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In this book, Lars Hermanson discusses how religious beliefs and norms steered attitudes to friendship and love, and how these ways of thinking affected social identity and political behaviour. With examples taken from eleventh- and twelfth-century northern Europe, the author investigates why friendship was praised both by brotherhoods of aristocratic warriors and by brethren within monastery walls. Social and political functions rested on personal connections rather than a strong central state in the High Middle Ages. This meant that friendship was an important pragmatic instrument for establishing social order and achieving success in the game of politics.
This book explores the North in Russian romantic literature as a symbol of national particularity. It largely ignores the vogue of Ossian, being primarily concerned with the significance of the North for Russia's national self-image. The author demonstrates how, starting with Lomonosov, the North initially functions as a symbol of Russia's 'new' European identity. Gradually it acquires a different ideological charge, giving voice to growing resentment over the inroads of western culture. By the turn of the century, the North no longer denotes Russia's supposed Europeanness, but its 'unique national' spirit, believed to have been polluted by the slavish imitation of the West. By this time, the theme of winter was discovered as an appropriate vehicle for the expression of nationalist sentiments, culminating in the popular myth of the winter of 1812 as an ally of the Russian people. This study also investigates the theme of 'northern homesickness' as opposed to the lure of the South and concludes by examining the national stereotypes of Russia's northern neighbours, the Swedes and the Finns.