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In Religion, Culture, and Politics in Pre-Islamic Iran, Bruce Lincoln offers a vast overview on different aspects of the Indo-Iranian, Zoroastrian and Pre-Islamic mythologies, religions and cultural issues.
This volume examines the major cultural, religious, political, and urban changes that took place in the Iranian world of Inner and Central Asia in the transition from the pre-Islamic to the Islamic periods. One of the major civilizations of the first millennium was that of the Iranian linguistic and cultural world, which stretched from today’s Iraq to what is now the Xinjiang Autonomous Region of China. No other region of the world underwent such radical transformation, which fundamentally altered the course of world history, as this area did during the centuries of transition from the pre-Islamic to the Islamic period. This transformation included the religious victory of Islam over Buddhism, Nestorian Christianity, and the other religions of the area; the military and political wresting of Inner Asia from the Chinese to the Islamic sphere of primary cultural influence; and the shifting of Central Asia from a culturally and demographically Iranian civilization to a Turkic one. This book contains essays by many of the preeminent scholars working in the fields of archeology, history, linguistics, and literature of both the pre-Islamic and the Islamic-era Iranian world, shedding light on some of the most significant aspects of the major changes that this important portion of the Asian continent underwent during this tumultuous era in its history. This collection of cutting-edge research will be read by scholars of Middle Eastern, Central Asian, Iranian, and Islamic studies and archaeology. Contributors: D. G. Tor, Frantz Grenet, Nicholas Sims-Williams, Etsuko Kageyama, Yutaka Yoshida, Michael Shenkar, Minoru Inaba, Rocco Rante, Arezou Azad, Sören Stark, Louise Marlow, Gabrielle van den Berg, and Dilnoza Duturaeva.
Persian literature is the jewel in the crown of Persian culture. It has profoundly influenced the literatures of Ottoman Turkey, Muslim India and Turkic Central Asia and been a source of inspiration for Goethe, Emerson, Matthew Arnold and Jorge Luis Borges among others. Yet Persian literature has never received the attention it truly deserves."A History of Persian Literature" answers this need and offers a new, comprehensive and detailed history of its subject. This 18-volume, authoritative survey reflects the stature and significance of Persian literature as the single most important accomplishment of the Iranian experience.The main object of this companion volume is to provide an overview of the most important extant literary sources in Old and Middle Iranian languages - the languages of the Achaemenid, Parthian and Sasanian periods culminating in the rich resource of Pahlavi Persian which fed so directly into the language of the later great Persian poets. It will be an indispensable source for the literary traditions of pre-Islamic Iran and an invaluable guide to the subject.
Persian literature is the jewel in the crown of Persian culture. It has profoundly influenced the literatures of Ottoman Turkey, Muslim India and Turkic Central Asia and been a source of inspiration for Goethe, Emerson, Matthew Arnold and Jorge Luis Borges among others. Yet Persian literature has never received the attention it truly deserves."A History of Persian Literature" answers this need and offers a new, comprehensive and detailed history of its subject. This 18-volume, authoritative survey reflects the stature and significance of Persian literature as the single most important accomplishment of the Iranian experience.The main object of this companion volume is to provide an overview of the most important extant literary sources in Old and Middle Iranian languages - the languages of the Achaemenid, Parthian and Sasanian periods culminating in the rich resource of Pahlavi Persian which fed so directly into the language of the later great Persian poets. It will be an indispensable source for the literary traditions of pre-Islamic Iran and an invaluable guide to the subject.
This book sheds light on the various aspects of the impact of pre-Islamic Iranian literature and culture on Arabic literature and Islamic culture, following the Arabic conquests and the collapse of the Sassanid Empire in Iran in the seventh century. It covers a period in Iranian literary history, dominated by the Arabic language, which was the language of the Quran, when Iranian scholars and administrators were transferring Irans literary and administrative heritage through translation of Iranian books into Arabic and adaptation of Iranian traditions and practices, including the Sassanid administrative, financial and agricultural systems and various cultural practices, to the Islamic Caliphate thus ensuring their survival in a period of turmoil and transition from the Sassanid to the Islamic periods. The book relies on scattered references in Arabic sources mainly from the first centuries of Islam, as the original Iranian sources did not survive the Arab conquests, a primary reason why this area of scholarly research has remained mostly in the dark.The significance of research in this area is that without exposing and understanding of their Iranian roots it is not possible to have a deep and comprehensive understanding of Arab and Islamic literature and culture, and particularly their rapid expansion and diversification during the early centuries of Islam. The work has been translated by Shahrokh Mohammadi, son of the author.
Patricia Crone's book is about the Iranian response to the Muslim penetration of the Iranian countryside, the revolts subsequently triggered there and the religious communities that these revolts revealed. The book also describes a complex of religious ideas that, however varied in space and unstable over time, has demonstrated a remarkable persistence in Iran across a period of two millennia. The central thesis is that this complex of ideas has been endemic to the mountain population of Iran and occasionally become epidemic with major consequences for the country, most strikingly in the revolts examined here and in the rise of the Safavids who imposed Shi'ism on Iran. This learned and engaging book by one of the most influential scholars of early Islamic history casts entirely new light on the nature of religion in pre-Islamic Iran and on the persistence of Iranian religious beliefs both outside and inside Islam after the Arab conquest.
The definitive translation by Dick Davis of the great national epic of Iran—now newly revised and expanded to be the most complete English-language edition A Penguin Classic Dick Davis—“our pre-eminent translator from the Persian” (The Washington Post)—has revised and expanded his acclaimed translation of Ferdowsi’s masterpiece, adding more than 100 pages of newly translated text. Davis’s elegant combination of prose and verse allows the poetry of the Shahnameh to sing its own tales directly, interspersed sparingly with clearly marked explanations to ease along modern readers. Originally composed for the Samanid princes of Khorasan in the tenth century, the Shahnameh is among the greatest works of world literature. This prodigious narrative tells the story of pre-Islamic Persia, from the mythical creation of the world and the dawn of Persian civilization through the seventh-century Arab conquest. The stories of the Shahnameh are deeply embedded in Persian culture and beyond, as attested by their appearance in such works as The Kite Runner and the love poems of Rumi and Hafez. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Arabs and Iranians in the Islamic Conquest Narrative analyzes how early Muslim historians merged the pre-Islamic histories of the Arab and Iranian peoples into a didactic narrative culminating with the Arab conquest of Iran. This book provides an in-depth examination of Islamic historical accounts of the encounters between representatives of these two peoples that took place in the centuries prior to the coming of Islam. By doing this, it uncovers anachronistic projections of dynamic identity and political discourses within the contemporaneous Islamic world. It shows how the formulaic placement of such embellishment within the context of the narrative served to justify the Arabs’ rise to power, whilst also explaining the fall of the Iranian Sasanian empire. The objective of this book is not simply to mine Islamic historical chronicles for the factual data they contain about the pre-Islamic period, but rather to understand how the authors of these works thought about this era. By investigating the intersection between early Islamic memory, identity construction, and power discourses, this book will benefit researchers and students of Islamic history and literature and Middle Eastern Studies.
The first book-length study to examine Turko-Persian culture as an entity.
Winner of the the Roman and Tania Ghirshman Prize 2015 by the French Académie des Inscriptions et Belles-Lettres. This prize was established in 1973 by the donation made by Roman Ghirshman, one of the prominent French archaeologists of Pre-Islamic Iran. It is awarded annually for a publication in the field of Pre-Islamic Iranian Studies. In Intangible Spirits and Graven Images, Michael Shenkar investigates the perception of ancient Iranian deities and their representation in the Iranian cults. This ground-breaking study traces the evolution of the images of these deities, analyses the origin of their iconography, and evaluates their significance. Shenkar also explores the perception of anthropomorphism and aniconism in ancient Iranian religious imagery, with reference to the material evidence and the written sources, and reassesses the value of the Avestan and Middle Persian texts that are traditionally employed to illuminate Iranian religious imagery. In doing so, this book provides important new insights into the religion and culture of ancient Iran prior to the Islamic conquest.