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Initially, in a small kingdom ruled by King Alexander, there was a fierce lion named Asher who lived in the jungle. King Alexander was known for his hunting skills and decided to track down Asher to add him to his collection of trophies. After a long hunt, King Alexander finally found Asher and took aim with his bow and arrow. However, he missed his shot, and Asher retaliated by jumping on King Alexander,
"Now fans of Disney's The Lion Guard can meet the dazzling array of animals from A to Z that Kion and his friends protect in the Pride Lands. This lenticular alphabet book reveals the diversity of the animal kingdom and is full of fun facts and one exciting visual surprise after another!"--
After the death of virtually all of her family in the battle of Camlan, Goewin--Princess of Britain, daughter of the High King Artos--makes a desperate journey to African Aksum, to meet with Constantine, the British ambassador and her fiance. But Aksum is undergoing political turmoil, and Goewin's relationship with its ambassador to Britain makes her position more than precarious. Caught between two countries, with the power to transform or end lives, Goewin fights to find and claim her place in a world that has suddenly, irrevocably changed. . . .
A purrr-fectly scintillating new novel from the national bestselling author of Accidentally Demonic. Katie Woods never thought she'd be forty-one, divorced, and thrust back into the dating world. To start fresh, Katie uproots her veterinary practice to upstate New York-not exactly the hottest dating scene on the planet. But when an unconscious cougar appears at her clinic, Katie's newly single life gets a much needed jolt of the supernatural kind. After Katie examines the cougar and leaves him caged overnight, she's shocked to find a big strapping specimen of young, hot man in its place. And when the scratch she got during the exam results in some unnatural side effects, Katie has more to deal with then her animal attraction to a much younger guy-she has to figure how to stop herself from becoming a cougar of the four-legged variety.

Lex, rex: the law and the prince, a dispute for the just prerogative of king and people, containing the reasons and causes of the defensive wars of the kingdom of Scotland, and of their expedition for the ayd and help of their brethren of England. In which a full answer is given to a seditious pamphlet, intituled, Sacro-sancta regum majestas, penned by J. Maxwell. By S. Rutherford. [Followed by] De jure regni apud Scotos; a dialogue, tr. by R. Macfarlan (repr. from the ed. of 1799).

Samuel Rutherford

Published: 1843

Total Pages: 324


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Bertolt Brecht turned to cabaret; Ariane Mnouchkine went to the circus; Joan Littlewood wanted to open a palace of fun. These were a few of the directors who turned to popular theatre forms in the last century, and this sourcebook accounts for their attraction. Popular theatre forms introduced in this sourcebook include cabaret, circus, puppetry, vaudeville, Indian jatra, political satire, and physical comedy. These entertainments are highly visual, itinerant, and readily understood by audiences. Popular Theatre: A Sourcebook follows them around the world, from the bunraku puppetry of Japan to the masked topeng theatre of Bali to South African political satire, the San Francisco Mime Troupe's comic melodramas, and a 'Fun Palace' proposed for London. The book features essays from the archives of The Drama Review and other research. Contributions by Roland Barthes, Hovey Burgess, Marvin Carlson, John Emigh, Dario Fo, Ron Jenkins, Joan Littlewood, Brooks McNamara, Richard Schechner, and others, offer some of the most important, informative, and lively writing available on popular theatre. Introducing both Western and non-Western popular theatre practices, the sourcebook provides access to theatrical forms which have delighted audiences and attracted stage artists around the world.
(Piano/Vocal/Guitar Songbook). 14 songs from the soundtrack to this television series from Disney Junior. Our folio includes four pages of adorable color artwork from the series plus piano/vocal/guitar arrangements of: A Beautiful Day * Call of the Guard (The Lion Guard Theme) * Here Comes the Lion Guard * It Is Time * Kion's Lament * My Own Way * Panic and Run * We're the Same (Sis Ni Sawa) * and more.
Former Archbishop of Canterbury Rowan Williams offers fascinating insight into The Chronicles of Narnia, the popular series of novels by one of the most influential Christian authors of the modern era, C. S. Lewis. Lewis once referred to certain kinds of book as a "mouthwash for the imagination." This is what he attempted to provide in the Narnia stories, argues Williams: an unfamiliar world in which we could rinse out what is stale in our thinking about Christianity--"which is almost everything," says Williams--and rediscover what it might mean to meet the holy. Indeed, Lewis's great achievement in the Narnia books is just that-he enables readers to encounter the Christian story "as if for the first time." How does Lewis makes fresh and strange the familiar themes of Christian doctrine? Williams points out that, for one, Narnia itself is a strange place: a parallel universe, if you like. There is no "church" in Narnia, no religion even. The interaction between Aslan as a "divine" figure and the inhabitants of this world is something that is worked out in the routines of life itself. Moreover, we are made to see humanity in a fresh perspective, the pride or arrogance of the human spirit is chastened by the revelation that, in Narnia, you may be on precisely the same spiritual level as a badger or a mouse. It is through these imaginative dislocations that Lewis is able to communicate--to a world that thinks it knows what faith is--the character, the feel, of a real experience of surrender in the face of absolute incarnate love. This lucid, learned, humane, and beautifully written book opens a new window onto Lewis's beloved stories, revealing the moral wisdom and passionate faith beneath their perennial appeal.