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A delicious true crime account of a murder most gallic—think CSI Paris meets Georges Simenon—whose lurid combination of sex, brutality, forensics, and hypnotism riveted first a nation and then the world. In 1889, the gruesome murder of a lascivious court official at the hands of a ruthless con man and his pliant mistress launched the trial of the century. When Toussaint-Augustin Gouffé entered 3, rue Tronson du Coudray, expecting a delightful assignation with the comely Gabrielle Bompard, he was instead murdered by Gabrielle and her lover, Michel Eyraud. An international manhunt chased the infamous couple from Paris to America’s West Coast, culminating in a sensational trial that investigated the power of hypnosis to possess, control, and even kill. As the inquiry into the guilt or innocence of the woman the French tabloids dubbed the “Little Demon” intensified, the most respected minds in France vehemently debated: Was Gabrielle Bompard the pawn of her mesmerizing lover or simply a coldly calculating murderess capable of killing a man in cold blood?
Ardalyon Borisitch Peredonov believes himself better than his job as a teacher, and hopes that the Princess will be able to promote him to the position of Inspector. Unfortunately for him his connection to the Princess is through his fiancée Varvara, and she has her own plans. With little sign of the desired position his life of petty cruelty escalates, even as his grip on reality begins to break apart and his paranoia manifests itself in hallucinations of a shadowy creature. Finished in 1907, The Little Demon (alternatively translated as The Petty Demon) is Fyodor Sologub’s most famous novel, and received both popular and critical attention on its publication despite its less-than-favorable depictions of provincial Russian life. Its portrayal of Peredonov as a paranoid character simultaneously both banal and bereft of goodness is an essay on the Russian concept of poshlost; a theme that makes an appearance in many other Russian novels, not least Chichikov in Gogol’s Dead Souls. This translation (primarily by John Cournos) was published in 1916, and includes a preface by Sologub for the English-speaking reader. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Ardalyon Borisitch Peredonov believes himself better than his job as a teacher, and hopes that the Princess will be able to promote him to the position of Inspector. Unfortunately for him his connection to the Princess is through his fiancée Varvara, and she has her own plans. With little sign of the desired position his life of petty cruelty escalates, even as his grip on reality begins to break apart and his paranoia manifests itself in hallucinations of a shadowy creature. Finished in 1907, The Little Demon (alternatively translated as The Petty Demon) is Fyodor Sologub’s most famous novel, and received both popular and critical attention on its publication despite its less-than-favorable depictions of provincial Russian life. Its portrayal of Peredonov as a paranoid character simultaneously both banal and bereft of goodness is an essay on the Russian concept of poshlost; a theme that makes an appearance in many other Russian novels, not least Chichikov in Gogol’s Dead Souls. This translation (primarily by John Cournos) was published in 1916, and includes a preface by Sologub for the English-speaking reader.
The story is told in first person from the protagonist Joshua. He is slowly going insane and the only thing that keeps him stable is the three-foot tall demon girl who lives in his closet.
Everyone has their demons. From time to time, they'll sneak up on us or run about underfoot. They'll keep tripping us until we summon the one thing they can't stand: magic. That igniting surge of self-belief that sends them crawling back into the shadows. An imaginative and accessible collection of poetry, Magic! Hissed The Little Demons explores depression, self-confidence, friendship, and determination, blending the fantastical with the contemporary, and a hint or two of sass.
The Little Demon is an engrossing tale of rage, desperate affection, and subtle opportunism in a small Russian provincial town shortly after the turn of the 20th century. It narrates the story of Peredonov, the antihero, a petty official who lives in constant hate for the world around him and life itself. Throughout the novel, Peredonov struggles to be promoted to governmental inspector of his province and starts going paranoid and hallucinating. The main hero, Peredonov, is as comical as he is disgusting. He is at once a victim, a monster, a foolish hypocrite, and a vicious nitwit. The plot moves from him to the hopeless romance of the boy Sasha Pylnikov and a much older woman Ludmila Rutilova. Fyodor Sologub's The Little Demon is one of the most humorous and the most scandalous of the great Russian classics, packed with nude boys, curvy girls, and a strange mixture of beauty and perversity. Even in its censored form, it is considered one of the most infuriating and sexually open of the Russian books classics.
NATIONAL BOOK AWARD FINALIST • A sweeping, genre-bending “masterpiece” (Minneapolis Star Tribune) exploring Black art, music, and culture in all their glory and complexity—from Soul Train, Aretha Franklin, and James Brown to The Fresh Prince of Bel-Air, Whitney Houston, and Beyoncé ONE OF THE TEN BEST BOOKS OF THE YEAR: Chicago Tribune, The Philadelphia Inquirer, The Dallas Morning News, Publishers Weekly “Gorgeous essays that reveal the resilience, heartbreak, and joy within Black performance.”—Brit Bennett, #1 New York Times bestselling author of The Vanishing Half “I was a devil in other countries, and I was a little devil in America, too.” Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur “Genius Grant” Fellow and bestselling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines—whether it’s the twenty-seven seconds in “Gimme Shelter” in which Merry Clayton wails the words “rape, murder,” a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt—has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib’s own personal history of love, grief, and performance. Touching on Michael Jackson, Patti LaBelle, Billy Dee Williams, the Wu-Tan Clan, Dave Chappelle, and more, Abdurraqib writes prose brimming with jubilation and pain. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space—from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio. WINNER OF THE ANDREW CARNEGIE MEDAL AND THE GORDON BURN PRIZE • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD AND THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, The Boston Globe, NPR, Rolling Stone, Esquire, BuzzFeed, Thrillist, She Reads, BookRiot, BookPage, Electric Lit, The Rumpus, LitHub, Library Journal, Booklist
Louisiana homicide detective Kara Gillian is doing her best to cope with everything that's happened to her over the past year, all while s continuing to hone her skills as a demon summoner. But lately she's beginning to wonder if there's a little too much demon in her world. She has a demon for a roommate, the demonic lord Rhyzkahl is still interested in her for reasons she can't fathom, and now someone in the demon realm is trying to summon her. And there's no way that can end well. Meanwhile, people who've hurt Kara in the past are dropping dead. Kara is desperate to find the reasons for the deaths to clear her own name, but when she realizes there's an arcane pattern to the deaths, she knows that both the human and the demon worlds may be at risk unless she finds out who's behind it all. She's in a race against the clock and in a battle for her life that just may take her to hell and back.Sins of the Demon is the exciting fourth installment of the Kara Gillian series.
The Secret Strategies of the Enemy REVEALED Satan has always used the same schemes to bind, oppress, confound, and deceive mankind. What he is doing today is nothing new. The traps he sets for us are the same ones he set two thousand years ago. Satan’s Dirty Little Secret exposes the two demons behind all of Satan’s attacks. This prophetic revelation given in a vision to Pastor Steve Foss exposes how the enemy operates and shows you... How Satan uses the same two spirits he released on Eve in the garden as gateways to every other form of demonic assault How to successfully defeat these weapons and live free from the bondage of the enemy’s attacks The power of the Holy Spirit and God’s Word can transform you into the image of God. Live in the confidence of God’s love and power. You can triumph over Satan and accomplish everything God has planned for your life!
The era of Russian Symbolism (1892-1917) has been called the Silver Age of Russian culture, and even the Second Golden Age. Symbolist authors are among the greatest Russian authors of this century, and their activities helped to foster one of the most significant advances in cultural life (in poetry, prose, music, theater, and painting) that has ever been seen there. This book is designed to serve as an introduction to Symbolism in Russia, as a movement, an artistic method, and a world view. The primary emphasis is on the history of the movement itself. Attention is devoted to what the Symbolists wrote, said, and thought, and on how they interacted. In this context, the main actors are the authors of poetry, prose, drama, and criticism, but space is also devoted to the important connections between literary figures and artists, philosophers, and the intelligentsia in general. This broad, detailed and balanced account of this period will serve as a standard reference work an encourage further research among scholars and students of literature.