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NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • “Delightful . . . [a] captivating and slyly subversive fictional paean to the real women whose work on the Oxford English Dictionary went largely unheralded.”—The New York Times Book Review “A marvelous fiction about the power of language to elevate or repress.”—Geraldine Brooks, New York Times bestselling author of People of the Book Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the Scriptorium, an Oxford garden shed in which her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip and, learning that the word means “slave girl,” begins to collect other words that have been discarded or neglected by the dictionary men. As she grows up, Esme realizes that words and meanings relating to women’s and common folks’ experiences often go unrecorded. And so she begins in earnest to search out words for her own dictionary: the Dictionary of Lost Words. To do so she must leave the sheltered world of the university and venture out to meet the people whose words will fill those pages. Set during the height of the women’s suffrage movement and with the Great War looming, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. Inspired by actual events, author Pip Williams has delved into the archives of the Oxford English Dictionary to tell this highly original story. The Dictionary of Lost Words is a delightful, lyrical, and deeply thought-provoking celebration of words and the power of language to shape the world. WINNER OF THE AUSTRALIAN BOOK INDUSTRY AWARD
The founder of History Hustle presents a handy guide for expressing yourself with history's best words. This collection features scores of unique words from history that deal with surprisingly modern issues like sleeping in and procrastination--proving that some things never change! The Little Book of Lost Words presents each term that's ready to be brought back into modern-day use, complete with definition, hilarious sample sentence, and cheeky historical art. You'll learn new words for the cozy room where you like to Netflix and chill (snuggery), for a dishonest politician (snollygoster), and for a young person who sleeps through the day and doesn't work (dewdropper). If you like Lost in Translation, Shakespeare Insult Generator, Drunk History, and Roald Dahl--and you delight in the way words like blatteroon and flapdoodle roll off the tongue--then you're the word lover this book was written for. Want to know what a fizgig or groke is? Read this book!
The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic. Vocal Score Co-commission by Boston Symphony and Hallé Concerts Society for their respective Children's Choirs. Two versions - with orchestral or with piano accompaniment. The vocal score is the same for both versions. James Burton is a composer but also a conductor. He is conductor of the Tanglewood Festival Chorus and choral director of the Boston Symphony. The book The Lost Words, exquisitely designed, has won multiple awards and is an international best-seller. The vocal score includes Jackie Morris's beautiful imagery in its cover design.
Buy now to get the main key ideas from Pip Williams's The Dictionary of Lost Words The Dictionary of Lost Words (2020) by Pip Williams is an award-winning historical novel set in the late nineteenth and early twentieth century. The protagonist, Esme, spends her childhood in the Scriptorium of the Oxford English Dictionary, where her father works. She’s fascinated by words, particularly those that are excluded from the dictionary. As she grows older, Esme collects these “lost words,” often associated with women’s experiences. Esme’s personal life and her passion for words intertwine with major historical events such as the women’s suffrage movement and World War I. She falls in love with Gareth, a compositor at the Oxford Press. Their shared love for words strengthens their bond, and Gareth even creates a book from Esme's collection of lost words. Their happiness is short-lived, but the words live on.
Motherless and irrepressibly curious, Esme spends her childhood at her father's feet as he and his team gather words for the very first Oxford English Dictionary.One day, she sees a slip of paper containing a forgotten word flutter to the floor unclaimed.And so Esme begins to collect words for another dictionary in secret: The Dictionary of Lost Words. But to do so she must journey into a world on the cusp of change as the Great War looms and women fight for the vote. Can the power of lost words from the past finally help her make sense of her future? (goodreads.com)
Philip Howard's legendary 'Lost Words' column has been appearing weekly in The Times for many years, wittily illuminating a raft of the most obscure, esoteric words the English language has to offer. At the same time, his 'Word Watching' puzzles have provided readers with the chance to pit their lexicographical skill against his tongue-in-cheek multiple-choice conundrums. This unique collection, bringing together the very best of all these, is a feast for word lovers. Here we can lament the disappearance of words like 'accismus' (an insincere and feigned refusal of something that is earnestly desired), and wonder why we ever thought we could do without 'zoilus' (a censorious, malignant or envious critic). And, once we have completed our journey through the dictionary entries time has forgotten, there's more fun to be had, as we ponder whether having a 'tirrit' means one is in possession of a trumpet, throwing a fit or the proud owner of a type of bird, and if the charge of being 'spissid' is a comment on one's girth, sobriety or resemblance to a javelin, either literal or metaphorical. Endlessly fascinating, Lost Words continues Philip Howard's amusing and informative tour of words that enrich the English language and would otherwise have been lost forever.
"Hackwith's poignant, imaginative series sends readers on an amazing journey, with profound prose that will capture hearts and minds."* To save the Library of the Unwritten in Hell, former librarian Claire and her allies may have to destroy it first. Claire, rakish Hero, angel Rami, and muse-turned-librarian Brevity have accomplished the impossible by discovering the true nature of unwritten books. But now that the secret is out, in its quest for power Hell will be coming for every wing of the Library. To protect the Unwritten Wing and stave off the insidious reach of Malphas, one of Hell’s most bloodthirsty generals, Claire and her friends will have to decide how much they’re willing to sacrifice to keep their vulnerable corner of the afterlife. Succeeding would mean rewriting the nature of the Library, but losing would mean obliteration. Their only chance at survival lies in outwitting Hell and writing a new chapter for the Library. Luckily, Claire and her friends know how the right story, told well, can start a revolution. *Library Journal (starred review)
Support and scaffolding are critical for moving students to higher levels of learning. But how do we ensure we’re giving the “right” work and not just extra work? Barbara R. Blackburn has the answers in this important new book. She provides a plethora of strategies for helping students create meaning and become more independent so they can truly learn at rigorous levels. First, she examines the basics of rigor and scaffolding and uncovers the role of planning in scaffolding, including the difference between acceleration and remediation and examples of differentiating instruction with scaffolding. Then she demonstrates a variety of ways to add scaffolding into classroom discourse, vocabulary, comprehension, and writing across the curriculum. Ideas and strategies are provided for different subject areas and levels, so you can easily apply them to your own setting. And finally, she shows the roles of formative assessment and social emotional learning in scaffolding. With this practical book, you’ll have a toolkit of great ideas at your disposal as you foster a learning environment of high expectations and success.