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The first critical survey of an unjustly neglected body of literature: the autobiographies and memoirs of writers of Irish birth or background who lived and worked in Britain between 1725 and the present day. It offers a stimulating and provocative introduction to the themes, preoccupations and narrative strategies of a diverse range of writers.
Charles Wright identifies the characteristic features of Irish Christian literature which influenced Anglo-Saxon vernacular authors. As a full-length study of Irish influence on Old English religious literature, the book will appeal to scholars in Old English literature, Anglo-Saxon studies, and Old and Middle Irish literature.
The representation of the Irish in English canonical fictions was to have been the subject of this monograph. The editor realised the enormity of the task and limited the present volume to an overview of the Irish, Irish authors and Ireland in English literature.
English has been spoken in Ireland for over 800 years, making Irish English the oldest variety of the language outside Britain. This 2007 book traces the development of English in Ireland, both north and south, from the late Middle Ages to the present day. Drawing on authentic data ranging from medieval literature to authentic contemporary examples, it reveals how Irish English arose, how it has developed, and how it continues to change. A variety of central issues are considered in detail, such as the nature of language contact and the shift from Irish to English, the sociolinguistically motivated changes in present-day Dublin English, the special features of Ulster Scots, and the transportation of Irish English to overseas locations as diverse as Canada, the United States, and Australia. Presenting a comprehensive survey of Irish English at all levels of linguistics, this book will be invaluable to historical linguists, sociolinguists, syntacticians and phonologists alike.
This well-crafted novel is one of the few novels in either Irish or English that explores this generation of Irish people, often termed the 'silent' or 'lost generation' when over a half-a-million people emigrated, primarily to Britain to work in the post-war economy there - 'building England up and tearing it down again'.
Winner, 2010 Donald Murphy Prize for a Distinguished First Book, American Conference on Irish Studies Renowned as one of the most brilliant satirists ever, Jonathan Swift has long fascinated Hibernophiles beyond the shores of the Emerald Isle. Sean Moore's examination of Swift's writings and the economics behind the distribution of his work elucidates the humorist's crucial role in developing a renewed sense of nationalism among the Irish during the eighteenth century. Taking Swift's Irish satires, such as A Modest Proposal and the Drapier's Letters, as examples of anticolonial discourse, Moore unpacks the author's carefully considered published words and his deliberate drive to liberate the Dublin publishing industry from England's shadow to argue that the writer was doing nothing less than creating a national print media. He points to the actions of Anglo-Irish colonial subjects at the outset of Britain's financial revolution; inspired by Swift's dream of a sovereign Ireland, these men and women harnessed the printing press to disseminate ideas of cultural autonomy and defend the country's economic rights. Doing so, Moore contends, imbued the island with a sense of Irishness that led to a feeling of independence from England and ultimately gave the Irish a surprising degree of financial autonomy. Applying postcolonial, new economic, and book history approaches to eighteenth-century studies, Swift, the Book, and the Irish Financial Revolution effectively links the era's critiques of empire to the financial and legal motives for decolonization. Scholars of colonialism, postcolonialism, Irish studies, Atlantic studies, Swift, and the history of the book will find Moore's eye-opening arguments original and compelling.
A fascinating and entertaining investigation into what makes Ireland so different from its neighbors, by a respected Irish historian. For hundreds of years, the islands and their constituent tribes that make up the British Isles have lived next door to each other in a manner that, over time, suggested some movement towards political union. It was an uneven, stop-start business and it worked better in some places than in others. Still, England, Wales and Scotland have hung together through thick and thin, despite internal divisions of language, religion, law, culture and disposition that might have broken up a less resilient polity. And, for a long time, it seemed that something similar might have been said about the smaller island to the west: Ireland. Ireland was always a more awkward fit in the London-centric mini-imperium but no one imagined that it might detach itself altogether, until the moment came for rupture, quite suddenly and dramatically, in the fall-out from World War I. So, what was it - is it - about Ireland that is so different? Different enough to sever historical ties of centuries with such sudden violence and unapologetic efficiency. Wherein lies the Irish difference, a difference sufficient to have caused a rupture of that nature? In a wide-ranging and witty narrative, historian Fergal Tobin traces the relationship between Ireland and her neighbors, taking in everything from sports and culture to religion and politics, and reveals what it is that makes the Irish so different.
A Companion to the British and Irish Short Story provides a comprehensive treatment of short fiction writing and chronicles its development in Britain and Ireland from 1880 to the present. Provides a comprehensive treatment of the short story in Britain and Ireland as it developed over the period 1880 to the present Includes essays on topics and genres, as well as on individual texts and authors Comprises chapters on women’s writing, Irish fiction, gay and lesbian writing, and short fiction by immigrants to Britain