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This omnibus edition brings together Nicholas Woodsworth’s critically acclaimed Mediterranean trilogy into a single volume for the first time, allowing readers to fully appreciate the scope of Woodsworth’s search for a distinctively Mediterranean “cosmopolitanism.” Combining travel narrative, history, and reflection on contemporary lives and cultures, Woodsworth finds an intimacy, a garrulous warmth, and an extraordinary sociability as he travels from Alexandria through Venice and finally installs himself in a former Benedictine monastery in Istanbul overlooking the Golden Horn. Responding to this experience, he argues that the sea should not be seen as an empty space surrounded by Europe, Asia, and Africa, but rather as a single entity, a place from whose coastlines people look inwards over the water to each other—for it has its own cities, its own life, its own way of being.
Of all the great powers of the Mediterranean past, Venice was the most commercially ambitious. Her great wealth and sophisticated culture were products of a commercial empire that stretched from the Adriatic to the ports of the Levant, and her long history is studded with sea dramas of war, crusade and intrigue.
This is the third in a trilogy of travelogues covering the ancient modern ports on the coast of the Mediterranean.
Under the Ottomans, who ruled the eastern Mediterranean for 500 years, cosmopolitan life in Istanbul took a particularly vigorous and productive form, creating a web of connection and identity that is conspicuously absent in our own era.
The Liquid Continent, whose three volumes can be read independently, combines travel narrative, history and reflection on the contemporary Mediterranean. Beginning in Alexandria, the author travels overland around the eastern rim of the sea.
Architecture, Islam, and Identity in West Africa shows you the relationship between architecture and Islamic identity in West Africa. The book looks broadly across Muslim West Africa and takes an in-depth study of the village of Larabanga, a small Muslim community in Northern Ghana, to help you see how the built environment encodes cultural history through form, material, and space, creating an architectural narrative that outlines the contours of this distinctive Muslim identity. Apotsos explores how modern technology, heritage, and tourism have increasingly affected the contemporary architectural character of this community, revealing the village’s current state of social, cultural, and spiritual flux. More than 60 black and white images illustrate how architectural components within this setting express the distinctive narratives, value systems, and realities that make up the unique composition of this Afro-Islamic community.