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They Call Her Ed is a crime novel written by a team of real private investigators. A synopsis: Since he left the monastery, Johnny Loretto has had his heart broken about a hundred times ? by the same woman. And for years he has plodded forward, trying to make a living as a private investigator in Horsetooth, Colorado. When two promising clients come his way, he thinks his luck has changed.Rex King, president of Horsetooth University, hires Johnny to handle an extortion case. The blackmailer is threatening to send some incriminating photos to King?s wife and, worse yet, the board of regents. A few days later Professor Throgmorton, director of research at the veterinary school, seeks Johnny?s help in tracking down a missing sheep.The two cases collide, and Johnny uncovers an illegal cloning project involving several big players in town. When a cross-dressing sheep thief is murdered, Johnny becomes the prime suspect.With some help from his lifelong friend, Father Hank Redwine, Johnny embarks on a bruising tour de horse as he searches for evidence to expose the conspirators and prove his innocence. As he traverses the weird boulevards of Horsetooth, he must dodge his pursuers: Copeland, his freaky, stalking nemesis; Detective Shepherd, the cop convinced there is blood on Johnny?s hands; Luther, the vengeful leader of the Bros. of Bedlam biker gang; and, at the center of the storm, Jane Crowe, Johnny?s treacherous old flame.Along this strange journey Johnny finds himself in the struggle of his life, one that brings him to the edge of his existence as he fights for his very soul.
American national trade bibliography.
When a police diver finds the body of his ex-lover in the waters off New York City, he realizes she was the love of his life, so he sets off to find her killer along with her best friend, a gay hairdresser.
Bright and magnetic, Tina Biggar was an all-American girl from a picture-perfect family. She studied hard and played hard, and when a subject interested her, she couldn't let it go. At college, Tina worked on a research project, interviewing prostitutes about AIDS awareness. Later, she explored on her own the seedy world of the high-class call girl, and walked into a nightmare she's never return from. Living off-campus with her boyfriend, Todd, Tina's interest has taken a dangerous turn. One of her family and friends suspected that the twenty-three-year-old blonde was secretly working as a call girl for three shadowy escort services, providing sexual favors to strangers for one hundred dollars an hour. Then one day Tina was gone. Four weeks later, police found her decomposed body behind a vacant house--hidden there by a forty-one-year-old treacherous ex-con and regular client who would be charged with her violent death. Only with her tragic murder did the twisted story of Tina's shocking double life emerge before the horrified eyes of those who knew and loved her.
Abbott and Costello were the most popular comedians of the 1940s, with burlesque-inspired routines that enthralled audiences on both radio and television. Oddly, their films have not received the same level of attention from critics and writers as those of other comedy teams. This book is a scene-by-scene, film-by-film guide to their movies, making a compelling case for their inclusion at the very top of comic artists. Featuring new research and some surprising revelations, the book introduces newcomers to the delights of this uproarious team and provides confirmed fans with the ultimate companion to their work. Also included is a foreword by John Landis, the celebrated director and Abbott and Costello devotee.
AcknowledgmentsIntroduction: Outside the Whale1. Otherworldly Knowledge: Toward a "Language of Perspicuous Contrast"2. Guess Who's Coming to Dinner? The Political Morality of Investigating Whiteness in the Gray Zone3. Seeing through Skin/Seeing through Epidermalization4. Wagner and Power Chords: Skinheadism, White Power Music, and the Internet5. Mothers of Invention: Good Hearts, Intelligent Minds, and Subversive Acts6. Syncopated Synergy: Dance, Embodiment, and the Call of the Jitterbug7. Ghosts, Trails, and Bones: Circuits of Memory and Traditions of Resistance8. Out of Sight: Southern Music and the Coloring of Sound9. Room with a ViewNotesIndex Copyright © Libri GmbH. All rights reserved.
A circus, a production of Shakespeare, an evening of song and ventriloquism, a performance by a ‘learned pig’ – all of these offered an evening’s entertainment to the citizens of early nineteenth-century Upper Canada. Although the population in 1800 was only 90,000, a wide range of entertainers performed in towns across the province: touring companies, variety and animal acts, and theatrical troupes, professional and amateur, some home-grown and based in the garrisons, others from Montreal, New York, and London. By the end of the century, some 250 touring groups were on the road across Ontario, from Ottawa to Rat Portage (now Kenora). The lively theatre tradition of that century would extend into the next, beyond the appointment in 1913 of Ontario’s first official censor, until the outbreak the following year of the First World War. This collection of essays covers a number of facets of the growth of theatre in Ontario. Ann Saddlemyer’s introduction provides an overview of the period, and historian J.M.S. Careless focuses on the cultural environment. Novelist Robertson Davies writes on the dramatic repertoire of the period. Architect Robert Fairfield explores the structures that housed performances, from the small community halls to the grand opera houses. Theatre scholar and professional actor and director Geralrd Lenton-Young discusses variety performances. Leslie O’Dell, scholar, actor, and playwright, writes on garrison theatre, while Mary M. Brown, a teacher, actress, and director, covers travelling troupes. A chronology and bibliography, both by the theatre scholar Richard Plant, complete the work. A second volume, scheduled for future publication, will look at the development of theatre in Ontario in the twentieth century. (Ontario Historical Studies Series)