallas Morning News, Publishers Weekly “Gorgeous essays that reveal the resilience, heartbreak, and joy within Black performance.”—Brit Bennett, #1 New York Times bestselling author of The Vanishing Half “I was a devil in other countries, and I was a little devil in America, too.” Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur “Genius Grant” Fellow and bestselling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines—whether it’s the twenty-seven seconds in “Gimme Shelter” in which Merry Clayton wails the words “rape, murder,” a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt—has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib’s own personal history of love, grief, and performance. Touching on Michael Jackson, Patti LaBelle, Billy Dee Williams, the Wu-Tan Clan, Dave Chappelle, and more, Abdurraqib writes prose brimming with jubilation and pain. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space—from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio. WINNER OF THE ANDREW CARNEGIE MEDAL AND THE GORDON BURN PRIZE • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD AND THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, The Boston Globe, NPR, Rolling Stone, Esquire, BuzzFeed, Thrillist, She Reads, BookRiot, BookPage, Electric Lit, The Rumpus, LitHub, Library Journal, Booklist
The first English translation of a remarkable masterpiece of early modernist fiction from 1910 by an influential member of the Russian Symbolist movement. Thirty-year-old Piotr Alekseevich Marakulin lives a contented, if humdrum life as a financial clerk in a Petersburg trading company. He is jolted out of his daily routine when, quite unexpectedly, he is accused of embezzlement and loses his job. This change of status brings him into contact with a number of women—the titular “sisters of the cross”—whose sufferings will lead him to question the ultimate meaning of the universe. In the tradition of Gogol’s Petersburg Tales and Dostoevsky’s Crime and Punishment, Sisters of the Cross deploys densely packed psychological prose and fluctuating narrative perspective to tell the story of a “poor clerk” who rebels against the suffering and humiliation afflicting both his own life and the lives of the remarkable women whom he encounters in the tenement building where he lives in Petersburg. The novel reaches its haunting climax at the beginning of the Whitsuntide festival, when Marakulin thinks he glimpses the coming of salvation both for himself and for the “fallen” actress Verochka, the unacknowledged love of his life, in one of the most powerfully drawn scenes in Symbolist literature. Remizov is best known as a writer of short stories and fairy tales, but this early novel, masterfully translated by Roger Keys and Brian Murphy, is perhaps his most significant work of sustained artistic prose. “Dark and beguiling; Remizov is a writer worth knowing about, and this slender volume makes a good start.” —Kirkus Reviews
The Devil's Storybook is a 1974 New York Times Book Review Notable Children's Book of the Year and a 1975 National Book Award Finalist for Children's Books. An ALA Notable Book Chosen by School Library Journal as one of the Best of the Best Books
Hazel Stone wants nothing more than to be a part of the hottest clique in school, the Pretty Little Devils, but she’s stuck at a lunch table full of high school C-listers. Hazel has resigned herself to life as a nobody—when suddenly everything changes. The PLDs invite Hazel to one of the group’s famous parties, held at the site of one of their babysitting jobs. Before Hazel knows it, she’s in with the in crowd—and she couldn’t be more thrilled! But nothing turns out the way she expects. Especially when one her classmates becomes jealous of her newfound status—deadly jealous. Author Nancy Holder weaves a wicked tale about the price of popularity, and having the kind of friends some girls would just die for.
JORDYN My life's been laid out for me since before I was born. Graduate high school, marry the mayor's son, get my degree and take over my mother's company. I don't want it - I don't want any of it - but I'd never say that out loud. Girls like me aren't supposed to speak our minds. We're supposed to smile and look pretty and do as we're told without argument. I keep my mouth shut for an easy life. A boring life. But then I met him. Xander Reid doesn't follow rules. He's a cocky bad boy with a devil may care attitude and a tongue bar I can't stop staring at. He treats life like a game and dares me to play with him. And even though I know he's bad for me, I'm not sure how much longer I can resist. XANDER Lakewood is supposed to be a punishment. A way to fix me and my unusual take on life. Seven months before the end of my senior year, my parents ship me off to live in a strange town with a family I barely know and a private school full of entitled rich kids. They seem to forget change doesn't bother me. I get bored easily, can't sit still for five minutes and nothing holds my attention. But then I met her. Jordyn James isn't as innocent as she makes out to be. She's a bad girl trapped in a life fit for a princess, desperate for freedom from the chains that hold her back. Making her mine just might be the worst thing I've ever done, and yet I regret nothing. This is a 65k word, opposites attract romance with themes some readers might find offensive. Complete standalone with a HEA and no cliffhanger.
"The stories of Orrin Grey are fun, fast, and, surprising enough in a genre where doom, gloom, and ultra-gore are standard issue, rather good-natured. It's not often you come across 'pleasant horror, ' but that's the best way to describe this collection-put a load of classic horror movies and comic books in a blender, liberally add some splashes of Mike Mignola-cool, and you've got yourself a monster mash to be reckoned with." - Jesse Bullington, author of Enterprise of Death and The Sad Tale of the Brothers Grossbart A WORLD JUST BEYOND KNOWING By Orrin Grey As a reader and writer, I love the economy and freedom of the short story form. When it comes to matters of the supernatural, short stories are particularly well-suited to delivering the inexplicable, the indefinable, the numinous, something still left unexplored, an edge of the map marked "Here, there be monsters." I seek out these stories in anthologies, in films, and in comics like the old Warren Creepy and Eerie magazines, but my favorite way to read them is in a collection written by the vision of a single author. Collections let you see the stories all stacked up next to each other, see how the author changes from one story to the next, and how they stay the same. Whether it's Clive Barker's The Books of Blood or the ghost stories of M.R. James and E.F. Benson, a collection by a contemporary master or one of the billion-or-so compilations of tales by Lovecraft, Bradbury or Poe, there's no other kind of book I'd rather curl up with. So when the opportunity presented itself for me to put together my first collection of stories, I jumped at the chance. I must have drafted the table of contents for the book that would become Never Bet the Devil & Other Warnings at least a million times, trying to find just the right balance, the right combination. The title story is little more than a fragment, written for a contest that it didn't win, but I think it sets the right tone, invites you into the world that I'm building, one story at a time. A world made from old movies and horror comics and ghost stories, filled with golems and necromancers, cursed books and haunted houses, ghouls and jazz musicians and the skeleton of, well, something. That's the real beauty of a short story collection: it lets you build a world that somehow always remains just beyond the reach of knowing, a house that's always full of cobwebs and dark corners. A short story collection is never just one ride, it's an entire dark carnival, a cabinet of curiosities that gives you a glimpse into a place of infinite strangeness, but never quite lets you see the whole picture. - OG "Orrin Grey writes tales that are as eloquent as they are eerie. He deftly blends the high Gothic aesthetics of classical horror with a raconteur's innate knack for storytelling. Grey is a unique talent, and is destined to become a major name in weird fiction." - Richard Gavin, author of The Darkly Splendid Realm "Never Bet the Devil is a creepy foray into the realm of the weird and the sinister. An intriguing exploration of traditional and modern horror modes. Grey's debut shows a great deal of promise." Laird Barron, author of Occultation and The Croning
Originally written in 1938 but never published due to its controversial nature, an insightful guide reveals the seven principles of good that will allow anyone to triumph over the obstacles that must be faced in reaching personal goals.