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Excerpt from Die Griechischen Lyriker oder Elegiker, Jambographen und Meliker: Ausgewählte Proben, im Versmasz der Urschrift Übersetzt und Durch Einleitungen und Anmerkungen Erläutert Febr fo gut ai6 Qllle6 munblieb abgemaebt. @olebe 8uftiinbe erbalten, fieb bann bei bem £bolf nocb lange fort neben ber au6. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This revised and updated book is a guide for the listener, collector, singer, player and devotee of folk music. It covers music from string band to bluegrass, Canadian, Creole, Zydeco, jug bands, ragtime and the many kinds of blues. The book evaluates, reviews and recommends on such subjects as where to buy records and instruments and places where folk music flourishes.
Ralph Vaughan Williams is one of the greatest English composers. He studied under such teachers as Parry, Charles Wood, and Alan Gray, and later in Germany with Max Bruch and in France with Ravel, developing a strongly individual style that marked him out, with Holst and others, as one of theleaders of the twentieth-century revival of English music. He never hesitated to express his views in plain, vigorous prose, and he became well-known for his essays which combine typical common sense with a true composer's sensitivity. This collection contains all his writings that he thought worth preserving in book form. The themes and subjects discussed in these essays reflect his wide range of interests and cover such topics as nationalism in music, the evolution of folk-song, and the origins of music, as well as pieces on individual composers such as Beethoven, Gustav Holst, Bach, Sibelius, Arnold Bax, andElgar. Also included are more general reflections of the making of music, its purpose and effects, and the social foundations of music.
Country music grew up in Tennessee, drawing from sources in the white rural music of East and Middle Tennessee, from the church music of country singing conventions, and from the black music of the Memphis area. The author traces the vital role played by Tennessee and its musicians in the development of this unique American art form.
Music Book is a 64-page facsimile artist's book by Sarah Cain, comprising a series of colorful abstractions painted directly over a collection of vintage sheet music. The original book of music was found in Switzerland and Cain's paintings within collide with and respond to the previous owner's handwritten notes. Music Book is an extension of Cain's works on paper that balance her installation and large-scale painting practice: these works are intimate meditations; intricate and small-scale. Cain has been painting Music Book since 2008 and has carried it through three studios. It is this journal of time that you can open up, start, close, put away, like a diary. Music Book is co-published by X Artists' Books and the Frances Young Tang Teaching Museum on the occasion of Cain's exhibition, Sarah Cain--Enter the Center.
The Beautiful Music All Around Us presents the extraordinarily rich backstories of thirteen performances captured on Library of Congress field recordings between 1934 and 1942 in locations reaching from Southern Appalachia to the Mississippi Delta and the Great Plains. Including the children's play song "Shortenin' Bread," the fiddle tune "Bonaparte's Retreat," the blues "Another Man Done Gone," and the spiritual "Ain't No Grave Can Hold My Body Down," these performances were recorded in kitchens and churches, on porches and in prisons, in hotel rooms and school auditoriums. Documented during the golden age of the Library of Congress recordings, they capture not only the words and tunes of traditional songs but also the sounds of life in which the performances were embedded: children laugh, neighbors comment, trucks pass by. Musician and researcher Stephen Wade sought out the performers on these recordings, their families, fellow musicians, and others who remembered them. He reconstructs the sights and sounds of the recording sessions themselves and how the music worked in all their lives. Some of these performers developed musical reputations beyond these field recordings, but for many, these tracks represent their only appearances on record: prisoners at the Arkansas State Penitentiary jumping on "the Library's recording machine" in a rendering of "Rock Island Line"; Ora Dell Graham being called away from the schoolyard to sing the jump-rope rhyme "Pullin' the Skiff"; Luther Strong shaking off a hungover night in jail and borrowing a fiddle to rip into "Glory in the Meetinghouse." Alongside loving and expert profiles of these performers and their locales and communities, Wade also untangles the histories of these iconic songs and tunes, tracing them through slave songs and spirituals, British and homegrown ballads, fiddle contests, gospel quartets, and labor laments. By exploring how these singers and instrumentalists exerted their own creativity on inherited forms, "amplifying tradition's gifts," Wade shows how a single artist can make a difference within a democracy. Reflecting decades of research and detective work, the profiles and abundant photos in The Beautiful Music All Around Us bring to life largely unheralded individuals--domestics, farm laborers, state prisoners, schoolchildren, cowboys, housewives and mothers, loggers and miners--whose music has become part of the wider American musical soundscape. The hardcover edition also includes an accompanying CD that presents these thirteen performances, songs and sounds of America in the 1930s and '40s.