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A beautiful book that showcases how circus figures and artifacts have been portrayed in art over the past two centuries The circus is a dazzling world filled with acrobats and harlequins, tumblers and riders, monsters and celestial creatures. Now this engaging book sets that world in a new light, examining how painters, sculptors, and photographers from the eighteenth century to the present have used the circus as a springboard for their imaginative expression and have envisioned the clown as a metaphor for the modern artist. The book presents more than 175 works by such artists as Degas, Toulouse-Lautrec, Rouault, Picasso, Chagall, and Léger. Some of these are masterful works shown for the first time; these range from the 18-meter stage curtain Picasso designed in 1917 for Erik Satie's ballet Parade to more intimate works such as Nadar and Tournachon's photographs of Pierrot as played by celebrated mime Charles Debureau.
Offers tips on identifying, collecting, and caring for furniture, photographs, posters and illustration art, costume jewelry and wristwatches, dolls, toys, advertising and sports memorabilia, and glass and pottery.
What was Three Centuries of American Art? -- Loaning across oceans : symbolism, risk, and value -- Creating a contemporary American art history across centuries -- Art on paper -- Appendix : tables of artworks included in Three Centuries of American Art.
A Local Kid (Does Only O.K.) is a witty and affectionate account of one boys growing up in Rogers, Arkansas in the late forties and the fifties in the days before malls, credit cards, and big-box stores when people shopped and found entertainment in what is now the historic town center. A 1960 graduate of Rogers High School, Bassham recalls his checkered employment history as a soda jerk, dishwasher, fry cook, carpenter, and sports reporter (at age 17) for the old Rogers Daily News. Begun as a family history for his two daughters, this remembrance of his home town in the years after World War II grew into something more: a collection of lessons learned at the Presbyterian church; of triumphs and (mostly) disappointments on the gridiron and the basketball court; his brief career as a clarinetist under the spell of local musical prodigy Maxie Gundlach; Bens love of the cars that graced dealers showrooms; his devotion to fifties television shows, and the many hours spent watching movies at the old Victory Theater. A cast of colorful local personalities comes alive in his portraits of town characters, its leading citizens (including Cactus Clark, Joe Bill Hackler, Rev. Robert Moser, Heston Juhre, and others), and the authors eccentric relatives. Junk food consumed, clubs joined and abandoned, favorite parking spots, old days at the Monte Ne Pyramids, and fun times on the White River in pre-Beaver Dam days are also lovingly recalled in this enjoyably off-beat autobiography.
Outside the United States, the British Museum has the most comprehensive collection of American prints of the first half of the twentieth century. American Prints from Hopper to Pollock reproduces 147 outstanding prints by 74 leading American artists, including George Bellows, Edward Hopper, Grant Wood, Josef Albers, Alexander Calder, Louise Bourgeois and Jackson Pollock.