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This new biography of Lady Blessington, the first in more than eighty years, illuminates the private and public life of this important but neglected salonnière and author. This study enriches our knowledge of the social, political, and literary history of the post-Romantic and early Victorian era. It examines Lady Blessington’s close friendships with politicians and writers, especially Edward Bulwer Lytton and Benjamin Disraeli. Statesmen, diplomats, writers, and artists were her constant visitors, as they found her friendship and conversation invaluable to their professional and social lives. The circumstances of a life lived in luxury and indulgence changed upon the death of Lady Blessington’s husband, forcing her to support herself and several dependents with her writing. Throughout this biography, Lady Blessington’s voice is evident and should reawaken scholarly and popular interest in her voluminous works. She wrote twenty novels in genres including silver-fork fiction, psychological drama, and verse narrative. She also produced four travel books, many short stories, and numerous poems and edited the popular literary gift annuals Heath’s Book of Beauty and The Keepsake. This book reveals the humanity of a woman whom contemporary gossip considered scandalous because of her alleged relationship with her stepdaughter’s estranged husband, Count D’Orsay. Lady Blessington’s struggle in the face of many challenges is an inspiring story of individual strength. It is a tale of a woman whose legacy of integrity, determination, and sheer hard work provides us with enlarged insights into an era and society often overlooked by history.
This book explores the boundaries of British continental travel and tourism in the nineteenth century, stretching from Norway to Bulgaria, from visitors’ albums to missionary efforts, from juvenilia to joint authorship. The essay topics invoke new aesthetics of travel as consumption, travel as satire, and of the developing culture of tourism. Chronologically arranged, the book charts the growth and permutations of this new consumerist ideology of travel driven by the desires of both men and women: the insatiable appetite for new accounts of old routes as well as appropriation of the new; interart reproductions of description and illustration; and wider cultural manifestations of tourism within popular entertainment and domestic settings. Continental tourism provides multiple perspectives with wide-ranging coverage of cultural phenomena increasingly incorporated into and affected by the nineteenth-century continental tour. The essays suggest the coextension of travel alongside experiential boundaries and reveal the emergence of a consumerist attitude toward travel that persists in the present day.
Thomas Moore was one of the most prominent authors of the early 19th century. This collection presents over 600 previously unpublished letters from numerous libraries, archives and other sources worldwide. Vail's extensively-annotated edition will make available a treasure trove of material which will prove invaluable to any Romantic scholar.
Byron was—to echo Wordsworth—half-perceived and half-created. He would have affirmed Jean Baudrillard's observation that "to seduce is to die to reality and reconstitute oneself as illusion." But among the readers he seduced, in person and in poetry, were women possessed of vivid imaginations who collaborated with him in fashioning his legend. Accused of "treating women harshly," Byron acknowledged: "It may be so—but I have been their martyr. My whole life has been sacrificed to them and by them." Those whom he spell bound often returned the favor in their own writings tried to remake his public image to reflect their own. Through writings both well known and generally unknown, James Soderholm examines the poet's relationship with five women: Elizabeth Pigot, Caroline Lamb, Annabella Milbanke, Teresa Guiccioli, and Marguerite Blessington. These women participated in Byron's life and literary career and the manipulation of images that is the Byron legend. Soderholm argues against the sentimental depictions of biographers who would preserve Byron's romantic aura by diminishing the contributions of these women to his social, sexual, and literary identity. By restoring the contexts in which literary works charm or bedevil particular readers, the author shows the consequences of Byron's poetic seductions during and after his life.
Innovative and comprehensive coverage of women writers' careers and literary achievements spanning many literary genres during the Victorian period.
Sally Ledger offers substantial readings of the influences of radical writers on works from Pickwick to Little Dorrit.
Elizabeth Craven’s fascinating life was full of travel, love-affairs and scandals but this biography, the first to appear for a century, is the only one to focus on her as a writer and draw attention to the full range of her output, which raises her stature as an author considerably. Born into the upper class of Georgian England, she was pushed into marriage at sixteen to Lord Craven and became a celebrated society hostess and beauty, as well as mother to seven children. Though acutely conscious of her relative lack of education, as a woman, she ventured into writing poetry, stories and plays. Incompatibility and infidelities on both sides ended her marriage and she had to move to France where, living in seclusion, she wrote the little-known feminist work Letters to Her Son. In the years that followed, she travelled extensively all over Europe and turned her letters into a travelogue which is one of her best-known works. On her return she went to live in Germany as the companion and eventually second wife of the Margrave of Ansbach. At his court she organised and appeared in theatricals, and wrote several more plays of great interest, including The Modern Philosopher. In 1792 she and the Margrave settled in England, where they were never fully accepted by the more strait-laced pillars of society but mixed with all the musicians and actors and the more rakish of the Regency set. Craven continued to put on her own theatricals and write for the theatre. In her old age, she moved to Naples where she passed her time sailing, gardening and writing her Memoirs. Even in her final years, scandal dogged her, and Craven made her feminist principles and criticisms of the laws of marriage apparent through her involvement in the notorious divorce case of Queen Caroline.
This is an intellectual history of occult and esoteric currents in the English-speaking world from the early Romantic period to the early twentieth century. The Theosophical Society, founded in 1875 by Helena P. Blavatsky, holds a crucial position as the place where all these currents temporarily united, before again diverging. The book's ambiguous title points to the author's thesis that Theosophy owed as much to the skeptical Enlightenment of the eighteenth century as it did to the concept of spiritual enlightenment with which it is more readily associated. The author respects his sources sufficiently to allow that their world, so different from that of academic reductionism, has a right to be exhibited on its own terms. At the same time he does not conceal the fact that he considers many of them deluded and deluding. In the context of theosophical history, this book is neither on the side of the blind votaries of Madame Blavatsky, nor on that of her enemies. It may, therefore, be expected to mildly annoy both sides.