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This book shows how vitamin A deficiency – before the vitamin was known to scientists – affected millions of people throughout history. It is a story of sailors and soldiers, penniless mothers, orphaned infants, and young children left susceptible to blindness and fatal infections. We also glimpse the fortunate ones who, with ample vitamin A-rich food, escaped this elusive stalker. Why were people going blind and dying? To unravel this puzzle, scientists around the world competed over the course of a century. Their persistent efforts led to the identification of vitamin A and its essential role in health. As a primary focus of today’s international public health efforts, vitamin A has saved hundreds of thousands of lives. But, we discover, they could save many more were it not for obstacles erected by political and ideological zealots who lack a historical perspective of the problem. Although exhaustively researched and documented, this book is written for intellectually curious lay readers as well as for specialists. Public health professionals, nutritionists, and historians of science and medicine have much to learn from this book about the cultural and scientific origins of their disciplines. Likewise, readers interested in military and cultural history will learn about the interaction of health, society, science, and politics. The author’s presentation of vitamin A deficiency is likely to become a classic case study of health disparities in the past as well as the present.
Heritage is synonymous with Nassau Country Club, home of the "two dollar Nassau wager"; also of the original Calamity Jane, renowned putter of Bobby Jones, & the Nassau bowl, oldest tennis award in the U.S. This Nassau Journey began 100 years ago in the heart of the old Gold Coast of Glen Cove, Long Island. The founders were rich in the history of this country at the turn into the 1900's. Among its first golf professionals were Alex Smith & Jimmie Maiden, from Carnoustie, Scotland. Nassau CC was The Place To Be for Jones, Travers, & Hagen, Vardon & Ray--for Nassau Bowl aspirants tennis greats Clothier, Tilden, Riggs, Trabert & Newcombe--J. P. Morgan & Percy Chubb--past Presidents of the U.S., luminaries, & royalty from abroad. Nassau is that rich in past tournaments in golf, lawn tennis, & squash that we earnestly researched & detailed many matches stroke by stroke; although unique for a club history, we invite the true follower to relive the excitement of days past to the present. Along the way, we introduce our members, their fun ways, the challenges exacerbated by two world wars, & the paths followed to solve problems & insure a future bicentennial.
This study reinterprets a crucial period (1870s-1920s) in the history of women's rights, focusing attention on a core contradiction at the heart of early feminist theory. At a time when white elites were concerned with imperialist projects and civilizing missions, progressive white women developed an explicit racial ideology to promote their cause, defending patriarchy for "primitives" while calling for its elimination among the "civilized." By exploring how progressive white women at the turn of the century laid the intellectual groundwork for the feminist social movements that followed, Louise Michele Newman speaks directly to contemporary debates about the effect of race on current feminist scholarship. "White Women's Rights is an important book. It is a fascinating and informative account of the numerous and complex ties which bound feminist thought to the practices and ideas which shaped and gave meaning to America as a racialized society. A compelling read, it moves very gracefully between the general history of the feminist movement and the particular histories of individual women."--Hazel Carby, Yale University
Reproduction of the original: Sixty Years of California Song by Margaret Blake-Alverson
This biography of one of the 20th century's leading internationalists, Sir Norman Angell, author of 'The Great Illusion', Labour MP, and winner of the Nobel Peace Prize, reveals that his life has hitherto been much misrepresented and misunderstood.
Introduction/ Nancy K. Anderson -- What's out there? Frederic Remington's art of darkness/ William C. Sharpe -- Dark, disquiet: Remington's late nocturnes/ Nancy Anderson -- Burning daylight: Remington, electricity, and flash photography/ Alexander Nemerov -- Nocturnes: a catalogue -- Appendix: Notes on conservation/ Ross Merrill, Thomas J. Branchick, Perry Huston, Norman E. Muller, Robert G. Proctor, Jr., Jill Whitten.
Printmaking exploded with creative energy at the end of the nineteenth century in France. Artists such as Pierre Bonnard, Edouard Vuillard, Henri de Toulouse-Lautrec, Paul Gauguin and Odilon Redon were at the forefront of the avant-garde movement to reinvigorate the applied arts through colour printmaking.Prints Abound probes the phenomenal outpouring of print publications in late nineteenth-century France. Exploring the artistic, technical, economic, commercial and cultural circumstances of 1890s Paris, Prints Abound reaches a fuller understanding of Art Nouveau, which emphasised the fusion of exquisite design with the everyday. The achievements of Bonnard are stressed and his work is represented in depth, with spirited posters, contributions to solo and collective portfolios, designs for music primers and illustrated books, and an outstanding four-panel folding screen of a fashionable street scene in fin-de-siècle Paris.Phillip Dennis Cate, Director of the Zimmerli Art Museum at Rutgers University, has written the introduction and a text on illustrated books; Richard Thomson, Chair of the Art History Department at the University of Edinburgh, discusses single-artist print albums; and Gale B. Murray, Chair of the Art History Department at Colorado College, considers music illustration.Prints Abound will be fascinating reading for print collectors and dealers, art historians and all those with an interest in this important period of French culture.
This work is a comparative study of nineteenth-century English-Canadian and French Canadian novel prefaces, a previously unexplored literary topic. As a study in Comparative Literature - with the application of a specific literary framework and methodology - the study conforms to theoretical and methodological postulates formulated in and prescribed by this framework when applied. This a priori postulate necessitates that the research on and the presentation of the Canadian novel preface be carried out in a specific manner, as follows. First, the study will establish the hypothesis that the preface to nineteenth-century English-Canadian and French-Canadian novels is a genre in its own right. This hypothesis will rest on the following: 1) a taxonomical survey of related terms meaning "preface"; 2) a survey of secondary Iiterature of works dealing with the preface; 3) a discussion of the theoretical framework and methodology of the Empirical Theory of Literature and its appropriateness for the study of the preface; and 4) a discussion of the process of the compilation of the corpus of nineteenth-century Canadian novel prefaces (Chapter one). In a second step, the theoretical postulate outlined in the hypothesis will be put into practice by the development and production of a preface typology (Chapter two). In a third step, further tenets of the Empirical Theory of Literature will be tested on the corpus of the prefaces (Chapter three). In a fourth step, the prefaces will be analysed following the tenets formulated in and prescribed by the systemic framework applied (Chapter four).