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This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
In this revised and greatly expanded edition of the Companion, 80 scholars come together to offer an original and far-reaching assessment of English Renaissance literature and culture. A new edition of the best-selling Companion to English Renaissance Literature, revised and updated, with 22 new essays and 19 new illustrations Contributions from some 80 scholars including Judith H. Anderson, Patrick Collinson, Alison Findlay, Germaine Greer, Malcolm Jones, Arthur Kinney, James Knowles, Arthur Marotti, Robert Miola and Greg Walker Unrivalled in scope and its exploration of unfamiliar literary and cultural territories the Companion offers new readings of both ‘literary’ and ‘non-literary’ texts Features essays discussing material culture, sectarian writing, the history of the body, theatre both in and outside the playhouses, law, gardens, and ecology in early modern England Orientates the beginning student, while providing advanced students and faculty with new directions for their research All of the essays from the first edition, along with the recommendations for further reading, have been reworked or updated
Modern Bible translations are at a crossroads as multiple translation philosophies argue that Bible translations ought to be done a certain way. So who's right? And what has been the historic view of English Bible translators? Leland Ryken, an expert on the literature of the Bible, brings clarity to questions of how modern Bible translations should be viewed in their historical context. He begins by tracing the history of English Bible translation from William Tyndale to the King James Bible, outlining important distinctions. In the view of these historic translators, there is a right way and a wrong way to translate the Bible. Ryken concludes that essentially literal Bible translations best adhere to the legacy of classic English Bible translation. He contends that the English Standard Version is a true heir of this classical stream and concludes with an argument on why the ESV can serve as the translation of choice for Christians in all walks of life. This book will be a great resource for Christians who have questions about why we have different Bible translations and how to choose between them.
Donald L. Brake quantifies the legacy of this remarkable tome's unique place in history. The 1611 King James Version is the cornerstone and linchpin for all subsequent English translations. He vividly portrays the quality of this seventeenth-century translation as that of precision, enchantment, and passion of a sacred book that has shaped human history for more than two thousand years. He recounts details that emphasize its use of a metric style and rhythm generating a lyrical masterpiece with a compelling resonance for public reading. The KJV's mastery of English expression and its seemingly endless staying power is unparalleled among modern versions. Using thorough comparisons of editions and versions, the author has researched the KJV with the goal of an honest and reasoned approach to the ever-debated value of the popular, but outdated Authorized Version. Brake's study prompted him to do a worldwide census of surviving 1611 "He" Bibles (identified from Ruth 3:15: ". . . and he went into the city."). His purpose was to establish a pedigree of sorts by recording for each copy an exhaustive description eliminating much of the risk of confusion in identifying the nearly 200 extant copies. He cautions that the value of any original KJV depends on a positive identification of authenticity. Brake's work confirms the premise that the literary merits and conscientious translation of a seventeenth-century book has profound twenty-first century relevance.
Covers the effects of the Bible on the West from the Reformation to the publication of the New English Bible.
Understanding the Bible as an account of the unfolding revelation of God to humankind through history, Roland Mushat Frye suggests that the many sub-plots, monologues, and reflections of the Bible compose a coherent story that continues through both the Old and New Testaments. "The convictions of the Bible, to be sure, are the convictions of religion and ethics," he writes, "but the methods are the methods of literature." Carefully arranging a selection of excerpts that comprise approximately one-fourth of the entire Bible, he enables the reader to follow chronologically the main narrative as well as the most significant asides. With introductory and explanatory material providing transition and background information, the reader progresses from book to book as from chapter to chapter in a novel. Thus, this is called The Reader's Bible because it may be read as a narrative, as a story that unifies consecutive events through which the character of God gradually unfolds. God first appears in the opening of Genesis with the creation of the universe; against this backdrop the human drama is played. We see Everyman and Everywoman endowed with a life in harmony as long as they accept the primacy of God. When they repudiate this primacy, chaos replaces harmony and they find themselves in a wilderness rather than in a garden. God then turns from the attempt to create a righteous and peaceful order for all of humanity to a concentration on one segment of humanity-the race of Abraham--for the development of a conception of human personality and community that may serve as a pattern for all human beings. Professor Frye writes that however miraculous the entrances of God upon the stage may appear to be, they do constitute entrances into ordinary human affairs. These encounters Invite us to look both within and beyond them to what they reveal about God and about ourselves. Concerned with the matter of living here and hereafter, the different biblical histories and stories are brought together to provide cumulative insight into human nature and destiny.
This is a one volume, up-to-date collection of more than fifty wide-ranging essays which will inspire and guide students of the Renaissance and provide course leaders with a substantial and helpful frame of reference. Provides new perspectives on established texts. Orientates the new student, while providing advanced students with current and new directions. Pioneered by leading scholars. Occupies a unique niche in Renaissance studies. Illustrated with 12 single-page black and white prints.
God Speaks Your Language is a presentation of the theories and issues facing modern Bible readers. It encourages readers to let God’s word speak for itself. English words must be accurate in their literary narrative, in the beauty of poetic verse, and in mysterious figurative language—all to capture the rich meaning of his revealed word. Our first language is the window into our soul. To know God, to share our deepest feelings with our Creator, we will do it in our mother tongue. It is the Bible in our language that will truly massage our minds and allow the “words” of the Infinite to penetrate our inner self. The need for study Bibles enables the reader to apply translation into added explanation. Proper analysis of Bible versions will help avoid selecting a version one likes because it fits one’s lifestyle or church tradition.