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Literary Nonfiction. Art. THE LITTLE BOOK OF TERROR is a treasure that defies easy classification: more than a collection of paintings, more than a compilation of piquant, compelling essays, it can be thought of as a secular missal, offering a new liturgy for observing the Rite of The Contrary. THE LITTLE BOOK OF TERROR is a literary missile, as well—Daisy Rockwell's searing images and carefully-crafted prose aim directly at the bloated heart of Imperial pretension. On impact, Rockwell's work makes rubble of propaganda passing as conventional wisdom, leaving in its place a new vista from which to consider the "Global War on Terror" and its complicated combatants. For Rockwell's legions of readers and admirers, THE LITTLE BOOK OF TERROR is a blast of a different kind: a stirring read, a poignant comment, and a collection of sights not soon forgotten.
With Mama's warm, steady gaze and patient smile, she conveys to readers that parents are with their children every step of the way---even when those steps may be tentative. And, in the book's final pages, when Daisy finally hops, skips and jumps, the happiness that radiates from the tip of her floppy ears to the bottoms of her paws proves that persistence really does pay off.
The grainy black-and-white television ad shows a young girl in a flower-filled meadow, holding a daisy and plucking its petals, which she counts one by one. As the camera slowly zooms in on her eye, a man's solemn countdown replaces hers. At zero the little girl's eye is engulfed by an atomic mushroom cloud. As the inferno roils in the background, President Lyndon B. Johnson's voice intones, "These are the stakes -- to make a world in which all of God's children can live, or to go into the dark. We must either love each other, or we must die." In this thought-provoking and highly readable book, Robert Mann provides a concise, engaging study of the "Daisy Girl" ad, widely acknowledged as the most important and memorable political ad in American history. Commissioned by Johnson's campaign and aired only once during Johnson's 1964 presidential contest against Barry Goldwater, it remains an iconic piece of electoral propaganda, intertwining cold war fears of nuclear annihilation with the increasingly savvy world of media and advertising. Mann presents a nuanced view of how Johnson's campaign successfully cast Barry Goldwater as a radical too dangerous to control the nation's nuclear arsenal, a depiction that sparked immediate controversy across the United States. Repeatedly analyzed in countless books and articles, the spot purportedly destroyed Goldwater's presidential campaign. Although that degree of impact on the Goldwater campaign is debatable, what is certain is that the ad ushered in a new era of political advertising using emotional appeals as a routine aspect of campaign strategy.
Daisy the duckling becomes so engrossed in playing with dragonflies and lily pads that she temporarily loses her mother.
Daisy has more toys than she knows what to do with. In this story, inspired by an Eastern European folktale about a house that's too small, Daisy thinks she needs a bigger bedroom for all the gifts on her birthday list. Her clever mom helps her realize less is more, and Daisy decides to donate many of her things to a Mitzvah Day rummage sale. In the process, Daisy learns about sharing and the satisfaction that comes from choosing what's important.
Join Darla as she takes us along on her journey from a seed to a full-grown flower. Introduces children to the basic concepts of gardening and caring for plants.
It's Healthy Hearts day in Story Town and Doctor Daisy is very busy. But one person's heart is making a very strange squeaking sound. Who could it be and whatever is the matter?
Mamma Duck tells Daisy to stay close, but Daisy thinks that chasing dragonflies and bouncing on lilypads looks much more fun . . . This warm and comforting story, starring Daisy the duck, has been delighting children for over 15 years.