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Marianne Boruch indulges in the joy of the short leap between poetry and the essay
Henry Rios is introduced as a troubled San Francisco public defender, burnt out and battling alcoholism. While investigating the murder of an old friend, he traces clues back to the man's own wealthy family. It is here that we first encounter Rios's disenchantment with a legal system caught between justice and corruption.
Rini and V.B. Price in Death Self harmoniously combine their artistic and creative talents. In doing so they evoke a potpourri of emotions that touch the human spirit not like a black feather but a white dove of peace, tranquility, and reconciliation in their personal brush with mortality. In their respective worlds of lyricism and aesthetics, death is envisaged as the supreme liberator of fear and the creator of something noble and metaphysical in the freedom of the self.
This book celebrates the great stripping process of aging, dying and spiritual awakening. Beautiful, poignant, at times humorous, transcendent, messy, down to earth, refreshingly honest--the book explores death, and more importantly, being alive, through a rich mix of personal stories and spiritual reflections. Joan writes about her mother's final years and about being with friends and teachers at the end of their lives. She shares her own journey with aging, anal cancer, and other life challenges. She explores what it means to be alive in what may be the collapse of civilization and the possible extinction of life on earth due to climate change. Pointing beyond deficiency stories, future fantasies, and oppressive self-improvement projects, Joan invites an awakening to the immediacy of this moment and the wonder of ordinary life. She demonstrates a pathless path of genuine transformation, seeing all of life as sacred and worthy of devotion, and finding joy in the full range of our human experience.
A series of traumatic accidents and losses is the starting-point for this unique memoir of a woman's journey to spiritual awakening. Confronted by her mortality, and seeking a way to accept both death and living with death, Ona Kiser presents this deep exploration of modern spiritual practices, narrated with equal measures of humor and passion. Re-visiting the lessons of her years as an initiate of Santeria, she discovers and puts to work techniques from Buddhist meditation and Western Magick, enlisting - along the way - the guidance of a maverick guru. The result is a richly detailed map of the joys and pitfalls of the quest for enlightenment. Like a modern-day St. Teresa of Avila, Ona skilfully navigates the waves of agony and ecstasy, the heights of mystical insight and visions, as well as the depths of confusion and despair, always in undaunted pursuit of her goal. "It was an end, but also a beginning, a rebirth into a new world that had always existed, hidden in plain sight."
NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise.
Shortlisted for the Anthony Award for Best Paperback Original and the CWA Ellis Peters Award for Historical Crime Fiction. London, 1955. Three bodies are found in a house - but when the police search for the murder weapon, vital evidence is destroyed. One of the victims is former society beauty Georgina Gresham, prime suspect in the notorious murder of her husband, James, almost thirty years earlier. Beside her lie the bodies of her brother Edmund and housekeeper Ada. But there is a link with the past. In the 1890s, in a beautiful garden, three children played together. Their lives were secure, their future certain - until the youngest child was found with fatal head injuries...
Ibn Arabi’s Small Death is a sweeping and inventive work of historical fiction that chronicles the life of the great Sufi master and philosopher Ibn Arabi. Known in the West as “Rumi’s teacher,” he was a poet and mystic who proclaimed that love was his religion. Born in twelfth-century Spain during the Golden Age of Islam, Ibn Arabi traveled thousands of miles from Andalusia to distant Azerbaijan, passing through Morocco, Egypt, the Hijaz, Syria, Iraq, and Turkey on a journey of discovery both physical and spiritual. Witness to the wonders and cruelties of his age, exposed to the political rule of four empires, Ibn Arabi wrote masterworks on mysticism that profoundly influenced the world. Alwan’s fictionalized first-person narrative, written from the perspective of Ibn Arabi himself, breathes vivid life into a celebrated and polarizing figure.
Dark pedagogy explores how different perspectives can be incorporated into a darker understanding of environmental and sustainability education. Drawing on the work of the classic horror author H.P. Lovecraft and new materialist insights of speculative realism, the authors link Lovecraft’s ‘tales of the horrible’ to the current spectres of environmental degradation, climate change, and pollution. In doing so, they draw parallels between how humans have always related to the ‘horrible’ things that are scaled beyond our understanding and how education can respond to an era of climate catastrophe in the age of the Anthropocene. A new and darker understanding of environmental and sustainability education is thus developed: using the tripartite reaction pattern of denial, insanity and death to frame the narrative, the book subsequently examines the specific challenges of potentials of developing education and pedagogy for an age of mass extinction. This unflinching book will appeal to students and scholars of dark pedagogies as well as those interested in environment and sustainability education.
Honorable Mention, Literature, 2012 PROSE Awards, Professional and Scholarly Publishing Division of the Association of American Publishers2012 Outstanding Academic Title, Choice Magazine In one of his letters Hart Crane wrote, “Appollinaire lived in Paris, I live in Cleveland, Ohio,” comparing—misspelling and all—the great French poet’s cosmopolitan roots to his own more modest ones in the midwestern United States. Rebelling against the notion that his work should relate to some European school of thought, Crane defiantly asserted his freedom to be himself, a true American writer. John T. Irwin, long a passionate and brilliant critic of Crane, gives readers the first major interpretation of the poet’s work in decades. Irwin aims to show that Hart Crane’s epic The Bridge is the best twentieth-century long poem in English. Irwin convincingly argues that, compared to other long poems of the century, The Bridge is the richest and most wide-ranging in its mythic and historical resonances, the most inventive in its combination of literary and visual structures, the most subtle and compelling in its psychological underpinnings. Irwin brings a wealth of new and varied scholarship to bear on his critical reading of the work—from art history to biography to classical literature to philosophy—revealing The Bridge to be the near-perfect synthesis of American myth and history that Crane intended. Irwin contends that the most successful entryway to Crane’s notoriously difficult shorter poems is through a close reading of The Bridge. Having admirably accomplished this, Irwin analyzes Crane’s poems in White Buildings and his last poem, "The Broken Tower," through the larger context of his epic, showing how Crane, in the best of these, worked out the structures and images that were fully developed in The Bridge. Thoughtful, deliberate, and extraordinarily learned, this is the most complete and careful reading of Crane’s poetry available. Hart Crane may have lived in Cleveland, Ohio, but, as Irwin masterfully shows, his poems stand among the greatest written in the English language.